I got to see Andy Warhol's Double Elvis in the weeks before its auction at Sotheby's New York. The canvas is monumental, and I wasn't quite sure what to make of the large areas of flat color given the enormous scale. I found myself surprisingly grateful for the second fainter impression of Elvis over to the left, which I think helps the composition greatly.
Andy Warhol, Double Elvis [Ferus Type], 1963 |
Fig. 2
Andy Warhol, Silver Liz (Ferus Type), 1963
Collection of The Andy Warhol Museum, Pittsburgh
© 2012 Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York
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Fig. 3
Double Marlon, 1966
Private Collection
© 2012 Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York
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Fig. 5
Red Elvis, 1962
Private Collection
© 2012 Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York
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Fig. 6
Andy Warhol, Round Marilyn (Head of Marilyn Monroe), 1962
Private Collection
© 2012 Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York
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Fig. 7Film still of the entrance to the 1963 Ferus Gallery exhibition shot by Andy Warhol © 2012 Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York |
Fig. 9
Andy Warhol working on an Elvis painting
Photo: Nat Finkelstein
© 2012 Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York
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Fig. 10
Installation view of the present work at the 1963 Ferus Gallery exhibition
© 2012 Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York
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Andy Warhol, Double Elvis [Ferus Type], 1963 |
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