Showing posts with label cow. Show all posts
Showing posts with label cow. Show all posts

Tuesday, March 31, 2026

The CartoonStock Cartoon Caption Contest No. 204

In the CartoonStock Caption Contest number 204, a cow is concerned about a human child who is refusing to eat hay with her calf. The cow, wearing her apron, is the speaker. The cartoonist, new to this blog, is Katherine Bettis.


The rules of the monthly cash prize contest have not changed: Five dollars buys up to three entries. Real cash prizes are $500 for first place and $100 for each of five runners up. As of this writing, I've put $245 into the first forty-nine pay-to-play contests and this fiftieth challenge brings my total cash outlay up to $250. Having achieved runner-up status with three previous entries, I've collected $300 from CartoonStock, so I'm still playing with the house's money, thank you very much. In fact, so few contestants enter that the odds may generally be considered favorable even for less-gifted caption writers. My three entries this round are shown below.

"I make it while the sun shines."
"I promise you the hay is grade A."
"Tell your friend not to have a cow."











April 13, 2026 Update:  The Winner




The Judges Deliberate




05235

Thursday, December 26, 2024

W. B. Park: Less Cowbell

An original color cartoon by W. B. Park features a cow stripper and her bull admirers. It is dated August 11, 1986, but it was not published until May of 1988 in Park's Off The Leash syndicated strip—or was it? According to the art's eBay seller, there is a smaller black and white version of this cartoon as well. Park's Wikipedia page informs us that the panel strip was distributed by United Feature Syndicate from 1989 to 1999, so somebody's dates may be off by a bit.



W. B. Park
eBay listing ended August 18, 2024



W. B. Park
eBay item description

[End of eBay listing]




CartoonStock lists not one but two additional versions of this gag in what is clearly Off The Leash's vertical panel format. The black and white version, right, is closer the the horizontal color original that was offered on eBay.

W. B. Park
CartoonStock




04835

Monday, January 30, 2023

My Entry in The New Yorker Cartoon Caption Contest #836

This week, someone has made first contact in The New Yorker Cartoon Caption Contest #836 from the issue of January 30, 2022. My caption is shown below. The drawing is by E. S. Glenn.

"Got blue milk?"




These captions wouldn't fly:
"Take me to your leather."
"I was looking for more cowbell."





February 12, 2023 Update:  The Finalists





February 20, 2023 Update:  I voted for the caption from West Dennis.



February 27, 2023 Update:
  The Winner







04215

Sunday, July 17, 2022

Joe Dator: Vikings and More

Joe Dator's sale of some of his original New Yorker cartoon art at the beginning of the year presented potential buyers with a dilemma. The asking price was already below the usual market price for such outstanding work, but the Make Offer option was also available, indicating the seller's willingness to entertain offers. That's generally good news for a buyer. As the sale of his Viking and E.T. cartoons shows, though, some buyers opted to pay full price. Why? In the time it could take for the seller to respond to a best offer, someone else could snatch up the item at full price. The Make Offer option is not a good one if losing out would break your heart.




Joe Dator's signature




Joe Dator
eBay listing ended January 8, 2022
Joe Dator
eBay item description





04018

Sunday, August 16, 2020

Jack Ziegler's Cow: An Epilogue

In yesterday's post, or rather in 1976, cartoonist Jack Ziegler drew a misshapen cow in a copy of The Art in Cartooning (1975) and then a couple of other first-rate New Yorker cartoonists had some devastating fun with it. I ended my little narrative with Sam Gross having one of the great cow cartoons of all time published in The New Yorker, easily redeeming himself from this whole fiasco, not that he required any redemption. But I left Jack Ziegler in his hole admiring the "nice goods" on his misbegotten cow. There is an epilogue to this story which still needs to be told. Like all good epilogues, it involves the triumphant publication of a cartoon in The New Yorker.

But I've already gotten ahead of myself. To recap:  Scott Burns responded to my plea for a peek into copies of The Art in Cartooning signed by a bunch of cartoonists back in the day. It happens that he has an outstanding copy that was inscribed to one Steve, an implausible name for a cartoon collector, but we'll let that pass because it's a good name for a leather goods guy who wants to obtain drawings of cows in his new book. The cartoonists happily comply but then Ziegler draws himself into a hole, above, with a cow that looks more like the she-wolf that saved Romulus and Remus. So then George Booth prays for divine intervention:

And Sam Gross does some Trumanesque plain speaking...

...which prompts Dana Fradon to produce a mock-recrimination drawn in mock-anger aimed at Gross:

Soon enough though all is forgotten. The book goes into a private collection and Ziegler never has to think about or see the unfortunate drawing again. Yet something about this germ of an idea, about a man inappropriately admiring a cow's udder, stays with him, perhaps on a subconscious level, perhaps not—I refuse to psychoanalyze him about this—until some seventeen years later when The New Yorker accepts and prints the most unlikely of Ziegler cartoons:
"By the way, dollface, nice hooters."
Jack Ziegler
The New Yorker, August 9, 1983, page 44

Lo and behold, Jack Ziegler has drawn a fine cow that even looks like a cow. George Booth's prayers have been answered. But why is the udder hidden away?
https://archives.newyorker.com/newyorker/1993-08-09/flipbook/044/

Even my epilogue has an epilogue. The original artwork showed up at a small auction house in Connecticut last month, where it sold for barely the price of a few magic beans.


Jack Ziegler's signature




Jack Ziegler
Litchfield Auctions, July 22, 2020




Note:  Thanks once again to Scott Burns of Burns Bizarre for imaging his fabulous book. One blog post just wasn't enough to do it justice.


There are other copies out there of The Art in Cartooning signed, inscribed, and sketched upon by multiple cartoonists back in March of 1976. I would be delighted to post scans or photos of many more of these. 



Quick Links to the Attempted Bloggery Archives:


Jack Ziegler

Cows

The Art in Cartooning


George Booth


(Ed Fisher)


Dana Fradon


(Mort Gerberg)


Sam Gross


Charles Saxon (Cover Artist)


(Marvin Tannenberg)


(Gahan Wilson)


(Ron Wolin)


(Bill Woodman) 


Signed Books with Original Drawings

Attempted Bloggery's Farm-Fresh Index

03352

Saturday, August 15, 2020

Steve's Copy of The Art in Cartooning

Scott Burns writes:


Per your request, here’s another signed copy of The Art in Cartooning from my personal collection. This copy is inscribed by all three editors (Mort Gerberg, Edwin Fisher, Ron Wolin) with additional inscriptions and drawings by Bill Woodman, Sheldon Oppenberg*, Jack Ziegler, Sam Gross, Marvin Tannenberg**, Dana Fradon, George Booth, and Jules Feiffer.
* Oppenberg was a cartoon art collector; I don’t think he was a cartoonist himself — although some of his sketches sometimes show up on eBay. 
**Under the name Tann, Tannenberg’s gag cartoons were published in numerous magazines including Saturday Evening Post, Collier's, Look, Ladies Home journal, Playboy and Saturday Review. He was a founding member of the Cartoonists Guild and served as its first president.
The rest I’m sure you know. Unfortunately, I'm as clueless about the signing circumstances as you — but my guess is that there was probably some kind of opening reception for the book. The “Steve” to whom the signatures are inscribed, I presume had some connection since the inscriptions are a bit more personal than in the other copies I have seen.


That's right. Marvin Tannenberg writes that he's still wearing Steve's belt while Ron Wolin hopes Steve will make him "a super pair of sandals" when and if he makes it to Albuquerque. Ron Wolin knows Steve's mother and Steve either just met or already knows Marvin Tannenberg's daughter Allyce. So Steve is in the custom leather goods trade in Albuquerque and the cartoonists, perhaps at his request, draw for him an assortment of—what else?—cows!

And here's where it gets really interesting. Bill Woodman and Mort Gerberg each draw very plausible comic cows. Jack Ziegler's cow is another story. Sam Gross and George Booth react hilariously to Ziegler's haplessly-drawn bovine. Dana Fradon chimes in as well.






Of note, Sam Gross has his cartoon character say "Ziegler draws lousy cows," adding self-deprecatingly "So does S. Gross." History has since shown his humility to be false; he was to create one of the best cow gags ever for The New Yorker and have it published in 1983:
"Son, your mother is a remarkable woman."
Sam Gross
The New Yorker, August 15, 1983, page 48




https://archives.newyorker.com/newyorker/1983-08-15/flipbook/048/


A few more observations: Jules Feiffer and Ron Wolin do not draw in the book. Marvin Tannenberg sticks with his self-portrait. Sheldon Oppenberg keeps it very simple. Ed Fisher comes very close to leaving a drawing, something we have not seen him do before on this blog.


Note:  Thanks to Scott Burns of Burns Bizarre for responding to my request and sharing his copy of this book with us. His knowledgable commentary is appreciated as well.


So now we have seen four gorgeous copies of The Art in Cartooning signed and sketched upon by multiple cartoonists. I am eager to hear from readers with information about the March 1976 book signing at which I believe all these copies were signed. I am also eager to post other uniquely signed, inscribed, and sketched-in copies of this book.




Quick Links to the Attempted Bloggery Archives:


Cows


The Art in Cartooning

George Booth


Ed Fisher

Dana Fradon

Mort Gerberg

Sam Gross

Charles Saxon (Cover Artist)

Marvin Tannenberg

(Gahan Wilson)

Ron Wolin

Bill Woodman 

Jack Ziegler

Signed Books with Original Drawings

Attempted Bloggery's Udderly Ruminating Index

03351

Wednesday, February 19, 2020

The Cartoon Collections Caption Contest #63

Personally, I don't see anything funny about doctor cartoons unless the doctor is a psychiatrist, but I entered the Cartoon Collections Caption Contest #63 anyway. Three entries are permitted. The drawing is by Teresa Burns Parkhurst.
"Grass-fed my ass."
"I'm putting you on almond milk."
"Your cholesterol is over the moon."


February 28, 2020 Update:  The Winner




Quick Links to the Attempted Bloggery Archives:

03173