Anatol Kovarsky's cover study for The New Yorker issue of August 17, 1966 was created in New York. It depicts the cathedral of Notre-Dame de Paris from a high angle while the finished cover art showed a different top-down view. The original art for the study is available from Honey & Wax Booksellers while the published cover art, we learn, resides in the Morgan Library.
![]() |
| Anatol Kovarsky Preliminary art The New Yorker, August 17, 1966 |
![]() |
| Detail of buses |
![]() |
| Detail with gargoyles |
![]() |
| Detail of facade |
![]() |
| Anatol Kovarsky Preliminary art The New Yorker, August 17, 1966 |
![]() |
| Anatol Kovarsky's signature |
![]() |
| Anatol Kovarsky Honey & Wax Booksellers listing accessed May 29, 2023 |
![]() |
| Anatol Kovarsky Preliminary art The New Yorker, August 17, 1966 |
![]() |
| Anatol Kovarsky The New Yorker, August 17, 1966 |
The Morgan Library has not posted an online image of the original art and their issue date is off by a few days. "Title supplied by cataloger."
![]() |
| Anatol Kovarsky The Morgan Library & Museum catalogue listing accessed May 31, 2023 |
04336










No comments:
Post a Comment