Showing posts with label Peter Weed. Show all posts
Showing posts with label Peter Weed. Show all posts

Wednesday, September 10, 2025

Peter Weed's Copy of Browse at Your Own Risk by George Price

Over the past few months, eBay seller Pinstripe Cards offered a number of books by New Yorker cartoonists that were inscribed to Peter or Lucretia J. Weed of the publishing firm Congdon & Weed. This copy of George Price's Browse at Your Own Risk (1977) was the last of them, signed to Peter a full decade after the collection was published.



"To Peter Weed
with all best wishes
Geo. Price
March 10 '87"

Title page


Below, we read that one-hundred eighty of the one-hundred ninety drawings were originally published in The New Yorker. This is a reminder, if any were needed, of the magazine's importance to a major cartoonist like Price and, in truth, to so many others.

"But you're not going girl-watching in that getup!"

What are the odds? In 2019, I posted the original art for the above cartoon here. 

"I said, you're standing on my metatarsals."

"Is this cabin pressurized properly? My baked apple just blew up."



This color art is Price's one and only New Yorker cover. It was published on December 25, 1965.

George Price
eBay listing accessed September 1, 2025


George Price
eBay item description



Note:  There's a lot more out there—books, original art, correspondence—about cartoonist George Price. If you have it, you know I'd love to see it.


I'd take cartoon-related material about the Weeds as well.





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Thursday, July 10, 2025

Lucretia J. Weed's Copy of Omnibooth: The Best of George Booth

Lucretia and Peter Weed of Congdon & Weed, Inc., oversaw the publication of a number of cartoon book collections by some of the New Yorker cartoonists whose work we fondly recollect. They include George Booth, Frank Modell, George Price, Charles Saxon, and James Stevenson—quite possibly others as well. What's interesting about Lucretia's copy of Omnibooth: The Best of George Booth, his 1984 collection, is not so much the inscription but the small archive of letters, clippings, and stationery that accompany it.


Imagine being the recipient of a handwritten letter from Booth. Despite the informal tone, he does talk some business. There is humor here as well.

Isn't it just like Booth to use a Laurel & Hardy stamp?

In 1993, Booth contributed an energetic drawing and some encouraging wordage, both equally unique, to the Smith College Alumnae Fund, of which Lucretia was apparently cochair for the Class of '59. Booth offers "an occasional apology to E. Gorey" which I find baffling. Is he giving a tip of the hat to Gorey for The Curious Sofa (1961)? For this?

Personally, I don't know how anyone threw away this 1987 copy of the New York Times Book Review.

The same thing goes for the "Weekend" section of The Missourian, although I probably don't know any subscribers.

It would have been a blast to see Norene and George's work side by side at the Davis Gallery, no?

The Omnibooth front cover—more is more:

George Booth and cat:

Endpaper extravaganza:

Inscribed, "For Lucretia!
George Booth."

Title page









George Booth
eBay listing ended June 10, 2025


". . . signed by [editor] Kenneth R. Hine." Are we looking at the same book?
George Booth

eBay item description




August 23, 2025 Update:  The book has now made its way from eBay to AbeBooks, where it is listed by Jan's Collectibles of Bethany, MO. There are far better photographs of the Weekend article and The New York Times Book Review cover which I append below. Oh, and the price for the ensemble is now $400.


George Booth
AbeBooks listing accessed August 23, 2025


George Booth
AbeBooks item description




September 25, 2025 Update:  Now at ten percent off.






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