Showing posts with label Ellis Rosen. Show all posts
Showing posts with label Ellis Rosen. Show all posts

Sunday, December 28, 2025

Charles Addams: A Legacy of Unicorns

Yesterday's installment of Bliss, Harry Bliss's syndicated single-panel cartoon, is set in a hotel room where two unicorns have just finished having sex. The female is pulling on a stocking while the male is smoking a cigarette. Two horseshoes may be seen on the floor.

"You'd better hurry—we'll miss the ark."
Harry Bliss
Bliss, December 27, 2025



The scene is contemporary and, of course, nicely rendered. Many Bliss readers may be unaware that the idea behind this gag comes from a classic drawing by Charles Addams, one of his very best:


Charles Addams
The New Yorker, March 10, 1956, p. 44



Addams, though, is not going for the belly laugh. His cartoon is not meant to be funny so much as poignant. It is full of atmosphere and emotion. Read left to right, foreground to background, it tells a moving story. The original art is in the collection of the New York Public Library.

Those branches Addams shows sticking out of the water may be echoed in Bliss's motel room painting. It's hard to say for certain. What do you think?

Unicorns and the ark are not a new idea. Curiously, there are some 15th and 17th century depictions of unicorns actually on board the ark. This begs the question of how and when they might have died off. Addams may well have been the first to depict the unicorns becoming extinct because they missed the ark.

Like Bliss, Hallmark couldn't resist going for the big laugh. A unicorns-missing-the-ark card was marketed by their Shoebox division because exclamations like "Oh, crap!" just don't feel at home in the Hallmark imprint. I spotted it in the card rack at a local pharmacy in early 2020. I believe this card has since been discontinued.







Another contemporary New Yorker cartoonist, Ellis Rosen, has put his own spin on the idea—twice.
https://www.facebook.com/photo?fbid=1333542411474003&set=pcb.1333542478140663



And, in acknowledgement of the pickleball trend . . . 

https://www.facebook.com/photo/?fbid=10163402974629851&set=gm.1314486600006935



Inevitably, there are many more examples out there, too many. I won't try to catalogue them all as there is that law of diminishing returns. As far as I can tell, The New Yorker is where it all started. Regardless of that, I don't think Addams's version will ever be equalled.
With a drawing by Charles Addams and a Profiles illustration by Abe Birnbaum



Note:
  It is, of course, possible that there is some depiction of a pair of unicorns missing Noah's ark that predates the Addams drawing. If such a thing exists and anyone knows of it, please get in touch.

This is not the first time Harry Bliss has mined the work of Charles Addams. I have enumerated other examples here. 


* * *


Before we go, let me just note that Abe Birnbaum illustrates the Profiles page and he includes a piece of technology that was then state-of the art but is now obsolete:
Emory Cook
Abe Birnbaum
The New Yorker, March 10, 1956, p. 45


Modern publishing techniques do not often require column fillers, which may also be considered obsolete, but I do really miss the Newsbreaks—though not quite as much as the Addams cartoons.


Quality prints of this wonderful Addams cartoon are available from the Tee & Charles Addams Foundation, which holds the copyrigtht. Just follow the aqua link.






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Monday, March 3, 2025

My Entry in The New Yorker Cartoon Caption Contest #934

The New Yorker Cartoon Caption Contest #934 appeared in the issue of March 3, 2025. A realtor is showing a couple of potential buyers a home that exists in the form of a floor plan. The realtor speaks. The drawing is by Ellis Rosen.

"The previous owner flatlined."





March 16, 2025 Update:  The Finalists






March 19, 2025 Update:  I voted for the caption from Broomall.


March 29, 2025 Update:  The Winner





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Sunday, December 15, 2024

My Copy of At Wit's End: Cartoonists of The New Yorker by Alen MacWeeney and Michael Maslin

On November 21 at the Rizzoli Bookstore on Broadway, At Wit's End: Cartoonists of The New Yorker received its official launch. The book includes Alen MacWeeney's striking photographs of more than fifty New Yorker cartoonists past and present with accompanying profiles by Michael Maslin and a select sampling of cartoons. This is the first book celebrating the centennial of cartoonists at The New Yorker. One hopes there will be more. 

Seen on the panel at the event, left to right, are moderator Charles Traub, MacWeeney, and Maslin. Justin Sheen's photograph from the book is up on the screen behind them.



The half title page of my copy is signed by the two principals, Maslin and MacWeeney.

Many New Yorker cartoonists included in the book were present at the event. Should I have asked those cartoonists to add their signatures to that half title page? Maybe, but the cartoonists I approached all gravitated toward signing their own pages on the first (of two) spreads without any coaching. Here then are their pages alphabetically as signed, sometimes with a drawing, starting with that of David Borchart:














Note:  As you see, at the event I got fourteen people in total to sign my copy of At Wit's End. Although other cartoonists were also present at Rizzoli, I missed out on obtaining the signatures of Ellie Black, Akeem Roberts, Justin Sheen, and Victor Varnado. I suppose I have no one to blame but myself. If anyone did obtain signed pages from these cartoonists at the launch event or elsewhere and wishes to share them here, I'd be happy to append photos or scans of the relevant pages to this post.

As of this writing, Rizzoli still has books signed by the authors available on its website here.

Cartoonist Michael Maslin posted an extensive account of the book launch event on his Ink Spill blog here.











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Monday, November 11, 2024

My Entry in The New Yorker Cartoon Caption Contest #921

In The New Yorker Cartoon Caption Contest #921 from the issue of November 11, 2024, a robed and hooded man behind an airline check-in counter makes a seemingly dire pronouncement to a passenger. My submission is shown below. The drawing is by Ellis Rosen.

"Don't order the fish!"



This caption didn't trust in the Force:

"Boarding is nigh!"





November 23, 2024 Update:  The Finalists



December 1, 2024 Update:
  
I voted for the caption from Studio City.



December 7, 2024 Update:
  The Winner





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Monday, July 22, 2024

My Entry in The New Yorker Cartoon Caption Contest #905

The mice are commuting by rail in The New Yorker Cartoon Caption Contest #905 from the issue of July 22, 2024. My caption is shown below. The drawing is by Ellis Rosen.

"You should have called me before rush hour."



These captions hit the third rail:

"I can't do anything without a timetable."
"It's too late for traps."
"I'd hate to shut it down—it's right on schedule."
"That's the problem with basement apartments."
"You never heard of mouse transit?"




August 3, 2024 Update:  The Finalists





August 11, 2024 Update:  I voted for the caption from Woodside.


August 14, 2024 Update:  The Winner








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Tuesday, July 26, 2022

The CartoonStock Caption Contest #156

The CartoonStock Caption Contest #156 is now the company's second competition that is pay-to-play. As before, five dollars gets you three entries and a chance at a $1,000 cash prize. Statistics tells us one needs a better than 1-in-200 chance of winning in order to make entering such a contest worthwhile. Surely, the uncharacteristic difficulty of the first two contests is discouraging potential entries, improving the odds for those few who do enter. Like many caption contestants, I remain certain that I have a better than 1-in-200 shot at this, but the fact of the matter is that in the first 155 contests I have failed to win a single one. It would be unwise to get my hopes up. The drawing is by Ellis Rosen.

"Best production of 'Death of a Salesman' ever."
"He never wanted to be known as Burning Dan."
"Shouldn't we beware of geeks burning gifts?"





August 3, 2022 Update:  The Winner











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Monday, May 16, 2022

My Entry in The New Yorker Cartoon Caption Contest #802

This week, I tried to scale the heights of caption writing for The New Yorker Cartoon Caption Contest #802 from the issue of May 16, 2022. My entry is shown below. The drawing is by Ellis Rosen.

"After this photo, we'll be the only Famous Ray's."




These captions left me hanging:
"Please observe our strict no tipping policy."
"Plus an extra $90 for delivery."
"I don't suppose you have a bathroom I can use."
"You can just forget about our freshness guarantee."
"Haven't you heard of lunchboxes?"
"Just a heads up:  You're being watched."
"I can't keep doing this for minimum wage."
"Let me just run down for your sodas."
"Why can't you build the elevators first?"



Once I hit on the idea of Ray's, a ubiquitous and confusing name in New York pizza, I tried out a few variants:

"But we ARE the original Ray's."
"Well, which Ray's did you want?"
"Then which Ray's did you want?"
"After this photo, we'll be Famous Ray's."






May 28, 2022 Update:
  The Finalists





May 30, 2022 Update:
  I voted for the caption from Novato.


June 11, 2022 Update:
  The Winner






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Monday, November 23, 2020

My Entry in The New Yorker Cartoon Caption Contest #734

You'll have to hold still for my entry in The New Yorker Cartoon Caption Contest #734 dated November 23, 2020. The drawing is by Ellis Rosen.

"It's time for you to come clean."



November 30, 2020 Update:  The Finalists




December 13, 2020 Update:
  I went with the caption from Oostburg.



December 14, 2020 Update:
  The Winner




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Wednesday, May 27, 2020

The Cartoon Collections Caption Contest #76

We're now up to the Cartoon Collections Caption Contest #76. The filename for the image is Bird Hygge. I had to look it up, but it works. My entries are shown here. The drawing is by Ellis Rosen.

"It's time you learned there's more to life than nuts."
"I never considered worms to be comfort food."

"Deal: you scratch my wing—I fan your tail."
"Once treed, I vowed to make the best of it."



June 3, 2020:  The Winner




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