Showing posts with label Galerie Wolfgang Gurlitt. Show all posts
Showing posts with label Galerie Wolfgang Gurlitt. Show all posts

Wednesday, April 15, 2026

Ronald Searle: City Bird

City Bird is a 1969 lithograph by the English caricaturist Ronald Searle. He created a number of prints in this period with pointed observations set off by imposing cityscapes. This example, sold by Heritage Auctions on April 9, is no. 64/99. There are also ten numbered artist's proofs. The colors are black, gold, and red according to the 1971 Munich exhibition catalogue of Galerie Wolfgang Gurlitt where it is listed as no. 46. It is numbered 132 by Editions Empreinte.


As is typical with Searle, the closer you look, the more you see. At 65 x 50 cm, it's quite an imposing image. 

I saw an example of this print at a downtown Manhattan gallery in the late 1970s. I think the price was $200 but i could be wrong. The gallerist condescended to inform me that Searle was "a major illustrator," which, as you might surmise, I already knew. But I had no intention of buying this one at any price.

I can't really say I've changed my opinion with the passage of time although I have grown more tolerant of Searle's grotesqueries as the world itself has gotten more repugnant. Still, the figure attracts and repulses me at the same time. To me, she looks like a prostitute—which, to be fair, is legal in France. 

The estimate was $200-$300. Bidding started at $1 with no reserve. Eighteen days before the sale, no bids had yet been placed.

Ronald Searle
Heritage Auctions listing accessed March 21, 2026, 18 days before the sale


Ronald Searle
Heritage Auctions item description


Last week, the print was sold for a bid of just $1, which comes out to $50 with Heritage's minimum buyer's premium. I hate to see such little interest in a Searle lithograph, many of which are quite wonderful, but this one clearly isn't for everybody. Not even me.


Gurlitt catalogue





05245

Thursday, August 31, 2023

Ronald Searle: The Coming of the Great Cat God

The Coming of the Great Cat God is a 1968 color lithograph by Ronald Searle. It combines his popular cat imagery with one of those calamitous urban landscapes he was rendering at the time. A colossal smiling cat radiating garish colored light towers over the imposing cityscape and extends its right front paw downward. Terrified men in business suits jump from buildings and flee from the cat. It is not unusual for Searle's lithographs of this period to contrast elements from nature with an overbuilt urban landscape featuring panic-stricken inhabitants.

The Coming of the Great Cat God
Ronald Searle
Original lithograph no. 86/95, 1968
Gurlitt catalogue no. 34
EE cat. no. 94

Ronald Searle
Swann Galleries listing ended May 22, 2014


The 1971 Galerie Wolfgang Gurlitt catalogue lists the four-color lithograph (no. 34) and two black-and-white exhibition posters (nos. 35 and 36) from 1968 made from the same plate.


The Gurlitt catalogue does not list a promotional poster for Editions Empreinte. The poster does not have Searle's signature or his distinctive writing, but it does attribute copyright to him in small printing at the bottom:







Ronald Searle
Quinn's Auction Galleries listing ended December 20, 2022



The color lithograph was included in Ronald Searle's Big Fat Cat Book (1982):




04428

Saturday, April 22, 2023

Ronald Searle: Great Vegetable City

The first Earth Day was celebrated on April 22, 1970. Ronald Searle's original lithograph Great Vegetable City predates that by a year. His print of a giant winged insect feeding atop city buildings capped with green sprouts is evidently intended as an environmental statement. We must never live outside of harmony with nature. That's my interpretation; I couldn't tell you what Searle was thinking.

Great Vegetable City (1969)
No. 48/99
Ronald Searle

Ronald Searle's pencil signature and date



Great Vegetable City (1969)
No. 48/99
Ronald Searle








Ronald Searle
eBay listing ended January 6, 2022


Ronald Searle
eBay item description
The seller has misstated the title of the work.



Galerie Wolfgang Gurlitt catalogue (1971) no. 45





04297

Saturday, March 4, 2023

Toni and Louis Schwartz's Copy of Ronald Searle's Bibliothèque Nationale Catalogue

The catalogue for Ronald Searle's 1973 exhibition at the Bibliothèque nationale de France (BnF) is fully illustrated in black and white, not too bad considering there was almost no catalogue at all. The limited edition catalogue numbered 40 of 100 was personalized by the artist for his friends Toni (Searle also spells it Tony) and Louis Schwartz, signed twice with an original drawing of a cat, making this indeed a very special book. It was priced last year at 114 Euros on AbeBooks. 

The catalogue's cover illustration is The Greedy Carpet, a rejected New Yorker cover submission. This original artwork was stolen during the exhibition along with two other pieces.

A lithograph was included in the sale, a 1970 artist's proof from the suite Meilleurs Voeux, the fifth of five small images from the series. Like the catalogue, it is personalized for Dr. and Madame Schwartz.
Meilleurs Voeux, 1970
Epreuve Artiste X/X aside from the edition of 200, Gurlitt (1971) No. 72 (5)
Ronald Searle


Sampson Demolishing the Temple (1969)
Hommage à Toulouse-Lautrec
Ronald Searle

Ronald Searle
AbeBooks listing accessed April 10, 2022

Note:  For more on the 1973 Searle BnF catalogue, see Matt Jones's Perpetua post "BNF 1973" here.






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Tuesday, August 30, 2022

Ronald Searle: The Greatest Show on Earth

Ronald Searle's 1969 lithograph The Greatest Show on Earth depicts a circus animal trainer taking the whip to a giant stumbling fly. It demonstrates Searle's penchant for incorporating the grotesque into his unique graphic humor. He no doubt expected to sell much of the full edition of 99 signed and numbered prints; whether he succeeded is anyone's guess today. An additional ten artist's proofs were also struck. On August 27, this original lithograph was sold at auction in Germany for the opening bid of 80 euros. At this unique moment in history, that comes to precisely $80 US.

The Greatest Show on Earth
Ronald Searle
Lithograph in black, red, blue, violet, and olive green
Gurlitt 47
No. 40/99, 1969


The Greatest Show on Earth
Ronald Searle
Lithograph in black, red, blue, violet, and olive green
Gurlitt 47
No. 40/99, 1969


Ronald Searle's signature


Ronald Searle
Auktionshaus Mehlis GmbH listing accessed August 8, 2022
August 27, 2022, lot 4076



Afterward the edition was published, Searle repurposed the image on the black plate for an exhibition poster promoting a July 1969 show in Avignon. The exhibition featured the work of eight artists including Searle himself. The black-and-white version of the lithograph was published in an edition of 30 with three artist's proofs. 
Galerie Wolfgang Gurlitt catalogue nos. 47 and 48






Sale result with added English translation:






04062

Wednesday, August 24, 2022

Ronald Searle: The Circus

While Ronald Searle's original artwork has been selling for increasingly high prices, the market for his lithographic work has weakened. An original print of The Circus from the 1967 edition of fifty (plus five artist's proofs) recently sold for just $50. This in all likelihood is less than it originally cost at the time of publication. Admittedly, the print has some problems: matte burn around the edges, some toning, and a pencilled title that appears to be in the hand of someone other than the artist. Yet Searle had the ability to produce delightful, intelligent images and his fans who may not be able to obtain his original drawings today may still want to take advantage of the market's relative neglect of his lithographs.
The Circus
Ronald Searle
Lithograph in black and white
Gurlitt 10
No. 24/50, 1967



The Circus
Ronald Searle
Lithograph in black and white
Gurlitt 10
No. 24/50, 1967

Ronald Searle's signature

Verso



Before the sale, bidding was set to commence at $100, with an estimate of $200-400. That didn't quite work out as planned.
Ronald Searle
Rachel Davis Fine Arts
August 13, 2022, lot 354
The Circus is indeed a lithograph, but it is not correct to call it a "lithograph in colors."
Ronald Searle
Rachel Davis Fine Arts item description




Sold!


Galerie Wolfgang Gurlitt catalogue no. 10

Presale estimates
Lots 355 and 354






04056