On Sunday, a cement carrier named NACC New Yorker made its way up the East River accompanied by a tug boat. The ship flies under the Portuguese flag out of Madeira. Yes, the New Yorker.
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I laughed at the Lorax, "You poor stupid guy! You never can tell what some people will buy." --Dr. Seuss
On Sunday, a cement carrier named NACC New Yorker made its way up the East River accompanied by a tug boat. The ship flies under the Portuguese flag out of Madeira. Yes, the New Yorker.
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It's late at night in Apartment 3K. Seventy years ago, the readers of Collier's were treated to a wonderful cartoon by a wonderful cartoonist: William Steig.
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| William Steig Orignal art Collier's, May 11, 1956 |
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| William Steig Framed, orignal art Collier's, May 11, 1956 |
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| William Steig AbeBooks listing accessed July 21, 2026 |
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| William Steig AbeBooks item description |
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| William Steig Collier's, May 11, 1956 |
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| William Steig Orignal art Collier's, May 11, 1956 |
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In the CartoonStock Caption Contest number 208, is set at one of those Mommy and Me swim lessons. The male child speaks. The cartoonist is Lindsey Budde. She is new to the contest and new to this blog.
The monthly cash prize contest has new rules: Five dollars will still buy up to three entries but now three additional dollars optionally can buy a fourth entry, and so forth and so on. Real cash prizes are fifty percent of the total prize pool (previously $500) for first place and ten percent of the prize pool (previously $100) for each of five runners up. As of this writing, I've put $265 into the first fifty-three pay-to-play contests and this fifty-fourth challenge brings my total cash outlay up to $270. Having achieved runner-up status with three previous cash prize entries, I've collected $300 from CartoonStock, so I'm still playing with the house's money, at least for the time being. Because the contest is no longer subsidized by cash from the vast coffers of CartoonStock, the contest's odds should now be just a little less favorable. The prize pool, as I prepared to enter two hours before the contest ended, was approaching the old thousand dollar level.
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| "Guess how I'm warming up the pool." "I'll let you look in my swim trunks for Nemo." "Great news! We'll be sharing a locker room." |
The final prize pool tally:
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Moment magazine's Cartoon Caption Contest for the Summer 2026 double issue shows us God speaking to Moses at the top of Mount Sinai—I mean Rushmore. God, perched in a cloud, is the speaker. The drawing is by cartoonist Benjamin Schwartz. My captions appear below.
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"The Masculine Approach" is a scarf designed around a series of drawings by The New Yorker's James Thurber. It is currently listed on eBay.
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| "The Masculine Approach" By James Thurber |
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| "The Masculine Approach" By James Thurber |
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| The Harpo Marx Attack |
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| The Indifference Attitude Does the indifference apply to spelling as well? |
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| The Continental-Manners Technique |
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| The Just-a-Little-Boy System |
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| The Sudden Onslaught |
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| The Let-'em-Wait-and-Wonder Plan |
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| The Pawing System |
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| The Sweep-'em-Off-Their-Feet Method |
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| The Heroic, or Dangers I Have Known, Method |
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| James Thurber eBay listing accessed July 8, 2026 |
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| James Thurber eBay item description |
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| The Just-a-Little-Boy System |
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| "The Masculine Approach" The Sudden Onslaught The Continental-Manners Technique The I'm-Not-Good-Enough-for-You Announcement James Thurber The New Yorker, February 12, 1938, p. 19 |
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| With cartoons by Helen E. Hokinson and James Thurber |
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| "I'm the one that should be lying down somewhere." Helen E. Hokinson The New Yorker, February 12, 1938, p. 18 |
Note: I can't thank enough the multitalented Joel Jacobus for alerting me to this eBay listing. For our purposes, Joel is a specialist in Charles Addams collectibles but he still manages to get sidetracked at times, thank goodness.
Richard A. Farrar's tie designs by or based on the works of New Yorker artists—Charles Addams, Sam Cobean, Anatol Kovarsky, Mischa Richter, Otto Soglow, William Steig, and, of course, James Thurber—were often manufactured in a variety of colors. I would love to see examples of any other varieties that are out there. Below, for example, is an old New Yorker advertisement that provides evidence of one Thurber scarf manufactured in five colors and two sizes. It has yet to be located in any variation, but I am patient . . .
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| Richard A. Farrar advertisement The New Yorker, October 31, 1953, p. 72 |
The blog archives are now home to a number of scarves by Richard A. Farrar representing the work of a variety of New Yorker cartoon luminaries in various color schemes. All of these posts may be read, studied, pondered, and reread here. I am always at the ready to add new designs and color schemes. Joel reports there is a scarf out there by Helen E. Hokinson, whose cartoon is on the page opposite "The Masculine Approach" in The New Yorker, which has yet to be imaged. Who wants to be the first to send it to me?
I like to think that every hundred posts are extra special. Let me know if you agree:
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A copy of Palookaville No. 21 offered by Hourglass Books caught my eye on line. Priced at $50 with AbeBooks, it offered the promise of an original drawing by Seth, albeit of a hat and a lit cigarette. I like Seth's graphic work almost as much as I dislike cigarettes. On hats, I'm personally indifferent, but I admire those men who can project a personal sense of style to the world. The hat and cigarette, I readily surmised, were a stand-in for Seth himself. There was no image of the drawing, alas, but I took the plunge and bought it anyway—sight unseen.
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| Seth AbeBooks listing ended June 15, 2026 |
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| Seth AbeBooks item description |
So, you may well ask, how did it go? Well, the bookseller searched high and low for this one, he wrote me, but he was unable to locate it. Perhaps he sold it previously and lost track of it. He was as nice as could be, refunding my money for this book as well as for another book by Seth, George Sprott (1894-1975), that I ordered and that he did indeed have on hand, although perhaps in imperceptibly lesser condition than advertised. So, no complaints on my end, except that I can't show you the drawing in Palookaville No. 21 as I proudly add the book to my library. When I started this post, I didn't intend for it to end so anticlimactically, but that is sometimes the nature of these Sight Unseen musings. Perhaps I'll have something better to show off when that copy of George Sprott arrives . . . any day now.
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In The New Yorker Cartoon Caption Contest #997 from the double issue of July 6 & 13, 2026, a subway train in an outdoor station bends upwards and out of view. A man wearing a baseball cap speaks to a woman on the platform, indicating the train with his thumb. My submission is shown below. The drawing is by Olivia Noble. Her work is new to the caption contest and the blog.
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| "That's not our train. It's for the upwardly mobile." |
These captions were on the wrong track:
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| "It's the uptown express." "It's the latest from SpaceX." "Metal fatigue." |
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| "Do you have any with sergeant's stripes on them?" Barbara Shermund Original art Esquire, December 1942, p. 47 |
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| Barbara Shermund's signature |
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| Barbara Shermund eBay listing ended May 9, 2026 |
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| Barbara Shermund eBay item description |
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| "Do you have any with sergeant's stripes on them?" Barbara Shermund Esquire, December 1942, p. 47 |
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| "Do you have any with sergeant's stripes on them?" Barbara Shermund Original art Esquire, December 1942, p. 47 |
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| "Do you have any with sergeant's stripes on them?" Barbara Shermund Esquire, December 1942, p. 47 |