Saturday, February 21, 2026

Alice's Adventures in Wonderland Illustrated by Arthur Rackham, No. 496/1130

Peter Harrington Antiquarian Bookseller  of London offers a rare copy of the 1907 edition of Alice's Adventures in Wonderland by Lewis Carroll, illustrated by Arthur Rackham. It is copy no. 496 of the limited edition of 1130, signed by Rackham who added a small drawing of the Mad Hatter in profile.








Arthur Rackham
AbeBooks listing accessed February 20, 2026



https://wise.com/us/currency-converter/usd-to-gbp-rate









05206

Friday, February 20, 2026

Jean-Michel Folon's L'artiste With an Original Drawing

Bookseller Pascal Coudert of Paris offers a copy of L'artiste (F.I.D.H., 1991) with text by Raymond Devos and illustrations by Jean-Michel Folon. Folon has added a very simple original drawing of an artist's hand in multicolored pencil. What a beautiful copy of the book!



Jean-Michel Folon
AbeBooks listing accessed February 19, 2026

Jean-Michel Folon
AbeBooks item description




05205

Thursday, February 19, 2026

Sam Cobean: A Golf Shot

A work of original New Yorker art by Sam Cobean was sold yesterday at Heritage Auctions:

Sam Cobean
Original art
The New Yorker,
 June 11, 1949, p. 20

A word about golf rules might be helpful here. Tree roots are a part of the golf course so if one's golf ball lands there, one plays it as it lies. In golf terms, there is no free relief.

On February 16, the presale bidding stood at $575, or $718.75 with the buyer's premium.

This is a very strong Cobean cartoon and a good golf cartoon to boot. The market bid it up accordingly. The lot was sold to an internet bidder for twice what the price had been on the 16th.
Sam Cobean
Heritage Auctions listing of February 18, 2026




Sam Cobean
Heritage Auctions item description


Heritage erroneously gives the date of the cartoon's publication in The New Yorker as June 7, 1952. This is off by some three years. A Leslie Starke cartoon in the same Heritage sale appeared in that issue instead. Whoops.

Cobean's golf drawing in reproduction looks very much like his original art.
Sam Cobean
The New Yorker, June 11, 1949, p. 20

Sam Cobean
Original art
The New Yorker,
 June 11, 1949, p. 20


With cartoons by Sam Cobean and Alan Dunn


* * *

On the page opposite, The New Yorker has placed a drawing with much shading to balance out Cobean's lines. Alan Dunn has some fun showing us an unforeseen attitude toward labor among one of the elite in Communist Russia—one who is permitted to travel abroad.
"What a deal out there, what a deal! Houseboys! Coolies! Anything
you want, just snap your fingers."

Alan Dunn
The New Yorker, June 11, 1949, p. 21



Note:  Sam Cobean's art doesn't get seen on this blog nearly enough, so readers who would like to share their hidden Cobean treasures here should, well, play it as it lies.


05204

Tuesday, February 17, 2026

John Held, Jr.: Map of New York Night Clubs

In the Prohibition Era, researching John Held, Jr.'s, Map of New York Night Clubs must have been a labor of love. The map, we are told, resulted "from actual survey by and under the direction of Lip Stick." The New Yorker's nightlife reporter Lois Long, who wrote under the name Lipstick, therefore must greatly have assisted Held in this endeavor. She was married to New Yorker cartoonist Peter Arno—no stranger himself to the speakeasy scene—from 1927 to 1931, the latter being the year in which this Manhattan map appeared in The Works of John Held, Jr.

https://oldmapgallery.com/products/nyc-ny-john-held-jrs-map-of-new-york-night-clubs

The above image is from the Old Map Gallery, which dates it c. 1930 and does not have a copy for sale. There is a copy on eBay which has been removed from Held's 1931 book.
John Held, Jr.
eBay listing accessed February 16, 2026


John Held, Jr.
eBay item description




05203

Monday, February 16, 2026

A Letter From Jean-Jacques Sempé to Angelo Rinaldi

A letter from the year 2000 consists of a mailing envelope and its contents: a signed and inscribed postcard as well as a signed and inscribed note with a drawing of three men seated in a restaurant. The group of papers is offered for sale by AbeBooks seller L'Ancienne Librairie and is priced at $1,672.78 US. No doubt that considerable cost is because the sender, Jean-Jacques Sempé, was the extremely popular cartoonist based in Paris. In addition, the recipient of the mailing, Angelo Rinaldi, was the French writer and literary critic who passed away in May of 2025. The envelope is addressed to Rinaldi care of his publisher L'Express and it appears to be appropriately stamped and postmarked.


The French listing has been rendered in English by Google Translate:
Jean-Jacques Sempé
AbeBooks listing accessed February 15, 2026, translated by Google


Jean-Jacques Sempé
AbeBooks item description, translated by Google

Note:  Any reader who was fortunate enough to be one of Sempé's correspondents is invited to share his missives on this blog.




05202

Sunday, February 15, 2026

Edward Koren: A Bucket for a Giant Frog

Some original illustrations make no sense without the context of their original purpose. One can enjoy, surely, Edward Koren's undated illustration of a man in a checkered suit presenting the contents of a bucket to a giant frog and still not understand what it signifies. Heritage Auctions, which sold this artwork in 2016, said the man in the picture was feeding the frog. He could also plausibly be offering hydration or a chance to wash up. Whatever the case, we are unlikely to know without seeing how the illustration was used in print. It does look a bit like a TV Guide drawing, but really it could have appeared almost anywhere.



Edward Koren
Heritage Auctions listing of October 9, 2016


Edward Koren
Heritage Auctions item description


Note:  Any reader who can shed some light on the intended use of this illustration and where it may have been published is encouraged to come forward.




05201

Saturday, February 14, 2026

Blog Post No. 5200: A Charles Addams Movie Theater Scream

Original Charles Addams art published in The New Yorker issue of February 8, 1947 shows a theater full of moviegoers and their shared reaction to a big screen scream.

Charles Addams
Original art
The New Yorker,
 February 8, 1947, p. 27


Seventy years after publication, the artwork to this classic cartoon was sold at Swann Auction Galleries in the Illustration Art sale:
Charles Addams
Swann Galleries listing of December 14, 2017
Swann, it will be noted, did not provide the publication date in The New Yorker, or even the year. They did document the drawing's appearances in three Addams collections, but the 1947 book is correctly titled Addams and Evil.

Charles Addams
Swann Galleries item description

With such a classic original selling for $31,200 (including the 30% buyer's premium), well above the 2017 presale estimate of $12,000 to $18,000, one might wonder what an Addams rough drawing of the same subject might be worth in today's market. Well, thanks to Swann Galleries's recent Illustration Art sale, we actually can provide the answer. An unusually detailed pencil study from a Vermont collection went up on the auction block in December of 2025. Perhaps the owners were aware that Swann had sold the original finished drawing eight years earlier.

Charles Addams
Preliminary art
The New Yorker,
 February 8, 1947, p. 27

Charles Addams
Swann Galleries listing of December 4, 2025

Despite the above, the correct date of publication in The New Yorker is February 8, 1947, as I've already indicated.


Note that in the intervening years, Swann's top buyer's premium has come down from 30% to 27%. There's something to be said for competition. Still, $9,525 with said premium is a remarkable price for a New Yorker rough. Indeed, many Addams New Yorker originals in this blog's archives have sold for less than that. Today, though, Addams's work continues to appreciate and that seems to be carrying over even to the roughs.


Here's the relevant page from Addams and Evil (1947):

https://dn790006.ca.archive.org/0/items/HumorMagazines/Addams%20And%20Evil%20(1947).pdf



And here's a grouping showing how the drawing appeared in rough form, in the original art, and finally in the pages of The New Yorker:
Charles Addams
Preliminary art
The New Yorker,
 February 8, 1947, p. 27

Charles Addams
Original art
The New Yorker,
 February 8, 1947, p. 27

Charles Addams
The New Yorker, February 8, 1947, p. 27

With a spot drawing by Morris Neuwirth and a cartoon by Charles Addams


* * *

I have a fair degree of confidence that the spot artist on the page opposite the Addams drawing is Morris Neuwirth (1912-1985) and that the toll lanes depicted here relate to something built by Robert Moses.  Some of Neuwirth's work is held in the collection of the Metropolitan Museum of Art.
Stop Pay Toll
Morris Neuwirth

The New Yorker,
 February 8, 1947, p. 26



The Attempted Bloggery Centennial Posts 💯
Blog Post No. 100
Blog Post No. 200:  A Shaggy Dog Story




05200

Tuesday, February 10, 2026

Keith's Copy of Inked by Joe Dator

Inked: Cartoons, Confessions, Rejected Ideas and Secret Sketches from The New Yorker's Joe Dator (2021) is by none other than . . . The New Yorker's Joe Dator. Keith's copy was inscribed by Joe in 2023 with an original sketch of the character Walter. This year marks Joe's twentieth at The New Yorker, and we're all the better off for it.





05199

Monday, February 9, 2026

My Entry in The New Yorker Cartoon Caption Contest #978

In The New Yorker Cartoon Caption Contest #978 from the issue of February 9, 2026, a man opens his front door to let in an ocean wave while a woman inside the house stands on a surf board awaiting its arrival. The man speaks. The drawing is by Michael Maslin.

"I left the back door open."




These captions didn't hang ten:

"Cowabunga."
"Be back for dinner. I'm making fish."
"Is this one gnarly enough?"



Note:  In 2019, Michael Maslin wrote a Personal History about his (and other New Yorker cartoonists's) use of the versatile caption "It's for you." Read it here. After all, it's for you.



05198

Sunday, February 8, 2026

Peter Arno: The Fireman's Pledge

An early cartoon original by Peter Arno was sold by Clarke Auction Gallery of Larchmont in 2020.

"Now remember your promise!"
Peter Arno
Original art
For Members Only (1935)

Arno imbues the rescue scene with all the bawdy innuendo he can muster. That fireman is surely brave, but he is no match for the mature, stout, playful, woman descending the ladder in her flimsy nightgown.
"Now remember your promise!"
Peter Arno
Framed o
riginal art
For Members Only (1935)


Alas, there is some surface loss to the original.

Conveniently, a caption has been written on the back: "Now remember you promised!"
The back of the frame

The handwritten caption differs slightly from what is printed in For Memebers Only.
The caption

Peter Arno
Clarke Auction Gallery listing of April 26, 2020

Peter Arno
Clarke Auction Gallery item description


https://www.bidsquare.com/auctions/clarke/fine-art-jewelry-antiques-asian-midcentury-auction-5040?page=2#catalog

Febrary 11, 2026 Update:  The cartoon was published in the 1935 collection Peter Arno's For Members Only with the caption "Now remember your promise!" I therefore have corrected the caption slightly from "Now remember, you promised!"







05197