Showing posts with label Newsbreak. Show all posts
Showing posts with label Newsbreak. Show all posts

Wednesday, January 28, 2026

George Price: A Wartime Letter

Original New Yorker art by cartoonist George Price is prized by collectors for its depiction of an assortment of characters—sometimes eccentric, often of limited means—living out their lives among the bric-a-brac they have accumulated. This sort of humor, mingling as it does personalities, settings, and objects, requires a deft touch. A drawing of his from early 1943 shows Price in great form, delivering equal parts humor and poignancy, capturing some of the true emotions experienced on the home front during World War II.  

"He's homesick."
George Price
Original art
The New Yorker, February 6, 1943, p. 19

He wrote the two-word caption at the upper left; it was to be printed underneath on the wife's side of the drawing. The economy of words among the proliferation of lines is striking. The blue coloring indicates where the Ben Day process would produce shading in the printed cartoon.

Detail with caption

The signature in black india ink remains bold, but the inscription to John, the original giftee, has faded considerably over eight decades.
"All best wishes
to John —
George"

One might very well ask why, on December 10, this exceptional framed and matted drawing sold at auction in Philadelphia for only $100. To be fair, the auction house Barry S. Slosberg's estimate started out low, $100 to $200, and it proved accurate. The piece, which so well reflected the mood of the country during the Great War, may not resonate so strongly with many today, although any parent should understand. Finally, the market is inefficient, and some collectors who love this kind of art may not have seen this piece come to auction. For them, they may just have to wait eighty-three more years for another chance.

George Price
Barry S. Slosberg, Inc., listing of December 10, 2025

George Price
Barry S. Slosberg, Inc., item description




For all its complexity, the drawing looks very clean on the printed page. Price knows how to tell a story visually: the couple seated apart but sharing the news from overseas, the photograph of the son in uniform on the wall, the peeling plaster, the hungry cat, the nailed floorboards, and . . . everything else.

"He's homesick."
George Price
The New Yorker, February 6, 1943, p. 19

"He's homesick."
George Price
Original art
The New Yorker, February 6, 1943, p. 19


With cartoons by Leonard Dove and George Price


* * *



On the page opposite, Leonard Dove's cartoon about obtaining credit in time of war provides an interesting contrast with Price's. The shading is heavier, the setting is less surprising, and the caption is, of course, a lot wordier. 
"Frankly, Mr. Courtney, it isn't only the government regulations—we like prompt payment also."
Leonard Dove
The New Yorker, February 6, 1943, p. 18



In one of those quirky mistakes that pop up from time to time in the database, The Complete Cartoon of The New Yorker (2004) erroneously attributes the Price cartoon to Dove as well. The confusion persists to this day in the Condé Nast Store's online listing of "He's homesick."



Newsbreak Q&A:
Whenever I enjoy a given snappy rejoinder such as this one, I wonder if it was perhaps written by E. B. White.





05192

Sunday, December 28, 2025

Charles Addams: A Legacy of Unicorns

Yesterday's installment of Bliss, Harry Bliss's syndicated single-panel cartoon, is set in a hotel room where two unicorns have just finished having sex. The female is pulling on a stocking while the male is smoking a cigarette. Two horseshoes may be seen on the floor.

"You'd better hurry—we'll miss the ark."
Harry Bliss
Bliss, December 27, 2025



The scene is contemporary and, of course, nicely rendered. Many Bliss readers may be unaware that the idea behind this gag comes from a classic drawing by Charles Addams, one of his very best:


Charles Addams
The New Yorker, March 10, 1956, p. 44



Addams, though, is not going for the belly laugh. His cartoon is not meant to be funny so much as poignant. It is full of atmosphere and emotion. Read left to right, foreground to background, it tells a moving story. The original art is in the collection of the New York Public Library.

Those branches Addams shows sticking out of the water may be echoed in Bliss's motel room painting. It's hard to say for certain. What do you think?

Unicorns and the ark are not a new idea. Curiously, there are some 15th and 17th century depictions of unicorns actually on board the ark. This begs the question of how and when they might have died off. Addams may well have been the first to depict the unicorns becoming extinct because they missed the ark.

Like Bliss, Hallmark couldn't resist going for the big laugh. A unicorns-missing-the-ark card was marketed by their Shoebox division because exclamations like "Oh, crap!" just don't feel at home in the Hallmark imprint. I spotted it in the card rack at a local pharmacy in early 2020. I believe this card has since been discontinued.







Another contemporary New Yorker cartoonist, Ellis Rosen, has put his own spin on the idea—twice.
https://www.facebook.com/photo?fbid=1333542411474003&set=pcb.1333542478140663



And, in acknowledgement of the pickleball trend . . . 

https://www.facebook.com/photo/?fbid=10163402974629851&set=gm.1314486600006935



Inevitably, there are many more examples out there, too many. I won't try to catalogue them all as there is that law of diminishing returns. As far as I can tell, The New Yorker is where it all started. Regardless of that, I don't think Addams's version will ever be equalled.
With a drawing by Charles Addams and a Profiles illustration by Abe Birnbaum



Note:
  It is, of course, possible that there is some depiction of a pair of unicorns missing Noah's ark that predates the Addams drawing. If such a thing exists and anyone knows of it, please get in touch.

This is not the first time Harry Bliss has mined the work of Charles Addams. I have enumerated other examples here. 


* * *


Before we go, let me just note that Abe Birnbaum illustrates the Profiles page and he includes a piece of technology that was then state-of the art but is now obsolete:
Emory Cook
Abe Birnbaum
The New Yorker, March 10, 1956, p. 45


Modern publishing techniques do not often require column fillers, which may also be considered obsolete, but I do really miss the Newsbreaks—though not quite as much as the Addams cartoons.


Quality prints of this wonderful Addams cartoon are available from the Tee & Charles Addams Foundation, which holds the copyrigtht. Just follow the aqua link.






05169

Sunday, June 7, 2020

eBay 101: The King's Diary by Henry Martin

It's hard to believe that some people still can't rotate photographs, but the eBay seller offering a New Yorker original by cartoonist Henry Martin in 2015 presented three of the five photographs sideways. That would constitute an insult to potential online buyers under ordinary circumstances, but this is an especially wordy cartoon to be asked to ponder on one's side. I have taken the liberty of turning the three images upright, a little trick I learned in blogging school.
Photo orientation seen on eBay

The original New Yorker art by gives us a glimpse into the king's diary, revealing his majesty's innermost thoughts. A low-key, introspective cartoon from 1984 remains delightful today, especially right-side-up.
"Dear Diary: Parades, concerts, dancing, banquets, gala balls, fireworks. Today is my birthday, and the whole kingdom is making quite a fuss over it."
Henry Martin
Framed and matted original art
The New Yorker, October 8, 1984, page 116



"Dear Diary: Parades, concerts, dancing, banquets, gala balls, fireworks. Today is my birthday, and the whole kingdom is making quite a fuss over it."
Henry Martin
Original art
The New Yorker, October 8, 1984, page 116

Henry Martin's signature and caption


Copyright notice

A screenshot of the eBay listing shows that three of the photographs were presented on their sides:
Henry Martin
eBay Listing Ended June 20, 2015
http://www.ebay.com/itm/Original-Cartoon-Illustration-by-Henry-Martin-from-New-Yorker-Magazine-/161733642472?pt=LH_DefaultDomain_0&hash=item25a81388e8&nma=true&si=MY%252BVlM1DDf4MNMNGGnCdh3m%252FHQQ%253D&orig_cvip=true&rt=nc&_trksid=p2047675.l2557

Henry Martin
eBay Item Description


"Dear Diary: Parades, concerts, dancing, banquets, gala balls, fireworks. Today is my birthday, and the whole kingdom is making quite a fuss over it."
Henry Martin
Original art
The New Yorker, October 8, 1984, page 116

Cartoon by Henry Martin




Note:  Attempted Bloggery seeks properly-oriented scans and photos of original art by Henry Martin.



Quick Links to the Attempted Bloggery Archives:

Henry Martin


Kings


eBay 101

Original New Yorker Cartoon Art

Attempted Bloggery's Intimate Index

03282

Sunday, April 23, 2017

Email We Never Finished Reading: You're Approved...

Back in the day, the New Yorker used to run Newsbreaks to fill out columns of text. These short pieces would having recurring titles like Letters We Never Finished Reading. In that spirit, here's an email that's not nearly personalized enough to get all the way through.



02165

Tuesday, April 15, 2014

Dept. of Understatement

The following Newsbreak was published in the New Yorker in 1956 and is today rescued from obscurity here in honor of Tax Day. Sixty years ago, Barium Steel was a Fortune 500 company. Now it seems to be gone, perhaps on account of bad writing. Corporations still pay taxes, don't they?

The New Yorker, February 18, 1956, page 62


Note:  Read more posts on taxes here.

See older posts in celebration of on National Library Week here.

Posts about Passover may be found here.

01119