Saturday, February 28, 2026

Jacques Louis David's Copy of Imaginative Realism by James Gurney

Imaginative Realism:  How to Paint What Doesn't Exist is Dinotopia creator James Gurney's 2009 art instruction manual. Gurney teaches how to ground one's fantasy art in seeming reality, something he himself excels at. It is the first of two volumes. Did he have copies of this book with him at Baby Tattooville in 2011? Why, yes, he did, thanks for asking.


Jacques Louis David, it will be remembered from yesterday's post, is the unhyphenated Hollywood bladesmith and not the hyphenated painter friend of Marat, so don't go accusing me of committing any anachronisms. Gurney's dinosaur drawing in David's copy of the book is full of great lettering and imaginative . . . mischief.





This copy of the book was sold last year by Book_Mob on AbeBooks.
James Gurney
AbeBooks listing accessed November 2, 2025


James Gurney
AbeBooks item description






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Friday, February 27, 2026

Jacques Louis David's Copy of Dinotopia: Journey to Chandara by James Gurney

Dinotopia:  Journey to Chandara (2007) is the fourth book in James Gurney's Dinotopia series. An interesting copy was sold last year by Book_Mob of Santa Clarita.



At the artist gathering Baby Tattooville in 2011, Gurney met Jacques Louis David, not the hyphenated 18th century painter of The Death of Marat but a 21st century bladesmith whom he painted in profile. David posed wearing a pair of steampunk goggles made by his employer, Hollywood armorer Tony Swatton, that Gurney then borrowed for his own profile picture. Thus Gurney's drawing in David's copy of Journey to Chandara includes steampunk-inspired fantastical contraptions in the guise of a "cave exploration suit for a T. rex."

Thursday, February 26, 2026

First Editions: Redrawn—The BFG Illustrated by Quentin Blake

Roald Dahl's The BFG—it stands for Big Friendly Giant—was published in 1982 with illustrations by Quentin Blake. For a charity auction in 2014 entitled First Editions: Redrawn, Blake has added five pages of original drawings to a first edition of the book. That copy of the book is available on the market again from Lucius Books in London.










Quentin Blake
AbeBooks listing accessed February 21, 2026



Quentin Blake
AbeBooks item description

Currency conversion as of February 21, 2026









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Wednesday, February 25, 2026

Three Cartoons by Al Ross: A Lunch Counter, a Library, and a Hammock

Three examples of original cartoon art by Al Ross came up for auction at Heritage on February 18. The cartoon settings are a full lunch counter, a full library, and a full hammock.



The opening bid of $1 had been placed by February 16 when I first visited the sale. Perhaps there might have been more activity if Heritage had not confused the New Yorker cartoonist with illustrator Al Rossi. Or perhaps not.
Al Ross
Heritage Auctions listing accessed February 16, 2028, one or two days before the sale

The works sold at a good price—for the internet buyer:
Al Ross
Heritage Auctions result of February 18, 2026



Al Ross
Heritage Auctions item description


The lunch counter drawing is the earliest of this trio. It was published in 1000 Jokes in May of 1954, if the notation is accurate. Today, it goes without saying, this type of gag would be shunned for its body shaming. Nevertheless, Ross has given his older women expressions which are priceless.
"Right here, Eddie, they won't dare have any dessert!"
Al Ross
1000 Jokes, May 1954 [?]


The hammock drawing was published in 1988 in The New Yorker—except for a small segment on the extreme left.
Al Ross
The New Yorker, June 27, 1988, p. 70

Al Ross
Original art
The New Yorker,
 June 27, 1988, p. 70

With a cartoon by Al Ross

Finally, the library drawing was published, I am told, in Books, Books, Books: A Hilarious Collection of Literary Cartoons. The 1988 collection was edited by Sam Gross and Jim Charlton.

"You know who's beginning to annoy me? Homer!"
Al Ross
Original book art
Books, Books, Books: A Hilarious Collection of Literary Cartoons, edited by S. Gross and Jim Charlton, Harper & Row, 1988





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Tuesday, February 24, 2026

Charles Saxon: Deck Chairs

A Charles Saxon drawing known as Deck Chairs looks for all the world like a cartoon missing its caption. The setting is the shaded deck of a cruise ship. Passengers are wearing coats and some are reclining on deck chairs under heavy blankets. The woman second from the left is speaking to another woman next to her, turning away from a man who is, possibly, her husband. An attentive member of the crew is standing in the background.


Deck Chairs
Charles Saxon


The framed drawing was exhibited at a show called Artists of The New Yorker in February of 2000 at Davis & Langdale Company, Inc., but that does not necessarily mean the drawing ever appeared in the magazine, only that the artist did. It was number 48 on the art gallery checklist (not here provided) but no caption is noted on the frame backing, only the title. It was later sold at Doyle New York on May 12, 2020, part of the collection of Patricia and Donald Oresman, for $343, and on eBay on October 25, 2021, not all that long after, for $240.




Charles Saxon's signature

Charles Saxon
eBay listing ended October 25, 2021

Charles Saxon
eBay item description




If I may be permitted to present my auction chronology in reverse, here is the earlier Doyle New York sale:
Charles Saxon
Doyle New York Paintings & Drawings Online, May 12, 2020



Now Saxon had a five-page cartoon spread—just imagine such a thing today—called "Caribbean Cruise" in the New Yorker issue of January 23, 1960, but this drawing seems to be somewhat later. It is less inky than the 1960 drawings and relies more on Conté crayon for its atmospheric effect.


After almost five years of pondering this image and hoping to miraculously come across it in print with a humorous if understated caption, I've decided to let my readers have a go at it. Where then might this Charles Saxon drawing have been published and with what printed caption? There is no prize for a correct answer, but you are always free to treat yourself to a little celebratory cruise.




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