Showing posts with label Michel Cassé. Show all posts
Showing posts with label Michel Cassé. Show all posts

Friday, October 27, 2023

Michel and Carmen Cassé's Copy of Ronald Searle dans Le Monde

Michel Cassé was illustrator Ronald Searle's lithographer. Cassé's wife Carmen managed a Paris art gallery which showed artist's prints from her husband's press, including Searle's lithographs. When his black-and-white political cartoons created for Le Monde were collected in book form in 1998, it was quite natural for Searle to present the Cassés with a personalized copy. It is signed by the Searles, Monica and Ronald.








Ronald Searle
eBay listing accessed October 26, 2023



Ronald Searle
eBay item description




A poster for a 1975 gallery exhibit shows how Searle and the Cassés worked together:
"Ronald Searle Lithographies 1972-1975"
Galerie Carmen Cassé



Note:  That Christmas, Monica and Ronald Searle dedicated a very similar copy to Eileen McMahon, Searle's New York agent, and it too enjoys pride of place on the blog here.








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Thursday, August 31, 2023

Ronald Searle: The Coming of the Great Cat God

The Coming of the Great Cat God is a 1968 color lithograph by Ronald Searle. It combines his popular cat imagery with one of those calamitous urban landscapes he was rendering at the time. A colossal smiling cat radiating garish colored light towers over the imposing cityscape and extends its right front paw downward. Terrified men in business suits jump from buildings and flee from the cat. It is not unusual for Searle's lithographs of this period to contrast elements from nature with an overbuilt urban landscape featuring panic-stricken inhabitants.

The Coming of the Great Cat God
Ronald Searle
Original lithograph no. 86/95, 1968
Gurlitt catalogue no. 34
EE cat. no. 94

Ronald Searle
Swann Galleries listing ended May 22, 2014


The 1971 Galerie Wolfgang Gurlitt catalogue lists the four-color lithograph (no. 34) and two black-and-white exhibition posters (nos. 35 and 36) from 1968 made from the same plate.


The Gurlitt catalogue does not list a promotional poster for Editions Empreinte. The poster does not have Searle's signature or his distinctive writing, but it does attribute copyright to him in small printing at the bottom:







Ronald Searle
Quinn's Auction Galleries listing ended December 20, 2022



The color lithograph was included in Ronald Searle's Big Fat Cat Book (1982):




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Friday, March 3, 2023

Ronald Searle: A Catscape for the Cassés

Ronald Searle was born on this day in 1920. The prolific cartoonist was also an active printmaker; his long-time lithographer and friend was Michel Cassé of Paris. In September of 1978, Searle gave Michel and his wife Carmen a watercolor featuring a group of eleven fanciful cats. The drawing has never been published.


The cats occupy a plane patterned like a tablecloth or tiled floor. One of them stands on two legs with at least one hand improbably inserted in a pocket. A crescent moon hangs low in the sky.


Ronald Searle's signature


"pour Carmen
& Michel
Love
Ronald
Septembre 1978"



The artwork turned up on eBay last week. The seller was able to provided a thorough history and provenance.

Ronald Searle
eBay item description


Best offer of 2200 GBP not accepted.
Seller counteroffer of 2500 GBP accepted.


Searle himself might not have called this drawing a "catscape." He used the title only for a series of four cat lithographs published with Cassé in 1967, the year he published his seminal book Searle's Cats. These prints, particularly Catscape I and III, seem to be direct predecessors of the drawing Searle presented to the Cassés. Catscape I was issued in an edition of only 50 plus V artist's proofs.
Catscape I
No. 13/50, 1967
Ronald Searle

Ronald Searle
Euvrard & Fabre, Paris, June 19, 2020, Lot 252





Gurlitt (1971) No. 7




Catscape II is a different kind of grouping, more of an assemblage than a landscape, although the large cat's back does define a ground line of sorts.
Catscape II
No. 11/99, 1967
Ronald Searle

Anderson and Garland
Ronald Searle
Catscape II



Gurlitt (1971) No. 15



A drawing similar to Catscape II graces the title page of Searle's Cats (1967).
Searle's Cats (1967 UK edition)
Title page



Searle's Cats (1968 US edition)
Title page

https://www.abebooks.com/first-edition/SEARLES-CATS-SEARLE-Ronald-Stephen-Greene/13805997369/bd


The French edition used that same illustration on the cover, with color added.
De drôles de Chats (1967)



The horizontal Catscape III is reoriented vertically to accommodate text for the Galerie La Pochade exhibition poster.
Catscape III variant
Lithographic poster for Galerie La Pochade
Edition of 100 unsigned proofs, 1967
Ronald Searle





Gurlitt (1971) Nos. 16 and 17





Catscape IV piles the cats on top of each other to a third level, but is otherwise not entirely unlike Catscape II. The edition size is now an impressive 150, but Searle would come to settle on 99 as his standard.
Catscape IV
Hors commerce aside from the edition of 150 plus XV artist's proofs, 1967
Ronald Searle





Ronald Searle
Catscape IV
Euvrard & Fabre, Paris, June 19, 2020, Lot 255



Gurlitt (1971) No. 19




Eight years later we find the first UK edition of More Cats (1975) has a similar vibe on its cover. Searle has refined his cats considerably, but he is still finding ways to fill space on a page with them in all their variety.


Displaced Persons is an exceptional work from the same year as the Cassé drawing. The cats, by 1978 at least, have a horizon line to fix them on a plane. That plane is tiled or patterned in the Cassé watercolor, but barren and endless here. The title makes it clear that Searle, even when drawing cats, has always been thinking about people.
Displaced Persons, 1978, postcard
Ronald Searle



A detail scanned from a page of the Big Fat Cat Book gives us a better idea than the postcard of Searle's formidable technique.
Displaced Persons [detail, 1978]
Ronald Searle's Big Fat Cat Book (1982)




Searle apparently abandoned the term catscape shortly after coming up with it. It still seems useful, though, for describing one type of drawing he excelled in: his cartoon cats covering either an undefined flat surface or a plane with a heavy horizon line. In an undated but clearly later drawing, Searle once again avoids using his invented word catscape in the title and settles for the rather bland Landscape with Figures. By this time, his cats have evolved in form once again, but they remain anything but bland.

Landscape with Figures
Ronald Searle
Collection of Robert L. and Lydia Forbes


Ronald Searle
Christie's, July 5, 2006, Lot 1083








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