Bruce Eric Kaplan: Herb's Story

An original New Yorker cartoon by Bruce Eric Kaplan was sold at Heritage Auctions on February 6. It comes from the estate of Irvin Grief, Jr., and is the first work of BEK's to be offered by the auction house.

Herb got in touch with his inner monkey
Bruce Eric Kaplan
Original art
The New Yorker, February 3, 1992, p. 70

The cartoon purports to relate the story of Herb's enlightenment. Of course, it is just plain silly. Or, if you prefer, bananas.

Herb got in touch with his inner monkey
Bruce Eric Kaplan
Framed, original art
The New Yorker, February 3, 1992, p. 70

Paper backing

Twenty days prior to the auction, bidding had scarecely begun.

Bruce Eric Kaplan

Heritage Auctions listing of February 6, 2026, accessed on January 17, 2026

https://fineart.ha.com/itm/mainstream-illustration/bruce-eric-kaplan-american-b-1964-herb-got-in-touch-with-his-inner-monkey-new-yorker-cartoon-february-3-1992-ink-on/a/15263-17135.s?ic4=GalleryView-ShortDescription-071515

Heritage identified the correct issue of The New Yorker in which this drawing appeared but it was on page 70, not page 41. Was Herb's inner monkey helping with the research?

Bruce Eric Kaplan

Heritage Auctions item description 

Sold!

Bruce Eric Kaplan
Heritage Auctions listing of February 6, 2026

https://fineart.ha.com/itm/mainstream-illustration/bruce-eric-kaplan-american-b-1964-herb-got-in-touch-with-his-inner-monkey-new-yorker-cartoon-february-3-1992-ink-on/a/15263-17135.s?ic4=GalleryView-ShortDescription-071515

The artist's signature, BEK, has been largely obliterated in the original. There may have been a patch over it when it was photographed for the magazine. The banner was rewritten and had a period in the published version. It is a sentence, after all.

Herb got in touch with his inner monkey.
Bruce Eric Kaplan
The New Yorker, February 3, 1992, p. 70

Herb got in touch with his inner monkey
Bruce Eric Kaplan
Original art
The New Yorker, February 3, 1992, p. 70

With a cartoon by Bruce Eric Kaplan

https://archives.newyorker.com/newyorker/1992-02-03/flipbook/070/

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James Thurber: Out of Fix

On June 13, 1934, an amendment to the Code was adopted, which established the Production Code Administration (PCA) and required all films released on or after July 1, 1934, to obtain a Seal of Approval before being released.

—Wikipedia

Leave it to the cartoonists of The New Yorker to find the humor in such moral high-handedness. And, in this case specifically, leave it to James Thurber, whose original cartoon art on the subject was sold yesterday at Heritage Auctions. He does have a way with domestic scenes.

"She's out of fix because they've cleaned up the movies."
Original art
James Thurber
The New Yorker, September 29, 1934, p. 13

What a great idea it was for Thurber to portray the indignation of the young girl here—she still has a doll!—the very sort of person the Hays Code was allegedly trying to protect. 

To me, it's an odd turn of phrase to say, "out of fix." It sounds wrong to my ear, but I take it to be close to "out of joint" or "bent out of shape."

"She's out of fix because they've cleaned up the movies."
Framed, original art
James Thurber
The New Yorker, September 29, 1934, p. 13

"October 6th or before," reads the notation on the back. The New Yorker knew it had a timely cartoon on its hands. It was published in the September 29 issue while the topic was still fresh in the public's mind.

Verso

James Thurber

Heritage Auctions listing accessed 22 days before the sale

https://fineart.ha.com/itm/mainstream-illustration/james-thurber-american-1894-1961-she-s-out-of-fix-new-yorker-cartoon-september-29-1934ink/a/8245-71294.s?ic=homepage-myrecommendations-IllustrationArt-item-052114&tab=MyRecommendations-080216

James Thurber
Heritage Auctions item description

The present work, of course, translates well onto the printed pages of The New Yorker:

"She's out of fix because they've cleaned up the movies."
James Thurber
The New Yorker, September 29, 1934, p. 13

"She's out of fix because they've cleaned up the movies."
Original art
James Thurber
The New Yorker, September 29, 1934, p. 13

With cartoons by Alain and James Thurber

https://archives.newyorker.com/newyorker/1934-09-29/flipbook/012/

Sold!

* * *

On the page opposite the Thurber drawing, that old romancer Alain gets a little forward with the body language. Thurber's body language by comparison is rather restrained, at least in this issue. 

            "Go on, don't give
me that personality stuff!"
Alain
The New Yorker, September 29, 1934, p. 12

Note:  This blog will remain out of fix indefinitely.

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Ronald Searle: City Bird

City Bird is a 1969 lithograph by the English caricaturist Ronald Searle. He created a number of prints in this period with pointed observations set off by imposing cityscapes. This example, sold by Heritage Auctions on April 9, is no. 64/99. There are also ten numbered artist's proofs. The colors are black, gold, and red according to the 1971 Munich exhibition catalogue of Galerie Wolfgang Gurlitt where it is listed as no. 46. It is numbered 132 by Editions Empreinte.

As is typical with Searle, the closer you look, the more you see. At 65 x 50 cm, it's quite an imposing image. 

I saw an example of this print at a downtown Manhattan gallery in the late 1970s. I think the price was $200 but i could be wrong. The gallerist condescended to inform me that Searle was "a major illustrator," which, as you might surmise, I already knew. But I had no intention of buying this one at any price.

I can't really say I've changed my opinion with the passage of time although I have grown more tolerant of Searle's grotesqueries as the world itself has gotten more repugnant. Still, the figure attracts and repulses me at the same time. To me, she looks like a prostitute—which, to be fair, is legal in France. 

The estimate was $200-$300. Bidding started at $1 with no reserve. Eighteen days before the sale, no bids had yet been placed.

Ronald Searle
Heritage Auctions listing accessed March 21, 2026, 18 days before the sale

https://fineart.ha.com/itm/prints-and-multiples/ronald-william-fordham-searle-british-1920-2011-city-bird-1969-lithograph-in-colors-on-wove-paper-25-3-4-x-19-3-4/a/13238-28088.s?type=wantlistid-562622!creatorid-cewl!linkclicked-lotlink!emailid-03212026-080247.395PM-1315592-562622!itemid-13238_28003!wlem#13238-28003

Ronald Searle
Heritage Auctions item description

Last week, the print was sold for a bid of just $1, which comes out to $50 with Heritage's minimum buyer's premium. I hate to see such little interest in a Searle lithograph, many of which are quite wonderful, but this one clearly isn't for everybody. Not even me.

Gurlitt catalogue

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National Doctors' Day 2026: Gahan Wilson 1969

Tomorrow is National Doctors' Day. Let's celebrate with a 1969 Playboy cartoon by Gahan Wilson set in a physician's office. The original art was sold by Heritage in the November 4 Illustration Art Signature Auction #8224.

"We may already be too late, Mr. Parker."
Gahan Wilson
Original art
Playboy, June 1969, p. 27

The doctor's eyes are squinting—never a good sign. The patient doesn't show any good signs either.

"We may already be too late, Mr. Parker."
Gahan Wilson
Original art
Playboy, June 1969, p. 27

Verso

Sixteen hours before the live auction, the bidding was already strong. But, unlike the patient, it would get stronger.

Gahan Wilson
Heritage Auctions Mainstream Illustration listing accessed sixteen hours before the sale of November 4, 2025

https://fineart.ha.com/itm/mainstream-illustration/gahan-wilson-american-1930-2019-we-may-already-be-too-late-mr-parker-playboy-cartoon-june-1969/a/8224-71272.s?ic16=ViewItem-Auction-Open-OtherAvailable-081514

Gahan Wilson
Heritage Auctions Mainstream Illustration item description

Sold!

Finally, here's the prognosis as it appeared on the printed page:

"We may already be too late, Mr. Parker."
Gahan Wilson
Playboy, June 1969, p. 27

https://www.blackgate.com/wp-content/uploads/2019/11/Gahan-Wilson-We-May-Already-Be-to-late.jpg

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Whitney Darrow, Jr.: A Good Lesson for Eugene

A 1966 New Yorker cartoon original by Whitney Darrow, Jr., was sold at Heritage Auctions in February. It was from the collection of Irvin Greif, Jr. 

"But, Eugene, it's not enough to                              
be gifted. We've got to do something with our gift."
Original art
Whitney Darrow, Jr.
The New Yorker, November 19, 1966, p. 61

The setting is a suburban classroom, in what is in all likelihood a private school. The teacher wishes to impart an  important lesson to Eugene.

"But, Eugene, it's not enough to                              
be gifted. We've got to do something with our gift."
Framed and matted original art
Whitney Darrow, Jr.
The New Yorker, November 19, 1966, p. 61

It's a good lesson for Eugene. But he does seem skeptical.

"But, Eugene, it's not enough to                              
be gifted. We've got to do something with our gift."
Original art
Whitney Darrow, Jr.
The New Yorker, November 19, 1966, p. 61

On Bainbridge Board

The bidding opened at $1. Who could possibly resist? (But the buyer's premium did start at $49.)

Whitney Darrow, Jr.
Heritage Auctions listing of February 6, 2026, some 20 days before the sale

https://fineart.ha.com/itm/mainstream-illustration/whitney-darrow-jr-american-1909-1999-it-s-not-enough-to-be-gifted-new-yorker-cartoon-1966-charcoal-ink-and/a/15263-17110.s?ic10=ExpandedResults-Thumbnail-022817#

It was sold to an internet bidder:

Whitney Darrow, Jr.
Heritage Auctions item description

The original art is now toned. It looked great in the pages of The New Yorker:

"But, Eugene, it's not enough to                              
be gifted. We've got to do something with our gift."
Original art
Whitney Darrow, Jr.
The New Yorker, November 19, 1966, p. 61

"But, Eugene, it's not enough to                              
be gifted. We've got to do something with our gift."
Whitney Darrow, Jr.
The New Yorker, November 19, 1966, p. 61

With drawings by Al Ross and Whitney Darrow, Jr.

https://archives.newyorker.com/newyorker/1966-11-19/flipbook/060/

* * * 

On the facing page, Al Ross's more linear, unshaded style contrasts nicely with Darrow's. Ross comments on the Vietnam War. The speaker is not that many years older than Darrow's children.

"Did you ever realize that one of those little things will destroy everything within 
a half mile, regardless of race, creed, or color?"
Al Ross
The New Yorker, November 19, 1966, p. 60

05227

George Booth: Laughing Gull Cottage

Welcome to George Booth's Laughing Gull Cottage. His original 1978 art for The New Yorker was sold at Heritage Auctions on November 21. Just try and keep a straight face.

Laughing Gull Cottage
George Booth
Original art
The New Yorker, September 18, 1978, p. 46

The sale was previewed before bidding opened:

George Booth
Heritage Auctions preview accessed November 10, 2025

https://comics.ha.com/itm/original-comic-art/illustrations/george-booth-the-new-yorker-cartoon-illustration-original-art-new-yorker-1978-/p/322547-89001.s?ic4=GalleryView-ShortDescription-071515

It sold for under $1,000 before tax and shipping.

Laughing Gull Cottage
George Booth
The New Yorker, September 18, 1978, p. 46

Laughing Gull Cottage
George Booth
Original art
The New Yorker, September 18, 1978, p. 46

With a cartoon by George Booth

https://archives.newyorker.com/newyorker/1978-09-18/flipbook/046/

Note:  There is always a place for original George Booth art on Attempted Bloggery. The more laughs, the better.

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