Showing posts with label Apple. Show all posts
Showing posts with label Apple. Show all posts

Monday, September 9, 2024

My Entry in The New Yorker Cartoon Caption Contest #912

I hope you kept your appointment with The New Yorker Cartoon Caption Contest #912 from the issue of September 9, 2024. My submission is shown below. The drawing is by Lonnie Millsap.

"Stay back. He's only got one."



These captions were not board eligible:

"I don't like the looks of this."
"Let's call for backup."
"Sir, they don't teach us about proverbs."
"I hope you're not going to eat that."
"No going out for more."
"I see your problem. That apple's made of wax."





September 22, 2024 Update:  The Finalists





September 29, 2024 Update:  I used my clinical judgment and voted for the caption from Ann Arbor.



October 5, 2024 Update:
  The Winner




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Saturday, May 21, 2022

Mary Petty: The Turkish Corner

Illustrator Tom Bloom writes to share a scan capturing a fine work of original illustration art by Mary Petty. It depicts a young woman enjoying a private moment of reading surrounded by an extraordinarily rich and exotic collection of Turkish objets d'art. Petty's drawing is exquisitely detailed, with a lushness and texture that the printing process wasn't fully able to capture. This illustration, called The Turkish Corner, includes many distinct decorative patterns rendered with utter conviction. It appeared in Good-Bye, Mr. Chippendale (1944) by T. H. Robsjohn-Gibbings.

https://thecarycollection.com/products/good-bye-mr-chippendale-1944-robsjohn-gibbings-t-h


Note:  My thanks to Tom Bloom for the terrific scan. This is Tom's twentieth contribution to the blog. I am one fortunate blogger.









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Wednesday, April 6, 2022

MoCCA Fest 2022: R. Sikoryak's Terms and Conditions

In 2017, the versatile R. Sikoryak worked the voluminous iTunes terms and conditions into a graphic novel populated by many recognizable, if somewhat scruffy, comic characters. Having agreed to such terms and conditions myself over the years in various versions, I thought it might finally be time to read them. The author was at MoCCA Fest last weekend, making it the ideal opportunity to pick up a signed—and bearded—copy.









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Saturday, April 4, 2015

Captioning: Learning from George Booth

Two years ago today I entered my first cartoon caption contest. While my caption entries have had no impact on the New Yorker's weekly contest, they have enjoyed modest success in the bimonthly Moment magazine contest. It's all here in the archives.

The lesson of these contests is simple. Captions need to be short and funny. Funny is a given, but why so short? An overwhelming number of successful captions have ten words or fewer. This places a constraint on caption contest entries that the New Yorker's cartoonists themselves are not bound by. To give an example, here's a George Booth cartoon original that was sold last year in New York. The caption is ungainly by any standards yet somehow alongside that Booth drawing it's rather endearing. Longer captions can develop a rhythm, even a poetry, that short captions can't aspire to. A few lines of text offer the opportunity for a degree of character development as well. Very short captions may be just fine, but they may be just punch lines.

While I can't confirm that this cartoon was published in the New Yorker, a Post-It note says it was. Who are you going to believe?

George Booth, Original art.
"An apple is nourishing and good for you.
In days like these all of us must help each other
as never before in modern times.
It has been our pleasure to be of service
and may your day be a good one, Sir.  Enjoy your apple."

Should you trust a Post-It note?

Detail

Caption:  "An apple is nourishing and good for you.
In days like these all
of us must help each other
as never before in modern times.
It has been our pleasure to be of service
and may your day be a good one, Sir.  Enjoy your apple."

George Booth's signature

Frame with Nicholls Gallery sticker

Roland Auctioneers & Valuers, New York, November 15, 2014

Note:  Captions and caption contests have been a frequent topic of blog posts (and consternation) around here.

See more about George Booth.

It's already Passover. Don't miss my previous blog posts.

Easter is tomorrow. I must have said something about that too.

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Tuesday, June 10, 2014

Constantin Alajálov: "Do Do Do" from George Gershwin's Song-Book

In 1932, Random House published George Gershwin's Song-Book. It featured eighteen Gershwin songs with new piano scores and a series of jazzy illustrations by Constantin Alajálov. The illustration for "Do Do Do" is set in the Garden of Eden and is a rather freewheeling flight of fancy which nevertheless captures the spirit of the song from Broadway's "Oh, Kay!" (1926). The original artwork came up for sale in 2010.

Constantin Alajálov
Original artwork for "Do Do Do"
George Gershwin's Song-Book, 1932

Constantin Alajálov
Original artwork for "Do Do Do"
George Gershwin's Song-Book, 1932, framed

This original illustration was later sold by the Grapefruit Moon Gallery with a new frame and no doubt for considerably more.
Constantin Alajálov
Original artwork for "Do Do Do"
George Gershwin's Song-Book, 1932
http://grapefruitmoongallery.com/9425

Constantin Alajálov
Original artwork for "Do Do Do"
George Gershwin's Song-Book, 1932, framed

Constantin Alajálov
"Do Do Do," George Gershwin's Song-Book, 1932
Constantin Alajálov's signature and the handwritten title on the original matte
Image added November 25, 2018

Detail
Image added November 25, 2018


Gertrude Lawrence sings Gershwin

"Do Do Do" from "Oh, Kay!" (1926)


Constantin Alajálov
Original artwork for "Do Do Do"
George Gershwin's Song-Book, 1932


Note:  You can find much more about the artwork of Constantin Alajálov on this very blog.

Not surprisingly, there's more on George Gershwin here as well.

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Sunday, November 3, 2013

Choosing a New Case for my iPhone 5S

I am in the market for an iPhone case. Having lately smashed the screen of my iPhone 4S despite having a reasonable protective case, I recognize the limited ability of a case to protect one's phone. The case I used for my 4S was a gift, albeit an exceedingly apt one. For my iPhone 5S, I am taking on the sole responsibility for the selection. Despite my recent history and ongoing mishaps, I am basing my case purchase primarily on esthetics rather than the ability to safeguard my phone.

I do have a strong preference regarding image orientation. I feel a phone is usually held vertically when in use. Therefore designs with horizontal orientations will be considered only in passing. So, right away, the wonderful case with Figbash by Edward Gorey is eliminated, even though I really admire it.

Edward Gorey, Figbash iPhone Case
http://www.goreystore.com/shop/iphone-cases/edward-gorey-figbash-iphone-case


A different Edward Gorey iPhone case features a bat in moonlight. It has the preferred vertical orientation, but while I'm sure I'd love this around Halloween, I'm not sure I want it year round.
Edward Gorey, Bat Moon Black iPhone Case



http://www.goreystore.com/shop/bats/edward-gorey-bat-moon-black-iphone-case

This Disney case with Mickey Mouse as the Sorcerer's Apprentice is most similar to the previous iPhone case I had. It is also reasonably priced.
Walt Disney, Sorcerer Mickey Mouse iPhone 5 Case



http://www.amazon.com/Sorcerer-Mickey-Mouse-iPhone-Protective/dp/tech-data/B00B30LZ3C

Deciding among different iterations of the iconic Mickey Mouse is not an easy task. Fortunately, I never get tired of this.
Walt Disney, Colorful Mickey Mouse Icon iPhone 5 Case


http://www.yourwdwstore.net/Disney-iPhone-5-Case--Colorful-Mickey-Mouse-Icon_p_21866.html

Then there's always the classic Mickey.
Walt Disney, Mickey Mouse iPhone 5 Case



http://www.yourwdwstore.net/Disney-iPhone-5-Case--Mickey-Mouse_p_21867.html

Among the New Yorker artists, this English bull terrier by George Booth is superb.
George Booth, English Bull Terrier New Yorker iPhone 5 Case

http://www.condenaststore.com/-sp/The-New-Yorker-Dog-sits-scratches-barks-and-sits-again-iPhone-5-Cover-Prints_i9524027_.htm



I wouldn't mind this case depicting Groucho Marx in "Go West." It comes from Hong Kong and is quite inexpensive, so I question whether the company has actually licensed any of the many Western images it reproduces.
Groucho Marx, "Go West"

http://www.ebay.com/itm/MARX-BROTHERS-GROUCHO-GO-WEST-INDIAN-Apple-iPhone-5-Seamless-Case-Black-/290948486579?pt=US_Cell_Phone_PDA_Cases&hash=item43bde195b3



All right, it's time for me to make a decision. I've already chipped my brand new iPhone and time is of the essence.


Note:  My previous posts about cell phones may be found here.

An old post on the NYC Marathon is here. Don't expect much.

Election Day is this coming Tuesday. Be sure to vote. Related posts are here.

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Friday, November 1, 2013

My Six Days with a Samsung Galaxy S 4

Was it really such a crazy idea to try a new phone? In the days between my smashing the screen on my trusty iPhone 4S and the release of the new iPhone 5S, I decided to give the Samsung Galaxy S 4 a whirl. The phone was wildly popular as far as I could tell, and seemed to address a few of the deficiencies of the iPhone. If I was unhappy with my choice, I could return the phone within two weeks for just a $30 restocking fee and get the brand new iPhone. The risk seemed minimal.

In a world polarized by the merits of Microsoft and Apple, I tend to hedge a bit. This blog is written almost entirely on a Mac Book Pro and when I don't have it with me, I find it very difficult to make any headway at all here. If I need to work at my job from home though, I can't access anything without Windows and Internet Explorer. So I keep two laptops and I do whatever I need to do on each of them. I also have an iPad Mini which, for the most part, has a terrible interface with Blogger, so I don't use it much for this blog, with one crucial exception.

My first problem with the iPhone is that I don't buy into the whole iTunes phenomenon. I purchased my music years ago, and all I really want is a simple mp3 player to store and play it. The iPhone is not that player. Apple products are designed to effortlessly manage music purchased in the iTunes Store and to share it seamlessly among Apple devices, but for simple things like copying a file of your own music and playing it, it's rather obstructionist. I know there are workarounds for everything, but my point is that I shouldn't have to use them. IPhones deliberately limit functionality to protect the proprietary nature of Apple's music sales. I personally want nothing to do with it.

One answer might be to carry a separate mp3 player. I actually have an old Zen which should probably be in a museum now, but it's huge by today's standards and I don't carry it around too often.

The other problems with iPhones are well known. The camera is pretty good in daylight, but it doesn't perform well under low light conditions. I stopped carrying around a camera a couple of years back, and ideally a smart phone would replace a camera for most purposes just as it's replaced GPS devices, certain computers, watches, calculators, alarm clocks, and, for most people, mp3 players.

The Samsung Galaxy S 4


Most tech-savvy people I've spoken with make a good argument for shedding the iPhone in favor of the Galaxy. The Samsung Galaxy S 4's screen is big and beautiful. Files are easily copied, moved, and shared, just like in Windows. The camera is very good even in low light. I figured many people were delighted with the Galaxy, particularly those in the know. Besides, Apple always complained that their competitors virtually stole all the technology from their phones. So how bad could the Galaxy be?

Well, it turns out they didn't steal enough. The Galaxy may seem nice on paper, but it doesn't feel right in the hand. The ridiculous fold-over cover I was sold--probably out of concern I'd smash another screen--effectively precludes any reasonable attempt at one-handed operation of the phone. The phone was also just a tad too large to manage comfortably in my left hand and I wasn't at all interested in controlling it with my eye movements.

Moving between operations on the Galaxy did not feel smooth. There was no sensation of elegance in the phone's programming. And one of the first features anyone encounters in a new Galaxy is the ugly presence of bloatware. I hope Samsung is happy with the income they derive from packing the phone with these useless applications. For those who can't decide what apps they may want on their phone, I'm sure it's a godsend. For me, it made my introduction to the phone immediately unpleasant. My opinion of the phone did not improve appreciably over the next six days and I resolved to return the phone as soon as practical.

The iPhone 5S


I was concerned I might not be able to get my phone replaced immediately with the iPhone 5S, but fortunately the Verizon store had just one left with extra memory. I had set out to purchase a phone with this extra memory anyway, so it all worked out somewhat in the end, except that my contact list and text messages were respectively scrambled and deleted along the way. My overall experience for the week was decidedly unpleasant but I was truly happy, deliriously happy, to have an iPhone in my hand again.


Note:  My previous posts on cell phones are here.

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Friday, December 21, 2012

iPad Mini Targeted New Yorker Ad

The current issue of The New Yorker has a back cover advertisement that includes the full front cover image by artist Frank Viva reduced to the actual size of an iPad mini. This must have required extraordinary coordination between the editorial and business departments. Apple is the client, of course, but the company name is only visible in the minuscule copyright line. I think this ad is a win-win for both Apple and The New Yorker. The magazine's print readers can get a glimpse of what this cutting-edge tablet can do for them. The New Yorker already publishes a stunning iPad edition that not all of its readers have seen. This ad, incidentally, does not appear in the magazine's iPad edition. That's what we call targeted marketing.

Frank Viva, "Top of the World," The New Yorker, December 24 & 31, 2012, World Changers

iPad mini advertisment, back cover, The New Yorker, December 24 & 31, 2012

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