Showing posts with label Searle cats. Show all posts
Showing posts with label Searle cats. Show all posts

Sunday, September 7, 2025

Five Housepets and a Globe: Ronald Searle Proposed New Yorker Cover Art

Five concerned housepets ponder the state of the world in a New Yorker cover proposal by Ronald Searle. The globe sitting on what is evidently a scholar's desk is surrounded by a dog, three cats—one a small kitten—and a parrot. The magazine's ubiquitous strap is rendered in heavy black ink along the left border intersecting with the perpendicular line of the desk top. Ample room is set aside at the top for the magazine's logo. But The New Yorker rejected this design.



Searle, working in the south of France, submitted finished artwork for his proposed covers. Even without a sale to the magazine, the art could be used in some future book (this one wasn't) or sold to a collector. The year of creation would be handwritten on the studio stamp on the verso of the art. Doyle New York did not disclose any such date in its sale of this piece on December 9, 2021 but it looks to be from around 1989, give or take.

Ronald Searle
Doyle New York sale of Rare Books, Autographs & Maps, December 9, 2021

In the catalogue's description of the lot, Doyle speculates that these animals are "perhaps planning global domination." I would further speculate that the author of those words is from the generation that grew up with "Pinky and the Brain."





Note:  See yesterday's post for James Thurber's much simpler approach to a similar idea.



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Thursday, August 31, 2023

Ronald Searle: The Coming of the Great Cat God

The Coming of the Great Cat God is a 1968 color lithograph by Ronald Searle. It combines his popular cat imagery with one of those calamitous urban landscapes he was rendering at the time. A colossal smiling cat radiating garish colored light towers over the imposing cityscape and extends its right front paw downward. Terrified men in business suits jump from buildings and flee from the cat. It is not unusual for Searle's lithographs of this period to contrast elements from nature with an overbuilt urban landscape featuring panic-stricken inhabitants.

The Coming of the Great Cat God
Ronald Searle
Original lithograph no. 86/95, 1968
Gurlitt catalogue no. 34
EE cat. no. 94

Ronald Searle
Swann Galleries listing ended May 22, 2014


The 1971 Galerie Wolfgang Gurlitt catalogue lists the four-color lithograph (no. 34) and two black-and-white exhibition posters (nos. 35 and 36) from 1968 made from the same plate.


The Gurlitt catalogue does not list a promotional poster for Editions Empreinte. The poster does not have Searle's signature or his distinctive writing, but it does attribute copyright to him in small printing at the bottom:







Ronald Searle
Quinn's Auction Galleries listing ended December 20, 2022



The color lithograph was included in Ronald Searle's Big Fat Cat Book (1982):




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Thursday, May 4, 2023

Ronald Searle: Slightly Foxed—But Still Desirable, No. 9/150

Slightly Foxed—But Still Desirable is Ronald Searle's 1989 playful reinterpretation of booksellers' terms. The signed, limited edition of 150 often sells for many hundreds of dollars, but the first ten of the 150 also have original color drawings of cats with books. These go for even more. Here is no. 9 of 150, which was offered at auction yesterday at Freeman's in Philadelphia.





The presale estimate was $1,800 to $2,400.
Ronald Searle
Freeman's listing accessed April 16, 2023
"Exceedingly rare."


Ronald Searle
Freeman's item description
The book sold for a hammer price of $2,600 plus the 26% buyer's premium:





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Saturday, March 4, 2023

Toni and Louis Schwartz's Copy of Ronald Searle's Bibliothèque Nationale Catalogue

The catalogue for Ronald Searle's 1973 exhibition at the Bibliothèque nationale de France (BnF) is fully illustrated in black and white, not too bad considering there was almost no catalogue at all. The limited edition catalogue numbered 40 of 100 was personalized by the artist for his friends Toni (Searle also spells it Tony) and Louis Schwartz, signed twice with an original drawing of a cat, making this indeed a very special book. It was priced last year at 114 Euros on AbeBooks. 

The catalogue's cover illustration is The Greedy Carpet, a rejected New Yorker cover submission. This original artwork was stolen during the exhibition along with two other pieces.

A lithograph was included in the sale, a 1970 artist's proof from the suite Meilleurs Voeux, the fifth of five small images from the series. Like the catalogue, it is personalized for Dr. and Madame Schwartz.
Meilleurs Voeux, 1970
Epreuve Artiste X/X aside from the edition of 200, Gurlitt (1971) No. 72 (5)
Ronald Searle


Sampson Demolishing the Temple (1969)
Hommage à Toulouse-Lautrec
Ronald Searle

Ronald Searle
AbeBooks listing accessed April 10, 2022

Note:  For more on the 1973 Searle BnF catalogue, see Matt Jones's Perpetua post "BNF 1973" here.






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Friday, March 3, 2023

Ronald Searle: A Catscape for the Cassés

Ronald Searle was born on this day in 1920. The prolific cartoonist was also an active printmaker; his long-time lithographer and friend was Michel Cassé of Paris. In September of 1978, Searle gave Michel and his wife Carmen a watercolor featuring a group of eleven fanciful cats. The drawing has never been published.


The cats occupy a plane patterned like a tablecloth or tiled floor. One of them stands on two legs with at least one hand improbably inserted in a pocket. A crescent moon hangs low in the sky.


Ronald Searle's signature


"pour Carmen
& Michel
Love
Ronald
Septembre 1978"



The artwork turned up on eBay last week. The seller was able to provided a thorough history and provenance.

Ronald Searle
eBay item description


Best offer of 2200 GBP not accepted.
Seller counteroffer of 2500 GBP accepted.


Searle himself might not have called this drawing a "catscape." He used the title only for a series of four cat lithographs published with Cassé in 1967, the year he published his seminal book Searle's Cats. These prints, particularly Catscape I and III, seem to be direct predecessors of the drawing Searle presented to the Cassés. Catscape I was issued in an edition of only 50 plus V artist's proofs.
Catscape I
No. 13/50, 1967
Ronald Searle

Ronald Searle
Euvrard & Fabre, Paris, June 19, 2020, Lot 252





Gurlitt (1971) No. 7




Catscape II is a different kind of grouping, more of an assemblage than a landscape, although the large cat's back does define a ground line of sorts.
Catscape II
No. 11/99, 1967
Ronald Searle

Anderson and Garland
Ronald Searle
Catscape II



Gurlitt (1971) No. 15



A drawing similar to Catscape II graces the title page of Searle's Cats (1967).
Searle's Cats (1967 UK edition)
Title page



Searle's Cats (1968 US edition)
Title page

https://www.abebooks.com/first-edition/SEARLES-CATS-SEARLE-Ronald-Stephen-Greene/13805997369/bd


The French edition used that same illustration on the cover, with color added.
De drôles de Chats (1967)



The horizontal Catscape III is reoriented vertically to accommodate text for the Galerie La Pochade exhibition poster.
Catscape III variant
Lithographic poster for Galerie La Pochade
Edition of 100 unsigned proofs, 1967
Ronald Searle





Gurlitt (1971) Nos. 16 and 17





Catscape IV piles the cats on top of each other to a third level, but is otherwise not entirely unlike Catscape II. The edition size is now an impressive 150, but Searle would come to settle on 99 as his standard.
Catscape IV
Hors commerce aside from the edition of 150 plus XV artist's proofs, 1967
Ronald Searle





Ronald Searle
Catscape IV
Euvrard & Fabre, Paris, June 19, 2020, Lot 255



Gurlitt (1971) No. 19




Eight years later we find the first UK edition of More Cats (1975) has a similar vibe on its cover. Searle has refined his cats considerably, but he is still finding ways to fill space on a page with them in all their variety.


Displaced Persons is an exceptional work from the same year as the Cassé drawing. The cats, by 1978 at least, have a horizon line to fix them on a plane. That plane is tiled or patterned in the Cassé watercolor, but barren and endless here. The title makes it clear that Searle, even when drawing cats, has always been thinking about people.
Displaced Persons, 1978, postcard
Ronald Searle



A detail scanned from a page of the Big Fat Cat Book gives us a better idea than the postcard of Searle's formidable technique.
Displaced Persons [detail, 1978]
Ronald Searle's Big Fat Cat Book (1982)




Searle apparently abandoned the term catscape shortly after coming up with it. It still seems useful, though, for describing one type of drawing he excelled in: his cartoon cats covering either an undefined flat surface or a plane with a heavy horizon line. In an undated but clearly later drawing, Searle once again avoids using his invented word catscape in the title and settles for the rather bland Landscape with Figures. By this time, his cats have evolved in form once again, but they remain anything but bland.

Landscape with Figures
Ronald Searle
Collection of Robert L. and Lydia Forbes


Ronald Searle
Christie's, July 5, 2006, Lot 1083








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