Showing posts with label George Grosz. Show all posts
Showing posts with label George Grosz. Show all posts

Thursday, February 22, 2024

Mischa Richter: Eleven Esquire Cartoons

A group of eleven full-page Esquire cartoons by Mischa Richter was sold on eBay in November. The early drawings, to my eye, show the influence of Syd Hoff and George Grosz.


"You're such a child, but I love you[.]"       "Boy! The  progress this younger generation has made since our day[.]"

"Hey[,] Butch! The gentleman you was expecting is here[.]"                     "Suave, ain't he?"


Mischa Richter
eBay listing ended November 25, 2023



Mischa Richter
eBay listing ended November 25, 2023

Mischa Richter
eBay item description 





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Sunday, May 1, 2022

Mischa Richter: Dressing for the Monopoly Investigation

The Temporary National Economic Committee (TNEC) was established by a joint resolution of the United States Congress on June 16, 1938 and operated until its defunding on April 3, 1941. The TNEC's function was to study the concentration of economic power and to report to Congress with its findings.


The Temporary National Economic Committee's work was popularly known as the monopoly investigation, as the New York Times and the New Masses called it. A cartoon for the latter publication by a young Mischa Richter (1910-2001) dates from the TNEC era. It depicts a wealthy monopolist addressing his manservant as he prepares to appear before the hearings. Richter's family fled the Russian Empire in 1922, so it's unclear how much of a fellow traveler he really was, and in the 1930s this would scarcely have raised on eyebrow anyway. According to Ink Spill, Richter's work first appeared in The New Yorker in 1942. Here for the New Masses of 1938 though, his grotesque capitalist appears to be influenced by the work of George Grosz.

"If anyone calls, Hawkins, I'm appearing before the monopoly investigation."
Mischa Richter
The New Masses, December 20, 1938, page 14

Detail


Detail with Mischa Richter's signature

The cartoon as it appeared in the New Masses

Mischa Richter
eBay listing ended April 1, 2021


Mischa Richter
eBay item description

Mischa Richter
eBay  bid history
Four bidders submit five bids, but it is the two last-minute bidders who are serious. The last bid, submitted with only four seconds remaining in the auction, fails.




https://www.marxists.org/history/usa/pubs/new-masses/1938/index.htm





Note:  Mischa Richter may have crossed paths with George Grosz at the Art Students League in New York. His copy of a Grosz monograph is in the blog archives here. He acquired it some six months after the publication of this cartoon, but he may already have been familiar with Grosz's work.





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Saturday, July 10, 2021

George Grosz: Firm Principles

George Grosz's star continues to rise. In 2015 at Christie's New York, his drawing of a "respectable" German couple was offered for sale. The man and woman are depicted upright and stiff, walking side by side joylessly on their way to what they anticipate to be an unpleasant social function. They represent the moral torpor of Weimar Germany's upper class. The incisive drawing sold for about four times its estimate.


George Grosz
Christie's New York, November 13, 2015









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Friday, July 9, 2021

George Grosz: Signed with Pen and Brush

A presentation signature card by George Grosz measures 6 1/2 x 3 3/4 inches floating on its matte. The artist's name is somewhat ornately drawn rather than signed as an autograph, accompanied by a drawing of a crossed pen and brush, Grosz's weapons of choice, tied together with ribbon. Dated February 1954, the piece was created in Huntington, Long Island, where Grosz lived since 1947, and which he quirkily abbreviated "Htg. Lng. Isl."

Close-ups of the card proved tricky to photograph under glass:



Grosz produced such souvenir pieces on occasion. A similar presentation signature rendered somewhat more elaborately with colored inks and, apparently, watercolor appears on the front free endpaper of his 1948 monograph. It is dedicated "To Fridolf Johnson/when we first met/in Huntington/ Long Island/with affection/George Grosz." Johnson was an author and the editor of American Artists magazine.

Thursday, July 8, 2021

George Grosz: An Invitation to His First New York Show

In 1939, George Grosz held his first New York show of paintings at the Walker Galleries, located just five blocks to the east of the Art Students League where he taught. He personalized an invitation to "see my new things" at the exhibition for a Mr. and Mrs. Conrad Cramer, his handwritten note curving around the edges of the printed notice so that his signature is upside-down. The envelope is postmarked just four days prior to the opening. Upstate, the mailing had to be forwarded to them by the Postal Service, but if they made haste the Cramers might still have had a chance to catch this gallery showing.







Note:  On my Instagram feed, user grosz_club noted that the sticker used as a seal on the back of the envelope is very similar to one printed in red that Grosz used in 1917-1918.




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Friday, May 14, 2021

Mischa Richter's Copy of a George Grosz Monograph

In 1927, Marcel Ray published George Grosz, a monograph about the artist in French from the series Peintres et Sculpteurs. Scott Burns of Armadillo & Dicker Books writes:

I have a copy of a 1927 French monograph on George Grosz—it isn’t particularly rare and I don’t read French, but I couldn’t resist getting Mischa Richter’s copy! I know they both taught at the Art Students League in the 30s but don’t know if their years coincided.







Note:  Scott Burns has compiled Ralph Steadman: A Comprehensive Guide for Collectors located here. This is Scott's twelfth contribution to the blog.

It's hard to imagine an American cartoonist of the 1930s who wasn't influenced in some way by George Grosz. Mischa Richter, a contributor to the left wing New Masses, almost certainly admired Grosz but whether there was a relationship is probably unknowable. Richter purchased the book secondhand, one would think, twelve years after publication when he was about 29. Grosz was some 17 years his senior. Grosz's teaching at the ASL was sporadic so I don't know whether Richter's dates there, if known, would help all that much. I can tell you that M. Kay Flavell's George Grosz: A Biography (1988, Yale) makes no mention of Richter, but this is hardly surprising and doesn't rule out any casual encounters. Nevertheless, I would like to hear from anyone with information regarding any interaction the two artists might have had.


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Saturday, August 24, 2019

A George Grosz Limited Edition of O. Henry Stories

German caricaturist and satirist George Grosz might not have been the obvious candidate to illustrate a 1935 edition of the short stories of American author O. Henry, but the Limited Editions Club must have been thrilled to get the services of an artist of his stature. Grosz, who had immigrated to the United States in 1933 under less than ideal circumstances, was probably equally happy to get the work. The book, The Voice of the City and Other Stories, appears to be a very interesting limited edition.


George Grosz
AbeBooks Listing Retrieved August 24, 2019







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Wednesday, June 21, 2017

George Grosz on Cape Cod

George Grosz fled from Germany to the U.S. in 1933. He lived in Douglaston, Queens, and between 1936 and 1945 he spent his summers on Cape Cod. There he spent many hours painting among the sand dunes. His paintings are remarkable for the variety of moods they capture. Some are pleasant beach landscapes, but a few seem to embody all the darkness and turmoil he left behind in Europe.

Cape Cod, 1936

http://catalogue.swanngalleries.com/asp/fullCatalogue.asp?salelot=2357+++++608+&refno=++694556&saletype=



Cape Cod, n.d.


Price Realized 

  • £8,813
  • ($12,602)
  • Price includes buyer's premium
Estimate
    £4,000 - £6,000
  • ($5,720 - $8,580)

Sale Information

Sale 6616 Lot 166
THE DR ANTON C.R. DREESMANN COLLECTION IMP 
9 April 2002 
Christie's London, King Street
George Grosz (1893-1959) Cape Cod signed 'Grosz' (lower right) watercolour on paper 
13¾ x 17 5/8 in. (34.9 x 44.7 cm.) 

Special Notice

No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Provenance

Wolfram L. Ertinger, New York (the artist's lawyer).Mrs Yolanda Ertinger, New York; Sotheby's, New York, 6 April 1978, lot 421 (to Dreesmann).
Dr Anton C.R. Dreesmann (inventory no. C-75).


Truro, Cape Cod Landscape, 1939

Sale 2149 Lot 57 Swann Galleries
GEORGE GROSZ
Truro, Cape Cod Landscape.

Watercolor on cream wove paper, 1939. 250x315 mm; 10x12 1/2 inches. Signed, dated "39" and inscribed "Truro" in red ink, lower left recto. Ex-collection the Addison Gallery, Andover.

Grosz (1893-1959) moved from Berlin to New York in 1933, escaping the Nazi uprising in Germany. He became a US citizen in 1938. Grosz traveled to Cape Cod during the summers from 1936 to 1945 where he made numerous watercolor landscape studies. In his autobiography, he recalled that making the watercolors he, "would roam for hours through the dunes at Cape Cod and try humbly--omitting nothing and adding nothing--to record my feelings with what modest gifts I possessed."
Estimate: $3000 - $5000Sold for $3,600



Cape Cod Landscape with Pine Trees, 1939
Sale 2149 Lot 58 Swann Galleries
GEORGE GROSZ
Cape Cod Landscape with Pine Trees.

Watercolor on cream wove paper, 1939. 250x315 mm; 10x12 1/2 inches. Signed, dated "39" and inscribed "Cape Cod" in red ink, lower left recto. Ex-collection the Addison Gallery, Andover, with the label on the frame back. 
Estimate: $3000 - $5000Sold for $3,400


Cape Cod, 1939
Price Realized
  • £2,350
  • ($3,744)
  • Price includes buyer's premium
Estimate
    £2,500 - £3,000
  • ($3,983 - $4,779)

Sale Information

Sale 9686 Lot 87
Christie's London, South Kensington
George Grosz (1893-1959) Cape Cod signed, inscribed and dated 'Grosz 39 Cape Cod' (lower left) watercolour and gouache on paper 
5¾ x 8¼in. (14.7 x 20.8cm.) 

Special Notice

VAT rate of 5% is payable on hammer price plus buyer's premium
This lot is subject to Collection and Storage charges
Saleroom Notice
This lot will be included in the George Grosz catalogue raisonné of works on paper being prepared by Mr Ralph Jentsch.
Exhibited
New York, Ritz-Tower Hotel, Art for China, 12-26 Mar 1941 where purchased by Mrs A.M. Loew 



Nude on beach (the artist's wife), c. 1942-1946

Price Realized 

  • $12,925
  • Price includes buyer's premium
Estimate
    $15,000 - $20,000

Sale Information

Sale 8447  Lot 47
IMPRESSIONIST AND MODERN ART 
8 November 2000
New York, Christie's East
George Grosz (1893-1959)
Nude on beach (the artist's wife)
stamped 'GROSZ' (lower right)
oil on paper laid down on masonite
19¾ x 14¼ in. (50 x 36 cm.)
Painted in Cape Cod circa 1942-1946
 
Storm Clouds, Cape Cod, 1949 lithograph
Sale 2012 Lot 286  Sep 14 2004 10:30 Swann Galleries
GEORGE GROSZ
Storm Clouds, Cape Cod.

Lithograph, 1949. 226x332 mm; 87/8x131/8 inches, full margins. Edition of 252. Signed in pencil, lower right. Published by the Print Club of Cleveland, with the ink stamp verso. A very good, clean impression. Dückers E 110.
Estimate: $500 - $750Sold for $575




Dunes and Grass, 1949 drypoint
Sale 2184 Lot 318 Swann Galleries
GEORGE GROSZ
Dunes and Grass.
Drypoint, 1949. 252x325 mm; 9 7/8x12<5/8> inches, full margins. Edition of 200. Signed in pencil, lower right. Published by The Art Students League, New York. A very good, dark impression. Dückers E 109.
Estimate $400-600
Sold for $475



Note:  What better way to celebrate summer, I ask you, than by sharing your original George Grosz art here on Attempted Bloggery?


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