Showing posts with label Hays Office. Show all posts
Showing posts with label Hays Office. Show all posts

Wednesday, April 22, 2026

James Thurber: Out of Fix

On June 13, 1934, an amendment to the Code was adopted, which established the Production Code Administration (PCA) and required all films released on or after July 1, 1934, to obtain a Seal of Approval before being released.


Leave it to the cartoonists of The New Yorker to find the humor in such moral high-handedness. And, in this case specifically, leave it to James Thurber, whose original cartoon art on the subject was sold yesterday at Heritage Auctions. He does have a way with domestic scenes.

"She's out of fix because they've cleaned up the movies."
Original art
James Thurber
The New Yorker, September 29, 1934, p. 13

What a great idea it was for Thurber to portray the indignation of the young girl here—she still has a doll!—the very sort of person the Hays Code was allegedly trying to protect. 

To me, it's an odd turn of phrase to say, "out of fix." It sounds wrong to my ear, but I take it to be close to "out of joint" or "bent out of shape."
"She's out of fix because they've cleaned up the movies."
Framed, original art
James Thurber
The New Yorker, September 29, 1934, p. 13

"October 6th or before," reads the notation on the back. The New Yorker knew it had a timely cartoon on its hands. It was published in the September 29 issue while the topic was still fresh in the public's mind.
Verso




James Thurber
Heritage Auctions listing accessed 22 days before the sale


James Thurber
Heritage Auctions item description



The present work, of course, translates well onto the printed pages of The New Yorker:
"She's out of fix because they've cleaned up the movies."
James Thurber
The New Yorker, September 29, 1934, p. 13

"She's out of fix because they've cleaned up the movies."
Original art
James Thurber
The New Yorker, 
September 29, 1934, p. 13


Sold!





* * *

On the page opposite the Thurber drawing, that old romancer Alain gets a little forward with the body language. Thurber's body language by comparison is rather restrained, at least in this issue. 
            "Go on, don't give
me that personality stuff!"

Alain
The New Yorker, September 29, 1934, p. 12





Note:  This blog will remain out of fix indefinitely.




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Friday, May 4, 2018

Mischa Richter: Will Hays

Will H. Hays, the first chairman of the Motion Picture Producers and Distributors of America, is the subject of Mischa Richter's cover for the New Masses of August 16, 1938. The illustration was prompted by James Dugan's piece on "Challenging the Movie Monopoly." Hays is associated with the so-called Hays Code of 1930, the set of moral guidelines used in the self-censorship of Hollywood movie content.

It's interesting that the Marxist critique of Hollywood seems to be about the movie industry's monopoly rather than movie censorship. Was censorship, widely practiced in Stalin's Soviet Union, a topic of any interest to the New Masses?


Will Hays
Mischa Richter
New Masses, August 16, 1938


Will H. Hays



Image added May 15, 2018


Note:  Can anyone identify the photo or photos likely used by Richter as a reference for this illustration?

Attempted Bloggery seeks scans and photographs of little-known work by Mischa Richter (1910-2001) and other New Yorker artists.


Quick Links to the Attempted Bloggery Archives:


Mischa Richter

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