Showing posts with label Robert L. Forbes. Show all posts
Showing posts with label Robert L. Forbes. Show all posts

Friday, March 3, 2023

Ronald Searle: A Catscape for the Cassés

Ronald Searle was born on this day in 1920. The prolific cartoonist was also an active printmaker; his long-time lithographer and friend was Michel Cassé of Paris. In September of 1978, Searle gave Michel and his wife Carmen a watercolor featuring a group of eleven fanciful cats. The drawing has never been published.


The cats occupy a plane patterned like a tablecloth or tiled floor. One of them stands on two legs with at least one hand improbably inserted in a pocket. A crescent moon hangs low in the sky.


Ronald Searle's signature


"pour Carmen
& Michel
Love
Ronald
Septembre 1978"



The artwork turned up on eBay last week. The seller was able to provided a thorough history and provenance.

Ronald Searle
eBay item description


Best offer of 2200 GBP not accepted.
Seller counteroffer of 2500 GBP accepted.


Searle himself might not have called this drawing a "catscape." He used the title only for a series of four cat lithographs published with Cassé in 1967, the year he published his seminal book Searle's Cats. These prints, particularly Catscape I and III, seem to be direct predecessors of the drawing Searle presented to the Cassés. Catscape I was issued in an edition of only 50 plus V artist's proofs.
Catscape I
No. 13/50, 1967
Ronald Searle

Ronald Searle
Euvrard & Fabre, Paris, June 19, 2020, Lot 252





Gurlitt (1971) No. 7




Catscape II is a different kind of grouping, more of an assemblage than a landscape, although the large cat's back does define a ground line of sorts.
Catscape II
No. 11/99, 1967
Ronald Searle

Anderson and Garland
Ronald Searle
Catscape II



Gurlitt (1971) No. 15



A drawing similar to Catscape II graces the title page of Searle's Cats (1967).
Searle's Cats (1967 UK edition)
Title page



Searle's Cats (1968 US edition)
Title page

https://www.abebooks.com/first-edition/SEARLES-CATS-SEARLE-Ronald-Stephen-Greene/13805997369/bd


The French edition used that same illustration on the cover, with color added.
De drôles de Chats (1967)



The horizontal Catscape III is reoriented vertically to accommodate text for the Galerie La Pochade exhibition poster.
Catscape III variant
Lithographic poster for Galerie La Pochade
Edition of 100 unsigned proofs, 1967
Ronald Searle





Gurlitt (1971) Nos. 16 and 17





Catscape IV piles the cats on top of each other to a third level, but is otherwise not entirely unlike Catscape II. The edition size is now an impressive 150, but Searle would come to settle on 99 as his standard.
Catscape IV
Hors commerce aside from the edition of 150 plus XV artist's proofs, 1967
Ronald Searle





Ronald Searle
Catscape IV
Euvrard & Fabre, Paris, June 19, 2020, Lot 255



Gurlitt (1971) No. 19




Eight years later we find the first UK edition of More Cats (1975) has a similar vibe on its cover. Searle has refined his cats considerably, but he is still finding ways to fill space on a page with them in all their variety.


Displaced Persons is an exceptional work from the same year as the Cassé drawing. The cats, by 1978 at least, have a horizon line to fix them on a plane. That plane is tiled or patterned in the Cassé watercolor, but barren and endless here. The title makes it clear that Searle, even when drawing cats, has always been thinking about people.
Displaced Persons, 1978, postcard
Ronald Searle



A detail scanned from a page of the Big Fat Cat Book gives us a better idea than the postcard of Searle's formidable technique.
Displaced Persons [detail, 1978]
Ronald Searle's Big Fat Cat Book (1982)




Searle apparently abandoned the term catscape shortly after coming up with it. It still seems useful, though, for describing one type of drawing he excelled in: his cartoon cats covering either an undefined flat surface or a plane with a heavy horizon line. In an undated but clearly later drawing, Searle once again avoids using his invented word catscape in the title and settles for the rather bland Landscape with Figures. By this time, his cats have evolved in form once again, but they remain anything but bland.

Landscape with Figures
Ronald Searle
Collection of Robert L. and Lydia Forbes


Ronald Searle
Christie's, July 5, 2006, Lot 1083








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Saturday, January 11, 2020

Arnie Levin and Ronald Searle: The Owl and the Pussycat and The New Yorker

Edward Lear
The Owl and the Pussy-Cat


https://www.poetryfoundation.org/poems/43188/the-owl-and-the-pussy-cat



More than a century after the original publication of Edward Lear's The Owl and the Pussy-Cat (1871), the famous nonsense poem improbably served as the inspiration for two outstanding New Yorker covers published exactly five years apart. Not coincidentally, these two covers neatly bracket the five-year editorial reign of Robert Gottlieb. The moonlit 1987 cover is by Arnie Levin; the 1992 cover set on Central Park Lake is by Ronald Searle.



Arnie Levin
The New Yorker, July 27, 1987



Ronald Searle
The New Yorker, July 27, 1992





* * *



Incidentally, a more tempestuous treatment of the subject by Searle is today in the collection of Robert L. Forbes. It is apparently undated.
Ronald Searle
The Owl and the Pussycat


Ronald Searle
Christie's South Kensington
July 29, 2008




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Wednesday, December 23, 2015

Ronald Searle: Christmas Presents!

Christmas Presents! That's a big part of this gift-giving season and it's also the title of Ronald Searle's 1993 Christmas card design for Married Women magazine. The original artwork features two rather comfortable-looking cats and was sold at Christie's South Kensington in 2002. It is now in the collection of Robert L. and Lydia Forbes, who know a good present for themselves when they see it.


Christie's South Kensington, Sale 9314, Lot 197, December 4, 2002




Note:  More blogfare topics:
           Ronald Searle
           Christmas
           Cats
           Winter

Has anyone actually heard of Married Women magazine?

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Sunday, March 1, 2015

Ronald Searle: Sunday Afternoon

It's another Sunday afternoon and the pets are still trying to keep themselves entertained. This subtly-colored drawing by Ronald Searle is undated.

Ronald Searle, Sunday Afternoon
Collection of Robert L. and Lydia Forbes

Christie's South Kensington, July 29, 2008


Note:  Improve your lazy Sunday with more blog posts about Ronald Searle.

If you're looking for pictures of dogs playing poker, I think you've come to the wrong blog.

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Sunday, February 15, 2015

Ronald Searle: Morning Glow

How does one follow up yesterday's Valentine's Day post featuring 39 Steps..., a superb cat drawing by Ronald Searle depicting some heroic--let's call it exercise? The artist's Morning Glow from 1983 seems the obvious choice. After selling way above its estimate at Christie's South Kensington in 2006, it made its way into the collection of Robert L. and Lydia Forbes. Yes, that Forbes family.
Ronald Searle, Morning Glow, 1983


Christie's South Kensington, July 5, 2006, Sale 4044, Lot 1085

Note:  This blog always has something or other to say about Ronald Searle.

For that matter, so does Perpetua, the Ronald Searle Tribute blog, only more so.

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