Showing posts with label ASL. Show all posts
Showing posts with label ASL. Show all posts

Wednesday, May 22, 2024

Joseph Mirachi Goes Deep

Original art by Joseph Mirachi for a 1954 New Yorker cartoon requires no caption. It was offered for sale on eBay in 2017 where it received only one bid. It originally came from the estate of Christian Buchheit, who had served for half a century as building superintendent at the Art Students League in New York.
Joseph Mirachi
Original art

The New Yorker, November 6, 1954, page 151

Detail

Joseph Mirachi's signature


Joseph Mirachi
eBay listing ended February 19, 2017

Joseph Mirachi
eBay item description

Joseph Mirachi
eBay Bid History
One bid in the final two minutes is sometimes all it takes.



Joseph Mirachi
Original art

The New Yorker, November 6, 1954, p. 151

Joseph Mirachi
The New Yorker, November 6, 1954, p. 151

With a drawing by Joseph Mirachi
The New Yorker, November 6, 1954, pp. 150-151



Note:  As you may know by now, I like to post original art by New Yorker artists including Joseph Mirachi. Images of such are sought after for future posts here on the blog.

Back in the day, Christian Buchheit received a great sendoff from the Art Students League at which he received works from a number of artists. Another of these pieces, by the irreverent Otto Soglow, may be found in the archives here.










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Friday, May 14, 2021

Mischa Richter's Copy of a George Grosz Monograph

In 1927, Marcel Ray published George Grosz, a monograph about the artist in French from the series Peintres et Sculpteurs. Scott Burns of Armadillo & Dicker Books writes:

I have a copy of a 1927 French monograph on George Grosz—it isn’t particularly rare and I don’t read French, but I couldn’t resist getting Mischa Richter’s copy! I know they both taught at the Art Students League in the 30s but don’t know if their years coincided.







Note:  Scott Burns has compiled Ralph Steadman: A Comprehensive Guide for Collectors located here. This is Scott's twelfth contribution to the blog.

It's hard to imagine an American cartoonist of the 1930s who wasn't influenced in some way by George Grosz. Mischa Richter, a contributor to the left wing New Masses, almost certainly admired Grosz but whether there was a relationship is probably unknowable. Richter purchased the book secondhand, one would think, twelve years after publication when he was about 29. Grosz was some 17 years his senior. Grosz's teaching at the ASL was sporadic so I don't know whether Richter's dates there, if known, would help all that much. I can tell you that M. Kay Flavell's George Grosz: A Biography (1988, Yale) makes no mention of Richter, but this is hardly surprising and doesn't rule out any casual encounters. Nevertheless, I would like to hear from anyone with information regarding any interaction the two artists might have had.


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Tuesday, September 3, 2019

State Fair—Lesley Crawford Proposed New Yorker Cover Art

A proposed New Yorker cover by an artist named Lesley Crawford (1887-1963) was sold on eBay last year. It depicts a state or county fair and bears the prominent strap along the left border that indicates it was intended for the cover of the magazine. When a seller offers a painting done for the cover of the New Yorker but is "unsure if it was used," you can usually rest assured it wasn't. That's even more true if it's by an unfamiliar artist. Still, it doesn't hurt to check. The Complete Book of Covers from the New Yorker 1925-1989 is an excellent resource. I used it myself to look up the artist. Her work never appeared on the New Yorker's cover, so this work, if it was ever actually submitted, is a proposed cover, or a rejected cover in the common parlance.

There is nothing shameful about having a cover illustration rejected by the New Yorker. Art students are often asked to design covers for the magazine as assignments and then to submit them. This particular submission pleased someone enough to have it matted under glass in an overly-large frame.


There are some problems with the work. The paint is applied crudely and the spatial relations have not been worked out. For example, there is a sudden drop-off to the left of the gaming table that is hard to reconcile. The slanted plank with the unharnessed bulls is directly over the waffle stand. We should be able to see the tent with the carousel even behind the Ferris Wheel, but can't. Perhaps it is meant to show different vignettes of the fair, but they aren't clearly demarcated.










Lesley Crawford
eBay Listing Ended November 21, 2018


Lesley Crawford
eBay Item Description

Lesley Crawford
eBay Bid History
Three bidders, three bids. The second one wins.



The artist's great niece has provided askArt.com with her biographical information. She was a student of Nicolaides, author of The Natural Way to Draw, at the Art Students League. Her painting Geraniums seems a much better application of her talent. The signature appears different, but I suspect it is the same artist.
Geraniums
Lesley Crawford

http://www.askart.com/artist/Lesley_Buckland_Crawford/120256/Lesley_Buckland_Crawford.aspx


Quick Links to the Attempted Bloggery 
Archives:


Proposed New Yorker Cover Art


The Art Students League

Attempted Bloggery's Fair Play Index


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Sunday, November 26, 2017

Otto Soglow: In Search of the Still Life Class


An original cartoon by Otto Soglow (1900-1975) was offered for sale last year at Burchard Galleries in St. Petersburg. The work is inscribed by Mr. Soglow "With best wishes to Chris." Christian Buchheit (1885-1974) "served for 50 years as Building Superintendent for The Art Students League in New York." Nearly one-hundred works from his estate were offered at auction.  According to artfixdaily.com, “'This is truly a rare estate find,' said Jeffrey Burchard, owner of Burchard Galleries. 'When Mr. Buchheit retired, many of the League artists and teachers paid tribute by presenting him with a 50th year anniversary party that included a portfolio of original watercolors, drawings, oils and prints. Many of these will be in the auction and are being offered to the public for the first time.'” The present work of a bewildered drawing student lost amidst giant nude sculptures sold for $250.
Otto Soglow, original art
"Where is the still life class?"
Inscribed "With best wishes to Chris/O. Soglow"

Otto Soglow, original matted art
"Where is the still life class?"
Inscribed "With best wishes to Chris/O. Soglow"


Burchard Galleries, Inc.
November 13, 2016






Note:  Was this drawing published or was it, as seems likely, created specifically for retiring building superintendent Christian Buchheit of the Art Students League? Is the man in the dark suit a caricature of Christian Buchheit? Could it be an image for the Dutch Treat Club? Anyone with additional information is encouraged to contact me.

Otto Soglow produced a prodigious amount of material in his lifetime, and
Attempted Bloggery wants to show you more of it. In the spirit of the befuddled art student lost among giant nudes, I stand amidst the enormous chaos of the internet and ask my readers once again to forward high-quality scans or photographs of original cartoon art by Otto Soglow. I also seek examples of extremely rare and obscure published work. And directions to the still life class.


Quick Links to the Attempted Bloggery Archives

Otto Soglow

Original Cartoon Art

The Art Students League

Attempted Bloggery's Artsy Index


Attempted Bloggery supports net neutrality.


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Wednesday, August 30, 2017

Gregory d'Alessio: Innocent Ankles

Cartoonist Gregory d'Alessio (1904-1993) published work in the New Yorker, Esquire, College Humor, and Collier's, and was syndicated nationally in newspapers. Later, he taught drawing at the Art Students League in New York. A clipping of a 1951 color cartoon of his published in Collier's can be found on Amazon, of all places. It illustrates the legal tactic of professing a female client's innocence to an all-male jury.

Gregory d'Alessio, Collier's, October 13, 1951

Amazon Closed Listing as of March 30, 2017


Note:  This is the artist's first appearance on this blog. According to Ink Spill, Gregory d'Alessio's New Yorker work appeared between 1934 and 1940. Attempted Bloggery seeks scans and photographs of original cartoon art by Gregory d'Alessio as well as other New Yorker artists. Clippings of cartoons and illustrations from other publications are also sought to round out our appreciation of this artist. Mr. d'Alessio's New York Times obituary may be seen here.


Quick Links to the Attempted Bloggery Archives:

Lawyers
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Tuesday, May 16, 2017

William Von Riegen: Passing the Buck

Dick Buchanan has gone into his clip files and sent along two published cartoons by William Von Riegen from the 1950s. He writes, "I have absolutely no information on this guy other than his cartoons appeared from the late 1930s into the 1960s. He was a regular at Collier's and later Look, and illustrated magazine articles as well. Most of his gag cartoons were of the 'illustrated joke' variety."

William Von Riegen was born in New York in 1908 and studied with George Bridgman at the Art Students League where he later did some teaching. He lived in New Jersey for much of his career. According to his Ink Spill biography, Von Riegen's New Yorker work dates from 1937 to 1975.

"Don't try to pass the buck, Bronson! You were
the one who told me how good my idea was!"

William Von Riegen, Collier's, May 27, 1955

Scan by Dick Buchanan


"I had a long talk with my father about girls. He doesn't
know anything about them either."

William Von Riegen, Look, July 22, 1958

Scan by Dick Buchanan


Note:  My thanks to Dick Buchanan for forwarding these scans. He contributes regularly to Mike Lynch Cartoons, most recently here.

Biographical notes on the artist from artprice.com may be found here.

His figure drawings from Gene Byrnes's Complete Guide to Cartooning may be seen here.

A very brief biographical line appears on The New Yorker Cartoonists A-Z of Ink Spill.


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William Von Riegen

Collier's

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