Showing posts with label Doyle New York. Show all posts
Showing posts with label Doyle New York. Show all posts

Tuesday, February 24, 2026

Charles Saxon: Deck Chairs

A Charles Saxon drawing known as Deck Chairs looks for all the world like a cartoon missing its caption. The setting is the shaded deck of a cruise ship. Passengers are wearing coats and some are reclining on deck chairs under heavy blankets. The woman second from the left is speaking to another woman next to her, turning away from a man who is, possibly, her husband. An attentive member of the crew is standing in the background.


Deck Chairs
Charles Saxon


The framed drawing was exhibited at a show called Artists of The New Yorker in February of 2000 at Davis & Langdale Company, Inc., but that does not necessarily mean the drawing ever appeared in the magazine, only that the artist did. It was number 48 on the art gallery checklist (not here provided) but no caption is noted on the frame backing, only the title. It was later sold at Doyle New York on May 12, 2020, part of the collection of Patricia and Donald Oresman, for $343, and on eBay on October 25, 2021, not all that long after, for $240.




Charles Saxon's signature

Charles Saxon
eBay listing ended October 25, 2021

Charles Saxon
eBay item description




If I may be permitted to present my auction chronology in reverse, here is the earlier Doyle New York sale:
Charles Saxon
Doyle New York Paintings & Drawings Online, May 12, 2020



Now Saxon had a five-page cartoon spread—just imagine such a thing today—called "Caribbean Cruise" in the New Yorker issue of January 23, 1960, but this drawing seems to be somewhat later. It is less inky than the 1960 drawings and relies more on Conté crayon for its atmospheric effect.


After almost five years of pondering this image and hoping to miraculously come across it in print with a humorous if understated caption, I've decided to let my readers have a go at it. Where then might this Charles Saxon drawing have been published and with what printed caption? There is no prize for a correct answer, but you are always free to treat yourself to a little celebratory cruise.




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Sunday, November 16, 2025

Charles Addams for "Anniversary Waltz"

"Anniversary Waltz," a comedy by Jerome Chodorov and Joseph Fields, opened on Broadway in 1954. It starred Macdonald Carey and Kitty Carlisle, and was directed by Carlisle's husband Moss Hart. Reviewers criticized the play for its crude content, but it was a hit. The New Yorker's lukewarm capsule review some seven months into the show's two-year run suggests there may have been better things to see. 

https://archives.newyorker.com/newyorker/1954-11-13/flipbook/002/



Why seven months? It was in the "7th hilarious month" that the show's producers began to promote the play with a Charles Addams drawing:

"They laughed their heads off!"
Charles Addams
Promotional art for "Anniversary Waltz" (1954)


The original art shown here was in the collection of the actor Douglas Fairbanks, Jr. It was sold at auction by Doyle New York earlier this month.

Addams worked on Whatman Water Color Board which must have taken his washes well. Affixed to the back of this board is a closely-trimmed, printed clipping of the advertisement showing how the marquee signage had been at some point reworked.
Verso

The printed caption and Charles Addams's signature


The sale took place on November 5. The estimate was $8,000 to $12,000. The art sold for $23,040 including the buyer's premium.
Charles Addams
Doyle New York listing of November 5, 2025



When the play traveled to Chicago with a different cast, the Addams art was still in use. The writing on the marquee had been further modified.
Peter Arno and Charles Addams theater art



Note:  For Christmas of 1982, Charles Addams personalized a copy of his collection Creature Comforts (1981) to Mary Lee and Douglas Fairbanks, Jr. It's in the archives in a post called "Charles Addams: The Flashing Festers." What could such a title portend?







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Sunday, September 7, 2025

Five Housepets and a Globe: Ronald Searle Proposed New Yorker Cover Art

Five concerned housepets ponder the state of the world in a New Yorker cover proposal by Ronald Searle. The globe sitting on what is evidently a scholar's desk is surrounded by a dog, three cats—one a small kitten—and a parrot. The magazine's ubiquitous strap is rendered in heavy black ink along the left border intersecting with the perpendicular line of the desk top. Ample room is set aside at the top for the magazine's logo. But The New Yorker rejected this design.



Searle, working in the south of France, submitted finished artwork for his proposed covers. Even without a sale to the magazine, the art could be used in some future book (this one wasn't) or sold to a collector. The year of creation would be handwritten on the studio stamp on the verso of the art. Doyle New York did not disclose any such date in its sale of this piece on December 9, 2021 but it looks to be from around 1989, give or take.

Ronald Searle
Doyle New York sale of Rare Books, Autographs & Maps, December 9, 2021

In the catalogue's description of the lot, Doyle speculates that these animals are "perhaps planning global domination." I would further speculate that the author of those words is from the generation that grew up with "Pinky and the Brain."





Note:  See yesterday's post for James Thurber's much simpler approach to a similar idea.



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Thursday, June 5, 2025

Al Hirschfeld: The Mary Tyler Moore Show

Out of the personal collection of Mary Tyler Moore comes an Al Hirschfeld caricature of three principals from "The Mary Tyler Moore Show." They are Mary Tyler Moore as Mary Richards, Ed Asner as Lou Grant, and Ted Knight as Ted Baxter. The original art was sold yesterday at Doyle New York.


There's just one Nina hidden in the drawing. Have you found it yet?


Al Hirschfeld's signature


A later reproduction includes Valerie Harper as Rhoda Morgenstern. To this print Hirschfeld added a dedication in 2001: "To Robert and Mary." 

What do you know? This signed reproduction is also framed:


Al Hirschfeld
Doyle New York listing accessed May 31, 2025, four days before the sale


Sold!






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Tuesday, September 24, 2024

Barbara Shermund: Trophy Wall

An original color cartoon by Barbara Shermund changed hands on eBay three months ago for $700. It depicts two men, one proudly showing off his fishing trophies to the other. The wall display includes a mounted mermaid. I confess I can't make out a word of the caption, but the keen-eyed seller apparently can.

"And there's one, my boy, that gave me quite a battle!"
Barbara Shermund
Original art
Pictorial Review, released November 9, 1947

It's a little dark, no?

Barbara Shermund's signature

Verso
PR indicates Pictorial Review.
Release date November 9, 1947


My, my. This drawing has seen the auction block before.

Barbara Shermund
eBay listing ended July 1, 2024


Barbara Shermund
eBay item description







This original was one of five Shermund items related to angling presented by the artist in August 1949 "To Al Mayer, the champ fisherman of Todd's jetty" in Seabright, New Jersey. They were sold together at Doyle in 2002. The present cartoon is here referred to only as The Prize. (The scarcely-readable caption is hidden behind the matte.) The drawing has since lost its frame.


Within a few hours of my posting this cartoon, Jeff Nelson came through with an image of the Shermund's Sallies page. It's in black and white because it had been stored on library microfiche sans color and uploaded thus to the newspapers.com website. I have now corrected, slightly, the eagle-eyed eBay seller's caption.

"And there's one, my boy, that gave me quite a battle!"
* * *
"I just proposed to Henry, Father—has he your blessing?"
Barbara Shermund
Shermund's Sallies
Pictorial Review, November 11, 1947, Pittsburgh Sun-Telegraph
Newspapers.com image provided by Jeff Nelson

Note:  I'd still love to see how this page appeared in color. Please get in touch if you have the corresponding November 9 (or later), 1947 issue of Pictorial Review in your archive. I'm fresh out.


It would be so great to get a better look at Barbara Shermund's sketchbook from the Doyle auction. Would the present owner please step forward?


For that matter, all sorts of original art by Shermund are of interest to the readers (and the writer) of this blog. I would be only too happy to post some more images here of Shermund creations. Please send along what you've got, my boy.






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Saturday, May 4, 2024

William Steig: The Perfect Wife

There is, to be sure, some good, old-fashioned charm to William Steig's drawing of The Perfect Wife. The title at first seems coyly innocent, but it allows for a touch of irony too. Is it sexist, defining the woman solely by her marital status? Or perhaps the husband is simply not worthy of a place in the title himself?


The two figures are shown in an idyllic garden posing for the artist as for a family portrait from a bygone era. The curving branches of the tree frame their heads. The ink and watercolor on paper was sold last month at Heritage Auctions and a little more than four years earlier at Doyle New York. The artist's spelling is not quite up to his drawing; the C has been squeezed into place as a correction.

William Steig
Heritage Auctions listing of April 23, 2024

William Steig
Heritage Auctions item description






This work was sold in 2018 by Doyle New York for somewhat less, $406 with the premium.


William Steig
Doyle New York listing of November 13, 2018
https://www.doyle.com/auction/lot/lot-11---steig-william-1907-2003-the-perfect-wife/?lot=122
2725&so=4&st=William%20Steig&sto=0&au=&ef=&et=&ic=False&sd=1&pp=96&pn=1&g=1





Note:  Neither the William Doyle Galleries, Heritage Auctions, nor your earnest blogger have any idea whether this William Steig piece was ever published, but that doesn't mean that the next person won't know more about it. If you're in possession of the key to the publishing history of this piece, if indeed it can ever be known, please chime in.



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