Wednesday, April 15, 2026

Ronald Searle: City Bird

City Bird is a 1969 lithograph by the English caricaturist Ronald Searle. He created a number of prints in this period with pointed observations set off by imposing cityscapes. This example, sold by Heritage Auctions on April 9, is no. 64/99. There are also ten numbered artist's proofs. The colors are black, gold, and red according to the 1971 Munich exhibition catalogue of Galerie Wolfgang Gurlitt where it is listed as no. 46. It is numbered 132 by Editions Empreinte.


As is typical with Searle, the closer you look, the more you see. At 65 x 50 cm, it's quite an imposing image. 

I saw an example of this print at a downtown Manhattan gallery in the late 1970s. I think the price was $200 but i could be wrong. The gallerist condescended to inform me that Searle was "a major illustrator," which, as you might surmise, I already knew. But I had no intention of buying this one at any price.

I can't really say I've changed my opinion with the passage of time although I have grown more tolerant of Searle's grotesqueries as the world itself has gotten more repugnant. Still, the figure attracts and repulses me at the same time. To me, she looks like a prostitute—which, to be fair, is legal in France. 

The estimate was $200-$300. Bidding started at $1 with no reserve. Eighteen days before the sale, no bids had yet been placed.

Ronald Searle
Heritage Auctions listing accessed March 21, 2026, 18 days before the sale


Ronald Searle
Heritage Auctions item description


Last week, the print was sold for a bid of just $1, which comes out to $50 with Heritage's minimum buyer's premium. I hate to see such little interest in a Searle lithograph, many of which are quite wonderful, but this one clearly isn't for everybody. Not even me.


Gurlitt catalogue





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Tuesday, April 14, 2026

Jeff Koons: Lobster

Just a few steps north of the Park Avenue exhibition space used by Heritage Auctions is Bernardaud, a purveyor of fine Limoges porcelain in midtown. I was delighted to see a window display of the tableware company's collaboration with the artist Jeff Koons at its showroom. The work is a sizable piece called Lobster issued in a limited edition of 99. I am fascinated by Koons's serious approach to a playful subject: it took over eight years for his workshop to create this porcelain edition in the form of a cartoon crustacean pool inflatable.







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Monday, April 13, 2026

My Entry in The New Yorker Cartoon Caption Contest #986—Almost

In The New Yorker Cartoon Caption Contest #986 from the issue of April 13, 2026, a woman is doing squats with barbells in a gym while Atlas kneels with the world on his shoulders, sweating. The woman speaks. My submission, below, was all ready but I forgot to enter it. I didn't vote either. It happens. The drawing is by Daniel Kanhai.


"Aren't there asses to stare at in Rockefeller Center?"




These captions didn't work out:
"But can you touch your toes?"
"How do you hydrate?"
"Again, I'm never going to read Ayn Rand."



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Sunday, April 12, 2026

Heritage Auctions Early 20th Century Design and Modern Design Sales New York Preview, April 2026

Art glass was in the room, for the most part safely locked away in cabinets, on Wednesday evening at Heritage Auction's New York preview reception. The coming sales are Early 20th Century Design taking place on April 30, 2026, and Modern Design, on May 1, 2026.

Tiffany Studios




Lino Tagliapietra



Marvin Lipofsky




Zsolnay



Gabriel Argy-Rousseau





Loetz











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Saturday, April 11, 2026

Heritage Auctions Signature Prints & Multiples Sale New York Preview, April 2026

On April 23, 2026, Heritage Auctions will hold a sale of Prints & Multiples in Dallas. A reception was held at the house's Park Avenue gallery space on Wednesday to preview some of the art for us locals. I went there to see the illustration art on display but I ended up photographing four prints as well. Why not live life to the fullest?


Joan Miró






Andy Warhol






Harland Miller



Damien Hirst







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Friday, April 10, 2026

Heritage Auctions Signature Illustration Art Sale New York Preview, April 2026

Select pieces were on view at the midtown Manhattan reception Wednesday evening for the Heritage Auctions Signature Illustration Art Sale to be held on April 21 in Dallas. Naturally, I couldn't resist photographing some of these highlights, starting with the bold illustration by Patrick Nagel that appears on the catalogue cover.

Untitled [Tracy Vaccaro in Polka Dot Dress], 1983
Patrick Nagel

Untitled [Close Up—Heidi Sorenson], 1983
Patrick Nagel

Patrick Nagel


And Forsaking All Others
Edward Sorel
The New Yorker, June 15, 1998

Constantin Alajálov
The Saturday Evening Post, April 13, 1946

Garth Williams


James Gurney

To bring out the colors, I enhanced this 1917 advertising illustration image for Kellogg's Corn Flakes by J. C. Leyendecker:
J. C. Leyendecker

J. C. Leyendecker

J. C. Leyendecker

Edmund F. Ward

Mead Schaeffer

Gil Elvgren

Gil Elvgren

Dean Cornwell

Thomas Blackshear II

Frank R. Paul




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Monday, April 6, 2026

My Entry in The New Yorker Cartoon Caption Contest #985

In The New Yorker Cartoon Caption Contest #985 from the issue of April 6, 2026, a couple stands in their backyard, wine glasses in hand, observing a bear playing a fife. The man speaks. My submission is below. The drawing is by Michael Maslin.

"Sooner or later we have to return him to Frontierland."



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Saturday, April 4, 2026

William Steig: Laughing at Losses

One has heard the expression laughing all the way to the bank. That is decidedly not what cartoonist William Steig depicted in his drawing of an executive laughing at a business chart showing a significant downturn. The original artwork was offered at auction on December 27. It may well date from the Great Depression. Carnegie's Auction Gallery of Los Angeles estimated its worth at $1,000 to $1,500 and opened the bidding at $700. It did not sell, perhaps owing to a present-day downturn.


The auction house suggested the tantalizing prospect that the illustration once had a caption which was erased. That's possible, but a caption seems a bit unnecessary here, no? The erasures could have been printer's instructions or possibly even a dedication to a giftee.

At any rate, it's hard to understand why there wasn't sufficient bidder interest. Economic downturns are always relevant somewhere, and they're funnier than upturns if one discounts the wide swath of people adversely affected by them. This well-fed fellow in the three-piece suit does not appear to be concerned:


Steig uses judicious highlighting to show the flow of the hair, including on the magnate's mustache.

Indecipherable printer's marks are visible along the top:

More markings are seen below Steig's signature, also unreadable. Signing in the shadow makes it harder for the printer to omit or move the signature.
William Steig's signature

Is prosperity just around the corner?

There is writing on the back along the bottom edge. Tell me something I don't know:
Verso

Verso

Verso

William Steig
Carnegie's Auction Gallery listing of December 27, 2025


William Steig
Carnegie's Auction Gallery item description



Note:
  I would like to hear from entrepreneurs and others who can identify where this William Steig drawing was published.



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