Tuesday, April 17, 2012

A 1932 New York Street Scene by George Grosz

George Grosz's New York Street Scene from 1932 shows a cross-section of life in the City. It is, in general, much tamer than the street scenes he drew in Berlin. I believe I attended the George Grosz exhibit at the Soufer Gallery around the time this drawing was sold. Back then, I thought the prices were too high for my budget, although I'm sure the price for this Street Scene was nowhere near the $8,125 it recently fetched.

George Grosz, Street Scene, New York, 1932






George Grosz, Street Scene, New York, 1932

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Monday, April 16, 2012

Wabbit Season? Duck Season? No, Tax Season!

Bob Knox's New Yorker cover from 23 years ago captured the spirit of the American tax season and its annual rite of federal tax preparation. It featured the amusing pairing of an abacus with a collage of impenetrable tax forms. Just after this cover appeared, around 1990, electronic filing was introduced. Now nearly 80% of tax returns use IRS e-filing, or almost 100 million last year. The printed 1040 form is no longer mailed to households and is fast becoming obsolete.

Bob Knox, The New Yorker, April 17, 1989

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Sunday, April 15, 2012

Women and Children First

What are we to make of this unsigned wash cartoon on eBay depicting the chaos of a foundering ship while the life boats are being manned, so to speak? The seller cites a few unnamed "art specialists" who believe this might possibly be a work by Peter Arno. I just don't see it. Nevertheless, the seller has done a rather adroit job discerning this cartoon's unwritten caption, so it could be he's correct about other details as well.

Peter Arno's mature works have a distinctive style (see, for example, my post here) which is direct, bold, and clean, nothing like this busy and somewhat untidy composition. Arno's early works (I show a few here) all seem to show at least some germ of his later style. They are generally a bit funnier and more knowing than this.

In subject matter alone, this drawing recalls a cartoon by Dorothy McKay about a life boat drill I shared here not all that long ago. But there, I think, the similarity ends.

While I personally don't see any attribute of Peter Arno's here, that is not quite the same as declaring that this drawing can't possibly be by Arno. I find the man's stance, at center, awkward and amateurish. The shading is all right, but the ink work seems crude. The question arises, if it isn't the work of Peter Arno, whose is it?  I'm inclined to think it's the work of someone long forgotten, but that is unsatisfying and I'd be content to be proved wrong. So I'm putting this one out here on the centennial of a great maritime disaster to see if any of my readers can help.

Well then, who do you think drew it?


Women and Children First















May 11, 2013 Update:  OMG!

The final eBay unsuccessful bid price for this drawing which is definitely NOT by Charles Addams):



August 3, 2014 Update:  Like a bad penny, this drawing has turned up on eBay again, this time listed with a different seller from a different state. It is still more or less attributed to Peter Arno, whose assured hand certainly didn't draw it. We learn that the name ARNO is written on the back of the illustration board in a corner that was not visible in the original 2012 listing. Now why should that be? The current seller seems unaware of the first seller's very reasonable proposed caption Women and children first. Instead, we are treated to a cringeworthy appreciation of the painterly technique:  "The cartoon in brush and ink shows a controlled use of bleeding by the artist."







http://www.ebay.com/itm/Original-1930-039-s-1950-039-s-Ink-Cartoon-Unsigned-Peter-Arno-New-Yorker-/321461969222?pt=Art_Paintings&hash=item4ad8a06146&nma=true&si=UB68sj2DvLx%252F9kdb54zXrlCgzYs%253D&orig_cvip=true&rt=nc&_trksid=p2047675.l2557





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Lunch on the Titanic

As you might very well expect, luncheon menus from the Titanic are hard to come by! It is rare indeed, and the high price commanded by this trivial but evocative item is a reflection of how seemingly every aspect of the story of the doomed ship has captivated us.







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R.M.S. Titanic Clearing the Dockside at Southampton

All journeys begin somewhere, and this one, the maiden voyage of the R. M. S. Titanic, must have appeared particularly promising as it left the dockside in Southampton. So far, so good...

Charles Edward Dixon, R.I. (1872-1934) 
R.M.S. Titanic clearing the dockside at Southampton, 10th April, 1912
signed, inscribed and dated 'Charles Dixon/1912-/R.M.S "Titanic" leaving Southampton 10th April-' (lower left)
black ink and watercolour heightened with white
 6¾ x 9 in. (17.1 x 22.8 cm.) 

Price Realized

    £19,200
  • ($38,131)
  • Sales totals are hammer price plus buyer’s premium and do not reflect costs, financing fees or application of buyer’s or seller’s credits.
Estimate
    £8,000 - £12,000
  • ($15,888 - $23,832)

Sale Information

Sale 5114 Lot 356
16 May 2007 

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Saturday, April 14, 2012

Olympic and Titanic

Here is another poster of the Olympic, the Titanic's sister ship, by Montague Birrel Black.


Sale 2205 Lot 425

  Mar 04 2010 10:30 

MONTAGUE BIRREL BLACK (1884-?) [WHITE STAR LINE / OLYMPIC & TITANIC.]
29 1/2x38 3/4 inches, 75x98 1/2 cm.
Condition B+: repaired tears, restored losses and restoration in margins and image. Linen-backed, archivally mounted and framed.


Estimate $2,000-3,000
Sold for $11,000




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White Star Line Olympic and Titanic

This beautiful White Star Line poster, c. 1910, actually shows the Olympic, the sister ship to the Titanic.

Sale 2230 Lot 60

 Nov 15 2010 13:30 

MONTAGUE BIRREL BLACK (1884 - ?) WHITE STAR LINE / "OLYMPIC & TITANIC." Circa 1910.
40x24 3/4 inches, 101x63 cm.
Condition B+: minor restored losses in top margin; repaired tears and restoration in right margin, some affecting image; repaired tear and minor restoration in image.
An exceptional artistic rendition of the Olympic, likely completed before the ship was officially launched. This image was clearly a favorite of the White Star Line publicity department, as it appeared on numerous forms of promotional material, including a postcard (issued some time in 1910) announcing that the Olympic had been launched on "Oct. 20, 1910," and that the Titanic, which was currently being built at Belfast, would "be in commission 1911." The image also appeared on menus, advertisements, a 2nd class passenger list on the Titanic and the cover of a 1911 souvenir edition of the Shipbuilder. Often mistaken as a poster of the Titanic itself, this is not the case. When the Titanic was launched, she weighed 46,329 tons, heavier than her sister ship as a result of enclosing one of her upper promenade decks, a fact that would have been unknown to the publicity department before construction was finished, and the enclosed upper deck is not depicted here. Still, this is an extremely rare poster, with only a few copies having come up for auction over the past 25 years. Likely once the Titanic sank on April 15, 1912, the White Star Line would have pulled and destroyed as many of these posters as they could.
Estimate $15,000-20,000
Sold for $30,000



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Blog Post No. 300: From the Libraries of Searle, Koren, Booth, and Saxon

Today's post concludes my weeklong celebration of National Library Week. Coincidentally, this is my 300th blog post, which I discuss below.  To begin with, eBay currently lists a set of four book publishing industry prints commissioned by the Tri-Nip Press and released in 1979. The artists are Ronald Searle, Edward Koren, George Booth, and Charles Saxon, all of whom were associated with The New Yorker magazine, but particularly the latter three.

Ronald Searle is the only one to use color, and he has used it to create a large and vivid, even garish, scene. The topic would seem to be censorship, making this an overtly political statement. I see some humor too in the rendering of the marksman and the falling leaflets with their quills. The writer here is left-handed, as is Mr. Searle. For once, the hand is carefully rendered. Note too that Searle is left-handed.

In 1992, thirteen years after this print was published, the artwork appeared in color in Searle's Carnet de croquis: le plaisir du trait, an extremely scarce book. Later, some three decades after it's initial publication, Searle reproduced the print in black and white in his 2010 book What! Already? Searle at 90. The 1979 print is signed by Searle seemingly with a more upright and therefore typically earlier-appearing signature than is actually in the plate. I find this odd. Not everything makes sense to me in this world. 

Ronald Searle


Edward Koren's contribution is delightful. The helpful waiter serves books restaurant-style to his patrons. It's really quite charming. What else would one expect from this artist?
Edward Koren

Oh, dear! George Booth has gone all surrealistic on us, placing a book deposit slot in a reader's head. Booth's usual english bull terrier is present, drooling, and there's a frenetic rendition of the man's hands that I just don't care for. Even the caption that is meant to sound kooky and offbeat strikes me more as out-of-place and unnecessary. The inclusion of the supposedly innocuous copyright symbol is a pet peeve of mine and I loathe it whenever I see it marring a drawing or print. All in all, this is far from a treasured Booth image for me, and it's my least favorite of the four prints here. Nicely drawn shoes, though.
George Booth, "Books is the zip code to culture"


Nuance is everything. Charles Saxon's cartoon is absolutely note-perfect, easily the funniest drawing here.  Bravo!
Charles Saxon, "Has someone around here been reading?"





July 16, 2012 Update:  These four prints were sold on June 9 after the seller reduced the Buy It Now price to $400:


Blog Post No. 300


With this, my 300th blog post, I must report that I'm still learning how best to do this. As a result of my previous efforts, the blog is closer now to what I envision for it, although I'm not quite there yet. I don't pretend to know in advance which posts will be popular, but more and more of them are pleasing to me, and that's what I go by. Mostly.


In the future, I may have to shy away from some of the more encyclopedic post topics. I enjoyed working on the comprehensive "Krazy Kat Specialty Pieces" and "Butternut Bread Peanuts Promotions" immensely, but I find I have to keep going back to them to add new finds. Each of these posts started as a simple auction report and developed into something gargantuan. The two Roy Lichtenstein posts thus far surprised me by their popularity. I had to keep going back to them too as I got more and more information on Lichtenstein's sources and I'm very pleased with the end-results. I've learned an awful lot about these divers topics, which is great, and these posts have commanded a lot of page views, which is also great, but the time required can be daunting, especially as I'm trying to post something fresh more or less daily.


I'm also trying to keep these blog posts uniquely informative. Even if an auction or other image is readily viewable on the internet, I like to be able to make observations or comparisons that just aren't available elsewhere. Eventually, this might make the blog more essential. Or it might not. A case in point is this very post. One-hundred twenty-five copies of each print were published in 1979 along with perhaps a few artist's proofs. But where can you find these images on the internet? I've never seen them together. Has anyone else commented on them? When this auction disappears from eBay, will there be any trace of this trove anywhere else? Well, I guess it will all stay right here, at least for a while.


Since my 200th blog post, readership has grown to about 10,000 page views a month, up from 7500, hence the rate of growth has slowed. This is not really surprising considering the sudden bump in readership I got in January when Ronald Searle passed away and Google prominently noted the 100th birthday of Charles Addams. I tell myself I'd be happy if readership stayed at 10,000 page views a month. Essentially, to remain at this level, the increase in viewers for the newer posts would have to balance out the decline in readership for the older posts. It sounds doable. More likely, I hope, is that the number of monthly page views will advance at least for a while, perhaps to a plateau of about 12,000 monthly visitors. Of course, this is all idle conjecture done without the benefit of statistics, and I do realize that the potential readership for this sort of artsy blog is not unlimited.


Nevertheless, this blog is very well positioned to benefit from Google image searches. On Bing, though, it's as if I never wrote a post. I wonder if they deliberately exclude Google blogs from their searches. It seems to me that would make their searches far less useful to the populace.


If you don't believe me, here's a little demonstration you can do right now with your computer. It just so happens that this very blog you are reading is so far the world's only online source of information about Ludwig von Drake cufflinks. That's right, I'm the sole individual keeping the world from total ignorance on the subject. So, if you will, humor me and run a Google image search for Ludwig von Drake cufflinks and see how just many images you get from this blog. Nice, huh? Now try the same with a Bing image search. Do you see what I mean? It's a desert island, right? If Bill Gates wants to see my Ludwig von Drake cufflinks, he's simply not going to find them, even though I'm the Harvard of Ludwig von Drake cufflink studies.


So, if Google remains the world's primary search engine, the blog should continue to get a steady flow of eager new visitors every day. If Bing takes over the world's searches and keeps its current algorithmic bias, Attempted Bloggery will become the Western ghost town of blogs, although I'll still be here in the saloon. Where the blog remains weakest, admittedly, is in its ability to entice followers. There are currently only 14 folks who elect to follow the blog publicly, and I have pretty consistently been adding only one follower for every twenty new posts, on average. For a blog now receiving some 345 page views a day, I consider that exceedingly feeble, although perhaps it is understandable given my refusal to restrict myself to any given subject matter. I mean, people want to know what the blog they're following is all about, don't they?

October 13, 2012 Update:  Bing's image search algorithm evidently has improved greatly, and it is no longer a problem to get outstanding search results including relevant images from this blog.

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Friday, April 13, 2012

More from the Library of Ronald Searle

There exists another drawing by Ronald Searle very similar to this one, which I believe was  more of a view of just the put-upon cat on the library desk, it's tail ignominiously used as a bookmark. This was roughly around the time of Slightly Foxed-- but Still Desirable (1989) or shortly thereafter when Searle was drawing all manner of books and libraries. This cat-centered variant that I recall was submitted to The New Yorker and purchased for use as a magazine cover, but perhaps owing to some editorial changes, it was never published by the magazine. Searle waited patiently until 2010 to publish this splendid version of the drawing himself.

Ronald Searle, from What! Already? Searle at 90

Detail of the above from the Ronald Searle Cultural Estate
Image added April 12, 2014

Note:  My previous set of Searle library drawings can be found here.

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Thursday, April 12, 2012

From the Library of Warren Miller

For my ongoing celebration of National Library Week, I am delighted to share this drawing by Warren Miller from The New Yorker:

W. Miller, The New Yorker, October 10, 1994


W. Miller, The New Yorker, October 10, 1994

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