Showing posts with label George Price. Show all posts
Showing posts with label George Price. Show all posts

Wednesday, January 28, 2026

George Price: A Wartime Letter

Original New Yorker art by cartoonist George Price is prized by collectors for its depiction of an assortment of characters—sometimes eccentric, often of limited means—living out their lives among the bric-a-brac they have accumulated. This sort of humor, mingling as it does personalities, settings, and objects, requires a deft touch. A drawing of his from early 1943 shows Price in great form, delivering equal parts humor and poignancy, capturing some of the true emotions experienced on the home front during World War II.  

"He's homesick."
George Price
Original art
The New Yorker, February 6, 1943, p. 19

He wrote the two-word caption at the upper left; it was to be printed underneath on the wife's side of the drawing. The economy of words among the proliferation of lines is striking. The blue coloring indicates where the Ben Day process would produce shading in the printed cartoon.

Detail with caption

The signature in black india ink remains bold, but the inscription to John, the original giftee, has faded considerably over eight decades.
"All best wishes
to John —
George"

One might very well ask why, on December 10, this exceptional framed and matted drawing sold at auction in Philadelphia for only $100. To be fair, the auction house Barry S. Slosberg's estimate started out low, $100 to $200, and it proved accurate. The piece, which so well reflected the mood of the country during the Great War, may not resonate so strongly with many today, although any parent should understand. Finally, the market is inefficient, and some collectors who love this kind of art may not have seen this piece come to auction. For them, they may just have to wait eighty-three more years for another chance.

George Price
Barry S. Slosberg, Inc., listing of December 10, 2025

George Price
Barry S. Slosberg, Inc., item description




For all its complexity, the drawing looks very clean on the printed page. Price knows how to tell a story visually: the couple seated apart but sharing the news from overseas, the photograph of the son in uniform on the wall, the peeling plaster, the hungry cat, the nailed floorboards, and . . . everything else.

"He's homesick."
George Price
The New Yorker, February 6, 1943, p. 19

"He's homesick."
George Price
Original art
The New Yorker, February 6, 1943, p. 19


With cartoons by Leonard Dove and George Price


* * *



On the page opposite, Leonard Dove's cartoon about obtaining credit in time of war provides an interesting contrast with Price's. The shading is heavier, the setting is less surprising, and the caption is, of course, a lot wordier. 
"Frankly, Mr. Courtney, it isn't only the government regulations—we like prompt payment also."
Leonard Dove
The New Yorker, February 6, 1943, p. 18



In one of those quirky mistakes that pop up from time to time in the database, The Complete Cartoon of The New Yorker (2004) erroneously attributes the Price cartoon to Dove as well. The confusion persists to this day in the Condé Nast Store's online listing of "He's homesick."



Newsbreak Q&A:
Whenever I enjoy a given snappy rejoinder such as this one, I wonder if it was perhaps written by E. B. White.





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Wednesday, September 10, 2025

Peter Weed's Copy of Browse at Your Own Risk by George Price

Over the past few months, eBay seller Pinstripe Cards offered a number of books by New Yorker cartoonists that were inscribed to Peter or Lucretia J. Weed of the publishing firm Congdon & Weed. This copy of George Price's Browse at Your Own Risk (1977) was the last of them, signed to Peter a full decade after the collection was published.



"To Peter Weed
with all best wishes
Geo. Price
March 10 '87"

Title page


Below, we read that one-hundred eighty of the one-hundred ninety drawings were originally published in The New Yorker. This is a reminder, if any were needed, of the magazine's importance to a major cartoonist like Price and, in truth, to so many others.

"But you're not going girl-watching in that getup!"

What are the odds? In 2019, I posted the original art for the above cartoon here. 

"I said, you're standing on my metatarsals."

"Is this cabin pressurized properly? My baked apple just blew up."



This color art is Price's one and only New Yorker cover. It was published on December 25, 1965.

George Price
eBay listing accessed September 1, 2025


George Price
eBay item description



Note:  There's a lot more out there—books, original art, correspondence—about cartoonist George Price. If you have it, you know I'd love to see it.


I'd take cartoon-related material about the Weeds as well.





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Wednesday, August 27, 2025

Otto Soglow: On Strike at the Deli

Original Depression Era New Yorker art dating from 1937 by cartoonist Otto Soglow was sold last month on eBay. The sequential drawing takes us into the nitty gritty of a labor dispute at a delicatessen belonging to one E. Swartz. Will the protest be resolved?

Otto Soglow
Original art
The New Yorker, October 9, 1937, p. 27


Soglow has reoworked the last panel a little. There is some white-out in the area of the picketer's forward leg and some glue staining at the bottom of the hanging placard.

Verso





Otto Soglow
eBay listing ended July 23, 2024


Otto Soglow
eBay item description

[End of eBay listing]
In Soglow's final panel, the bottom of the sign that is worn reads Today's Big Special, which repeats the first words on the sign that is carried. The New Yorker's editors evidently had Soglow restore the bottom of that sign to read Local Union, as in the first panel, with a patch that is now lost. Some residual glue must have caused discoloration to that part of the paper.

Otto Soglow
The New Yorker, October 9, 1937, p. 27

Otto Soglow
Original art
The New Yorker, October 9, 1937, p. 27


With cartoons by George Price and Otto Soglow


* * *

On the other side of the page, cartoonist George Price uses shading and a more relaxed and freewheeling line to produce a very different sort of cartoon image. Here he shows a physician perched upon a laboratory table during an office visit, perhaps not such an unconventional seating choice when there is no examining table. Price, though, is making fun of a cigarette promotion which must have been very familiar at the time to the magazine's readers. Line thickness and empty white space assures that we don't miss the essential speech balloon.

"It suddenly appeared                                         
when I started working on that Old Gold contest."
George Price
The New Yorker, October 9, 1937, p. 26



The thing is, I haven't been able to find a print example of the Old Gold cigarette contest referenced in the Price cartoon. Still, I think I know a caption contest when I see one.


Note:  With the help of enterprising collectors, I would love to dedicate future posts on this blog to examples of original art by the likes of New Yorker cartoonists Otto Soglow and George Price. I would also like to add information about that elusive Old Gold contest right here.





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Monday, January 13, 2025

Seen and Noted: George Price's Signature

Autograph dealers have a way of framing signatures alongside photos or other images in an attempt to create something worth hanging on a wall. In an item from an auction scheduled for February 2, The New Yorker's George Price has his autograph mounted above one of his inimitable magazine cartoons.










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Wednesday, January 3, 2024

William Steig's Small Fry: Questioning of Prisoner

"Small Fry," William Steig's long-running series of drawings in The New Yorker, presented the lower-class children of the city engaged in play. At times, their activities reflected the darkening adult world around them. During the Second World War, for example, the cartoons took on more serious themes taken from the headlines. Questioning of prisoner, published in 1943, is a novel take on the effects of the war in Europe at home. The original art was sold last month at Swann Galleries in the Illustration Art sale.

"Small Fry"
Questioning of prisoner
William Steig
Original art
The New Yorker, February 13, 1943, p. 19

William Steig
Swann Galleries, Illustration Art, December 14, 2023
Hammer price

William Steig
Swann Galleries, Illustration Art
December 14, 2023

Price realized with buyer's premium

Drawings by George Price and William Steig

"Small Fry"
Questioning of prisoner
William Steig
Original art
The New Yorker,
 February 13, 1943, p. 19
"Small Fry"
Questioning of prisoner
William Steig
The New Yorker, February 13, 1943, p. 19




On the facing page, cartoonist George Price takes to the ski slopes, and there's a dark undertone to this drawing as well.




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Sunday, September 17, 2023

George Price: Maureen Walks Out

The situation in the cartoon doesn't seem all that funny at first. A woman, Maureen, takes her five children and the three pets and she walks out on her husband, leaving him alone in their squalid apartment. The original drawing is expertly rendered by George Price (1901-1995). The cartoon was purchased by The New Yorker in 1988 and published in its pages in 1990:

"Damn it, Maureen! You just don't break up a winning combination."
George Price
Original art
The New Yorker,
 February 12, 1990, p. 37

The composition is wonderful, guiding our eye from the seated husband at left, past the children who can walk and the pets, to the overburdened mother at the right. We see her suitcase pretty much last and it is that which explains everything we've already observed. So what makes this funny? It's got to be the brilliant caption which runs counter to everything Price has drawn and tells us all we need to know about the two differing perspectives on the marriage. There's another great touch: Price has placed a horseshoe askew on the wall for good luck.

George Price's signature

Handwritten caption




The drawing was sold at auction yesterday in Maine. With an estimate of $800 to $1,200, it attracted its first $400 bid around two weeks before the sale.
George Price
Casco Bay Auctions, Twentieth Century Art & Design, lot 303, bidding as of September 3, 2023

Who's Maurice? I count three errors in the auction house's caption.
George Price

Casco Bay Auctions, Twentieth Century Art & Design, lot 303 item description

Bidding as of September 3, 2023


The lot was sold for a hammer price of $450 plus a $90 buyer's premium if purchased directly through the auction house, or else $126 through Invaluable:



"Damn it, Maureen! You just don't break up a winning combination."
George Price
Original art
The New Yorker, February 12, 1990, p. 37

A poem by Alex Stevens, a spot drawing by Jenni Oliver, and a cartoon by George Price


 



Sofa spot
Jenni Oliver

 

 



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