Showing posts with label Books. Show all posts
Showing posts with label Books. Show all posts

Friday, January 23, 2026

Sidney Harris: A Signed Copy of Kafka Does Stand-Up

At a local bookstore earlier this month, I found a signed copy of Kafka Does Stand-Up: Cartoons on Books and Writers (2023) by Sidney Harris. It's a little scuffed but at $9, I figured why not? It's fairly new and, truthfully, I had not heard of it. The book lists twenty-five other cartoon collections by Harris, so maybe I shouldn't be so surprised that I haven't kept up.


The book is signed by Harris, not perfectly, mind you—there's some overwriting on that final s.

A copy listed on Amazon at $14.95 gives a publication date of May 12, 2023. My copy's very specific date is May 27, 2023. No publisher is listed other than ScienceCartoonsPlus.com, the author's website. So now we know what we have: a self-published book that is printed on demand. 




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Monday, December 1, 2025

My Entry in The New Yorker Cartoon Caption Contest #970

In The New Yorker Cartoon Caption Contest #970 from the issue of December 1, 2025, the setting is a library (or maybe a bookstore). A librarian with a cart is talking to a woman in the Psychology section while they look at the Grim Reaper browsing nearby in the Self-Help section. The librarian speaks. My entry appears below. The drawing is by Hilary Fitzgerald Campbell.

"I'll start wheezing and lead him to the travel section."




These captions needed to be shelved:

"Why shouldn't he want to work more efficiently?"
"He'll never find anything to replace chess."
"I wouldn't mind some new life goals."
"He should be working on his people skills."




December 20, 2025 Update:  The Finalists







December 22, 2025 Update:  I voted for the caption from Burlington.


January 10, 2026 Update:  The Winner







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Tuesday, April 22, 2025

Donald Reilly: On Getting Accepted to Smith College

Cartoonist Donald Reilly's drawing from the July 24, 1971, issue of The New Yorker is one I find a little unsettling even today.
"I realize acceptance at Smith means little to you at the
moment, dear, but you'll see—you'll meet freaks there
who will be your friends for life."

Donald Reilly
Original art
The New Yorker, July 24, 1971, p. 70


Reilly's use of bold lines and wash works well in the background but also on the figures. He rather expertly contrasts the mother and daughter in dress, hairstyle, and attitude. Finally, the mother's awkward attempt to use her daughter's language gives this cartoon its unusual aftertaste.
"I realize acceptance at Smith means little to you at the
moment, dear, but you'll see—you'll meet freaks there
who will be your friends for life."

Donald Reilly
Framed original art
The New Yorker, July 24, 1971, p. 70

Donald Reilly
Swann Galleries listing of June 5, 2018


"I realize acceptance at Smith means little to you at the moment, dear, but you'll see—you'll meet freaks there who will be your friends for life."
Donald Reilly
The New Yorker, July 24, 1971, p. 70

"I realize acceptance at Smith means little to you at the moment, dear, but you'll see—you'll meet freaks there who will be your friends for life."
Donald Reilly
Original art
The New Yorker, July 24, 1971, p. 70

With a spot drawing of books and a cartoon by Donald Reilly


* * *

The spot drawing is signed, but I can't make out the signature.
Artist Unidentified
Spot drawing
The New Yorker, July 24, 1971, p. 70




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Thursday, November 14, 2024

Blog Post 4800: Saul Steinberg, Artist

Was Saul Steinberg an artist?

—Deidre Bair



Funny you should ask. That baffling question posed by Saul Steinberg's own biographer Deirdre Bair has been addressed several times by art critics and others. Yet at least a few of us who champion Steinberg's work from the sidelines are still infuriated by the very idea. Can the question over Steinberg's status as an artist, as opposed to a cartoonist, ever be put to rest? 


A new Spanish exhibition has the very deliberate and telling title "Saul Steinberg, artista." Write me if you need a translation. That should be taken as an answer to Bair's query, one that will, it is to be hoped, endure. This show is the first in Spain ever dedicated to the work of Steinberg and it is his largest solo exhibition ever. It is currently on view at the Fundación Juan March in Madrid.


I'm pleased to report that gallery photos have been provided to this blog courtesy of a recent visitor; let's call him our man in Madrid. In addition, I have interspersed seven promotional photos from the Fundación Juan March's website with all the proper title, ownership, and copyright information. Going even beyond that, I have added two New Yorker magazine covers which correspond to the original art on display because—let's face it—we all know I can't help myself.


So here, for starters, is the exhibition entrance with an enlarged photograph of Steinberg down on the floor surrounded by his drawings. Is he checking them over? Choosing among them? Or is he just posing for the camera?




False documents:


Looking up:


Interior:



The Museum, c. 1949:



Compare with the March's scan:

The Museum, c. 1949
Saul Steinberg
Carol and Douglas Cohen Collection
© The Saul Steinberg Foundation / VEGAP, Madrid, 2024





Two maps: a study or rough alongside the famous New Yorker cover art.






View of the World From 9th Avenue, 1976
Saul Steinberg
Private collection
© The Saul Steinberg Foundation / VEGAP, Madrid, 2024
Photograph: Alister Alexander, Camerarts Studio Graphic




And, while we're on the subject of New Yorker covers:
New York Taxis, 1977
Saul Steinberg
Carol and Douglas Cohen Collection
© The Saul Steinberg Foundation / VEGAP, Madrid, 2024







Kamerun, Central Africa, 1987:



Cat and bird:



Sleeping cat, Eames Fiberglass armchair:



Family portraits:






Rainbow, 1974:



Mural:


The exhibition space:


Still Life,
1980:



Drawing table, 1966:


Straphangers, 1964:









City Scape, 1956
Saul Steinberg
Michael Cohen Collection
© The Saul Steinberg Foundation / VEGAP, Madrid, 2024



Steinberg's masks, including some photographs by Inge Morath:







Untitled, 1961-1962
Saul Steinberg
Museum der Moderne Salzburg
© The Saul Steinberg Foundation / VEGAP, Madrid, 2024


Masks and landscapes:



A landscape, drawing and writing the Steinberg name, a photo, and a Galerie Maeght poster:



The landscape on the right may be seen in the photograph of Steinberg on the floor displayed at the entrance to the exhibition:


Piano lessons, a drawing on music paper:




1978:


Happy birthday to friend Aldo Buzzi, construction, 1974:



Still Life Chair, 1981
Saul Steinberg
Galerie Claude Bernard
© The Saul Steinberg Foundation / VEGAP, Madrid, 2024




Steinberg's books:



Steinberg's many New Yorker covers:



They're worth a closer look:



And:


And:







The catalogue:

https://tienda.march.es/catalogos-de-exposiciones/16678-saul-steinberg-artista.html




Nueva exposición:
"Saul Steinberg, artista"
La March



Untitled, 1963
Saul Steinberg
Private collection
© The Saul Steinberg Foundation / VEGAP, Madrid, 2024




My thanks to our man in Madrid for all the swell photos and for staying out of Havana. All the artwork shown above, as you well know, is © The Saul Steinberg Foundation. "Saul Steinberg, artista" will be on view at the Fundación Juan March through January 12, 2025. See it and let me know your answer to my own impertinent question: Was Saul Steinberg a cartoonist?




The Attempted Bloggery Centennial Posts 💯
Blog Post No. 100
Blog Post No. 200:  A Shaggy Dog Story



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