Showing posts with label sheep. Show all posts
Showing posts with label sheep. Show all posts

Monday, April 5, 2021

My Entry in The New Yorker Cartoon Caption Contest #750

I spent a lot of time woolgathering for The New Yorker Cartoon Caption Contest #750 dated April 5, 2021. My caption may be seen below. The drawing is by Akeem Roberts.

"Thanks, but I sleep just fine."



These captions were too sheepish:

"I'm not going to be the one to tell them we're lost."
"See? We don't need a step tracker."
"The glue worked, but how do we get them home?"
"It's easy once they've imprinted on us."
"Me too. I spend a lot of time gathering wool."




April 17, 2021 Update:  The Finalists





April 24, 2021 Update:  I voted for the caption from Goshen.


May 8, 2021 Update:
  The Winner






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Saturday, January 2, 2021

Harry Bliss: Inspired by Charles Addams

Last week we saw how Harry Bliss's cover art for The New Yorker issue of December 28, 2020 was directly based on a cartoon by Charles Addams that ran in the magazine back on December 27, 1952. Bliss readily acknowledges his debt to Addams, which can also be seen in his daily syndicated panel strip called simply Bliss. The panel for this past Tuesday, December 29, may well have been inspired by Addams's New Yorker cover of May 19, 1975:



Charles Addams
The New Yorker, May 19, 1975





On Halloween day of 2020, the inspiration for the Bliss cartoon was obvious to all with its appropriation of Addams Family characters—but to what end? Addams would never have created a gag like this. It reads, "Apologies to Charles Addams" at the lower left. (By the way, don't try this at home.)


Note:  My post on the December 28, 2020 New Yorker cover is here.



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Monday, November 16, 2020

My Entry in The New Yorker Cartoon Caption Contest #733

I hope you appreciate the sheer—or is it shear?—audacity of my entry in The New Yorker Cartoon Caption Contest #733 for November 16, 2020. The drawing is by Marisa Acocela.

"Apparently they'd prefer a wolf in polyester."





November 23, 2020 Update:  The Finalists




November 30, 2020 Update:
  I voted with Vancouver.



December 13, 2020 Update:
  The Winner




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Wednesday, October 14, 2020

The Cartoon Collections Caption Contest #96

I did not enter the Cartoon Collections Caption Contest #96 this week and, given my preliminary caption, I don't think anything was lost. The drawing of a pair of sheep cowboys is by Lars Kenseth.

"No, I don't think we look alike to them."



October 23, 2020 Update:  The Winner



Lars Kenseth's Captions:

https://more.cartooncollections.com/sheep-herding-caption-contest-commentary-with-lawrence-wood/






Quick Links to the Attempted Bloggery Archives:

Lars Kenseth

Cowboys
  
 
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Saturday, September 26, 2020

Warren Miller's Crossing

One of my less enviable tasks on this blog is to document the low prices for which some original New Yorker art sells on the auction market. My position, of course, is that a New Yorker original—any original—represents an extraordinary achievement. Of the thousand or more gag cartoon submissions the magazine receives each week from professional and amateur cartoonists alike, perhaps one or two dozen appear in each issue. The issue of September 8, 1975, for example, in which Warren Miller's uncaptioned cartoon of a crossroad was published, contained only seventeen cartoons in total. Miller's cartoon, framed and matted, sold on eBay last month for only $24.99.

Warren Miller
The New Yorker, September 8, 1975, page 43

Such low selling prices can be attributed in part to a general lack of appreciation. Humor in the arts tends to be undervalued; academic scrutiny, for example, is largely reserved for more serious subjects. The single-panel gag cartoon is especially poorly-appreciated. It has disappeared from practically every publication other than The New Yorker. Even among that magazine's readers, many don't think or care all that much about cartoons that appeared prior the current issue. The public may still esteem the work of Charles Addams, and rightly so, but how many have even heard of W. Miller? 

Detail of Miller's Crossing

Yet much of the reason for the poor showing of the Miller cartoon on eBay has absolutely nothing to do with Miller, his cartoon, the public, or institutions of higher learning. The eBay seller has failed to describe his item accurately. He did look up that W. Miller's first name is Warren, a good start, but Miller is described as a New York cartoonist, and that is simply the wrong magazine. Those searching for New Yorker work on eBay would have a very hard time finding this. The eBay seller clearly has no idea whether this gag cartoon was ever published and, to be fair, there is no caption to Google.

Warren Miller's signature


After publishing this post earlier today, a friend who enjoys proving others wrong wrote to point out that the halftone seen in the images above has an offset printing dot pattern, which would indicate this is an inexpensively-produced print rather than an original. It's not always so easy to tell a print from an original in a photo, although the caption can often be a giveaway. This cartoon, as already mentioned, doesn't have a printed caption and the eBay seller described it as a "Small Original Warren Miller Cartoon," which it now seems not to be. So this probably wasn't the right day to get on my high horse about prices. For a framed print, the $24.99 price is just fine, thank you. I could still say a thing or two about print quality but I'll save it for another day.



Warren Miller
eBay listing ended August 19, 2020

Warren Miller
eBay item description

Warren Miller
eBay bid history
One bid in the final hour

[End of eBay listing]

Warren Miller
The New Yorker, September 8, 1975
Page 43


Spot drawing by R. MacM. (Robert MacMillan) and cartoon by Warren Miller


Spot drawing
R. MacM (probably Robert MacMillan)



Note:  My thanks to cartoonist and author Michael Maslin for identifiying New Yorker writer Robert MacMillan as the probable spot artist. I am not at all familiar with MacMillan's art and would like to hear from readers who know of other examples.

Thanks also to the friend who spotted that this small work is actually a print.

Images of true original art by Warren Miller are still in demand here on the blog.

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Monday, January 6, 2020

My Entry in The New Yorker Cartoon Caption Contest #692

Try on for size my entry in The New Yorker Cartoon Caption Contest #692. The date is January 6, 2020. The drawing is by Mort Gerberg.
"I love it! Let me treat you to dinner."


These captions needed to be taken in:
"It's the proverbial perfect fit!"
"Does this outfit make my jaw look big?"



January 13, 2020 Update:  The Finalists


January 20, 2020 Update:
  I voted with Winchester, but I admire the fact that the caption from Arden is a vast improvement on my own effort.


January 27, 2020 Update:  The Winner



Note:  In last week's Caption Contest, cartoonist Paul Karasik knit quite the snowman story. Pack it in for Contest #691.



Quick Links to the Attempted Bloggery Archives
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Friday, June 7, 2019

Carl Rose: Wolves in Sheep's Clothing

Did a Madison Avenue advertising campaign successfully counteract Axis propaganda? Ad agency Young & Rubicam's 1943 ad illustrated by cartoonist Carl Rose attempted to alert wartime readers to the presence of supposed news stories that were in reality disinformation promulgated by "Goebbels and his propaganda machine." Rose dutifully illustrated a trio of menacing Nazi wolves disguised in sheep's clothing, which the ad copy described as "the cloak of loyal opposition." Readers were warned that any alleged news that hurt morale; fostered distrust in government, business, or labor; discredited our allies; or benefited our enemies automatically should be suspect. But, while these may have aroused one's suspicions, was that truly the way to verify that a news story was absolutely false? Sometimes the truth can be demoralizing. Sometimes our government or our allies deserved to be discredited. And sometimes a formula for spotting enemy propaganda could be woefully simplistic.


"Praise the Lord—we'll pass as opposition!"
Carl Rose
Young & Rubicam advertisement
1943



Quick Links to the Attempted Bloggery Archives:

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Wednesday, March 6, 2019

The Cartoon Collections Caption Contest #13

Here's a roundup of the Cartoon Collections Caption Contest #13 with a drawing by David Borchart. My entries follow.

"We're the ones feeling sheepish."
"Why are we always so outnumbered?"
"Face it. We're never going to win a war of attrition."
"Under the circumstances, circling the wagons is not an apt metaphor."



March 13, 2019 Update:  The Winner




Quick Links to the Attempted Bloggery Archives:


David Borchart

Monday, December 3, 2018

My Entry in The New Yorker Cartoon Caption Contest #641

Gather round for my entry in The New Yorker Cartoon Caption Contest #641 for November 26, 2018. The drawing is by Mark Thompson.

"For heaven's sake, not a word of this to Bo-Peep."




December 10, 2018 Update:  The Finalists



December 17, 2018 Update:  I voted for the first caption.


December 31, 2018 Update:  The Winner



Note:  Last time cartoonist Tom Toro gave us a mouse exercising mastery over a cat. My caption didn't demonstrate any mastery over anything whatsoever. Go ahead, take Contest #640 for a ride around the block.

This is cartoonist Mark Thompson's first appearance on Attempted Bloggery. I'm only too happy to shepherd him in.


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Sunday, November 18, 2012

Book Review: Three Bags Full by Leonie Swann

Three Bags Full:  A Sheep Detective Story (2005, English Translation by Anthea Bell 2006)

Leonie Swan
I find it hard to praise a book it took me seven long and painful months to plod through. In truth, I had expected to be completely delighted with Leonie Swann's first novel Three Bags Full. Carl Hiaasen, trusted author of any number of offbeat but reliably amusing novels, has a glowing cover blurb above the title. How could I go wrong?

The premise seemed both promising and original: a flock of sheep set out to solve the murder of their shepherd. One of the sheep, the cleverest, is named Miss Maple. It sounds like a lot of fun, right?

Wrong! First off, I did not find the sheep endearing in the slightest. I cared for the human characters even less. I kept expecting some big payoff, but all I encountered was a meandering flock and a meandering, tedious tale. It's not that the writing or even the translation were really bad--they weren't--but rather that I found the whole confection utterly boring.



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