Showing posts with label Ben-Day. Show all posts
Showing posts with label Ben-Day. Show all posts

Wednesday, May 6, 2026

Chon Day: Wartime Communication

An original cartoon by Chon Day was sold on eBay in early April. It has a military theme, but recalls some details from stateside.

"Please limit your call to three minutes—"
Chon Day
Original cartoon art

The eBay seller writes, "this is an old original Chon Day New Yorker editorial cartoon. Maybe it's from World War II or something? it very well could be, his work was being published in the 30s 40s 50s, all them decades." I'll buy that it's "from World War II or something." I'll go further and suggest that it's set in the Pacific Theater.




The back of the art isn't as helpful as it might be. There is certainly nothing here to suggest publication in The New Yorker, which the seller so wishes to believe. The date is written as a Monday, May 1—I can't make out the rest—but where and what year? The first of May did fall on a a Monday in 1944—that year would have to be my first guess.

Chon Day
eBay listing ended April 1, 2026

Chon Day
eBay item description







Note:  Please be a good soldier and get in touch if you know just where and when this Chon Day cartoon was published. Just have the operator ring me. And don't talk all day.




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Saturday, September 14, 2024

Mischa Richter: With the U.S. Army Censor

A single-panel cartoon by Mischa Richter is set in the office of the U.S. Army Censor during the Second World War, very likely in 1944. In July, Westport Auctions offered up the original work with a broad presale estimate of $50 to $10,000. The hammer price was more narrow: $50.

"I'll thank you to mind your own business!"
Mischa Richter
Original cartoon art

Detail

Detail

Detail

Detail

Detail




Mischa Richter
Westport Auction listing of July 16, 2024




Note:  Please send word if you know where and when this cartoon was published.



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Sunday, May 6, 2018

Mischa Richter: Decision Revision?

Mischa Richter's newspaper panel cartoon Strictly Richter was syndicated by King Features from 1945-1963 and then by Valen Associates into 1964. An original panel from the final year with King Features is currently available on eBay, although the seller seems unsure of just what it may be. The cartoon is set in a court room. It depicts a juror with some premature—and likely grandiose—concerns about the ultimate outcome of the trial.

It would seem to make sense for a New Yorker cartoonist to work on a daily newspaper panel strip, as it provides a ready outlet for those many cartoon ideas invariably rejected by the magazine. Besides Richter, William Hamilton had a daily panel strip for a while, and Harry Bliss does one today.


"I hope after we go through all this, the Supreme Court doesn't upset our decision."
Mischa Richter
Strictly Richter, February 5, 1963
King Features Syndicate

Mischa Richter's signature

Mischa Richter's signature

King Features Syndicate, Inc., 1963 copyright sticker

Mischa Richter
eBay Listing Retrieved May 5, 2018


Mischa Richter
eBay Item Description


May 14, 2018 Update:  The Buy It Now price has been reduced.


Note:  Attempted Bloggery seeks scans and photographs of original artwork by Mischa Richter (1910-2001) and other New Yorker artists. Leave no stone overturned.


Quick Links to the Attempted Bloggery Archives:


Mischa Richter

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Saturday, February 22, 2014

George Price: Before the Rope Broke

This original artwork by cartoonist George Price does not appear to be a stand-alone gag cartoon, but more likely a story illustration. I hope you have enjoyed my recent survey of George Price's original artwork and I promise to continue it at some point in the future, but for now I'm afraid I'm going to have to leave you hanging....

George Price, "_he weighed 280 lbs and the rope broke."

Title:  "_he weighed 280 lbs and the rope broke."

George Price's signature

http://www.invaluable.com/auction-lot/george-price-american-ny-1901-1995-529-c-zr7py9sn4j


Note:  My series of blog posts on cartoonist George Price may be seen here. With many of his pieces, like this one, I have insufficient publication history and don't even know the auction sale price. As always, I am grateful to anyone who can help out. Auction houses lose interest in a piece once the hammer goes down, but I think it may still be possible to discover a lot of publishing information after the fact. Auction sales prices tend to retreat behind pay walls, but if someone has free and clear access to the information, I'd love to include it here.

As I indicated above, I will be returning to the topic of George Price and his art in the future. I like to use auction house sales because they obtain high-quality images of the original artwork on those rare occasions when it comes to market. I'm just as happy, though, to hear from collectors who have original art that they would like to share here.

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Friday, February 21, 2014

George Price: Off to Georgette's Laundromat

Bookseller James Cummins offers a second piece of original cartoon art by George Price. It is from the collection of publisher James H. Heinemann and is priced at $2,000. It was published in the New Yorker in 1985. I defy anyone to make sense of that picture taped to the wall.

George Price, "I'll be at Georgette's Laundromat and Bar-and-Grill."
Original artwork for the New Yorker, January 21, 1985, page 37

http://www.jamescumminsbookseller.com/pages/books/24031/new-yorker-magazine-art-george-price/new-yorker-cartoon-original-ink-and-colored-wash-drawing-signed-geo-price-and-captioned-in-the
George Price, "I'll be at Georgette's Laundromat and Bar-and-Grill."
The New Yorker, January 21, 1985, page 37

George Price, "I'll be at Georgette's Laundromat and Bar-and-Grill."
The New Yorker, January 21, 1985, page 37


Note:  More posts about George Price are on view here.

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Wednesday, February 19, 2014

George Price Rolls His Own

Original artwork for an early George Price cartoon mocks one man's obsessive attempt to avoid the cigarette tax. He's rolling his own tobacco but making a mess of it, and thereby putting his emotional well-being on the line. The women are drawn with upright posture and sober expressions; their concern is evident. In contrast, the man is not upright in posture but leaning in toward his obsession; his clothes are disheveled, his demeanor is agitated, and even his newly-minted cigarettes are grotesquely misshapen.

George Price, "He may save the cigarette tax, but he's heading for a nervous breakdown."

Price's composition serves the gag extremely well. We are observing this scene from above, which gives us an excellent view of the chaos on the tabletop. The vanishing point is high and to the right, providing strong diagonals from the upper right into the area where the comedy is taking place. The standing woman's folded arms and the seated woman's extended arm form lines from the vanishing point toward the frustrated man. Probably no other artist would include a second lamp, this one unplugged, and a pile of books on the unused chairs. Note how the lines of this tapered lampshade, the tablecloth, and the topmost books all direct the eye back toward the seated man. Also note, however, that the standing woman directs her gaze not toward her husband but back towards her companion. Therefore, in reading the reactions, we go from the wife to the visitor to the husband to the cigarettes, making a sort of Z or zigzag. And that, my friends, is how a master composes a cartoon.


http://www.invaluable.com/auction-lot/price,-george-331-c-jx456uy62p


Note:  Additional George Price posts may be seen here.

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Wednesday, February 12, 2014

George Price: Jurassic Classic

The American Museum of Natural History in New York has incredible dinosaur fossils that fire the imagination of just about every visitor. Not surprisingly, cartoonists long have wondered about the folks who put these huge skeletons together. So here we have a superb example of original New Yorker artwork by the one and only George Price.


George Price, "I'm willing to say the hell with it if you are."
Original artwork for the New Yorker, November 11, 1950, page 36

Illustration House, December 6, 2008
George Price, "I'm willing to say the hell with it if you are."
The New Yorker, 
November 11, 1950, page 36

George Price, "I'm willing to say the hell with it if you are."
The New Yorker, 
November 11, 1950, page 36

Note:  I keep thinking I'm done with the George Price posts, but I guess I'm not there quite yet. See the older ones here.

It shouldn't be surprising that a romantic blog like this one should have a number of posts just right for Valentine's Day. You can see them here.

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Wednesday, February 5, 2014

George Price: The Start of the Season

James Cummins, Bookseller offers original New Yorker artwork by George Price from the legendary collection of publisher James H. Heinemann. Price's details are worth noting, as always. I assume it is the wife's mother who inhabits this drawing, as the husband's mother wouldn't be funny at all. The rabbit ears on the television set affirm that this is one of the increasingly rare households which by 1988 did not have cable. One can't blame the bookseller for assuming this drawing is from the previous decade although, in the words of Casey Stengel, "You could look it up." Or was it James Thurber?

Cummins follows the nearly universal practice of describing Price's medium as "ink and colored wash." I'm going to stop saying it soon, but the bluish medium is actually Ben-Day, and it reproduces as tone in the published work.

Interestingly, the Condé Nast Store also claims to have "Original artwork available for this print!" A quick check of the Condé Nast website reveals that they claim to have the original artwork for nearly every published print and that simply can't be true.

George Price, "And here goes the gun signalling the start of the season."
Original artwork for the New Yorker, September 12, 1988, page 27

http://www.jamescumminsbookseller.com/pages/books/24032/new-yorker-magazine-art-george-price/new-yorker-cartoon-original-ink-and-colored-wash-drawing-signed-geo-price-and-captioned-in-the
"Original artwork available for this print!"

George Price, "And here goes the gun signalling the start of the season."
The New Yorker, September 12, 1988, page 27

George Price, "And here goes the gun signalling the start of the season."
The New Yorker, September 12, 1988, page 27

Note:  More posts about George Price, almost all of them incorrectly mentioning Ben-Day, can be found here.

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