Showing posts with label David Sipress. Show all posts
Showing posts with label David Sipress. Show all posts

Sunday, December 15, 2024

My Copy of At Wit's End: Cartoonists of The New Yorker by Alen MacWeeney and Michael Maslin

On November 21 at the Rizzoli Bookstore on Broadway, At Wit's End: Cartoonists of The New Yorker received its official launch. The book includes Alen MacWeeney's striking photographs of more than fifty New Yorker cartoonists past and present with accompanying profiles by Michael Maslin and a select sampling of cartoons. This is the first book celebrating the centennial of cartoonists at The New Yorker. One hopes there will be more. 

Seen on the panel at the event, left to right, are moderator Charles Traub, MacWeeney, and Maslin. Justin Sheen's photograph from the book is up on the screen behind them.



The half title page of my copy is signed by the two principals, Maslin and MacWeeney.

Many New Yorker cartoonists included in the book were present at the event. Should I have asked those cartoonists to add their signatures to that half title page? Maybe, but the cartoonists I approached all gravitated toward signing their own pages on the first (of two) spreads without any coaching. Here then are their pages alphabetically as signed, sometimes with a drawing, starting with that of David Borchart:














Note:  As you see, at the event I got fourteen people in total to sign my copy of At Wit's End. Although other cartoonists were also present at Rizzoli, I missed out on obtaining the signatures of Ellie Black, Akeem Roberts, Justin Sheen, and Victor Varnado. I suppose I have no one to blame but myself. If anyone did obtain signed pages from these cartoonists at the launch event or elsewhere and wishes to share them here, I'd be happy to append photos or scans of the relevant pages to this post.

As of this writing, Rizzoli still has books signed by the authors available on its website here.

Cartoonist Michael Maslin posted an extensive account of the book launch event on his Ink Spill blog here.











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Sunday, July 10, 2022

The Complete Cartoons of The New Yorker Signed by Arnie Levin, Bob Mankoff, and David Sipress

The Complete Cartoons of The New Yorker was first published in 2004. Many copies are available signed by the book's editor Bob Mankoff. It is more unusual to find a copy signed by a group of cartoonists.


Heartwood Books and Art of Fort Lauderdale has just listed a copy of the collection signed by three New Yorker cartoonists, each adding a drawing. Cartoon editor Bob Mankoff turns the B of his name into a rudimentary self-portrait; it is uninspired drawings like this one that keep many of his signed books off this particular blog.


Cartoonists Arnie Levin and David Sipress fare decidedly better with a drawing of a cat and a dog, respectively. Heartwood Books mangles both their names into "David Sirness and Arnie Wilson," and prices the book at $300. Perhaps that price is an error as well, but this seems doubtful. 

The cartoonists haven't dedicated their drawings to any particular recipient and the book might have been meant for the business office to distribute to advertisers or friends of the magazine. We have not seen an example of a book signed by these three cartoonists previously.

 
Its two CD-ROMs remain invaluable today, especially for anyone who dreams of writing a blog occasionally touching on the subject of New Yorker cartoons.

The Complete Cartoons of The New Yorker
AbeBooks listing accessed July 9, 2022

Note:  Last month I introduced Docnad's Conjecture, the suggestion that if a book such as this one signed by three New Yorker cartoonists exists, there must be other similar books signed at the same time by this group of cartoonists. It's a hard proposition to disprove, so please don't try, at least not without a doctorate in mathematics. Instead, if you have such a book, please send scans or photos to the email address associated with this blog. David Sirness and Arnie Wilson will thank you.



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Tuesday, June 21, 2022

My Copy of David Sipress's What's So Funny?

The book launch for David Sipress's memoir What's So Funny? was held at the Housing Works Bookstore in Lower Manhattan on April 3. This was the Sunday of MoCCA Fest 2022, so there was a conflict built into the schedule. A cab ride downtown from the venue to the bookstore probably could have accomplished one's aims. Still, I had such a successful Saturday at MoCCA Fest this year that I skipped Sunday's session altogether, even though I had paid for it in advance. In lieu of visiting the bookstore on Crosby Street, I decided instead to order by mail a signed copy from the bookstore. The outcome, as one might expect, is a copy of the book that is signed but otherwise impersonal.




June 25, 2022 Update:  The memoir, which I have now finished, is a very honest and insightful portrait of Sipress's family and, ultimately, of himself. I was expecting a book about his cartooning career with some personal history thrown in, but the emphasis is just the opposite. The book is remarkably well written and the various family members believable while ultimately unknowable. Everything you've heard about humorists being serious people is borne out. Sipress comes to understand that his cartooning life comes directly from his personal life and in some ways is an extension of psychotherapy. I highly recommend this one to everybody with a sense of the comic, the seriocomic, or the tragic.



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Sunday, June 19, 2022

Kiribi's Copy of The New Yorker Book of Money Cartoons

There are two distinct editions of The New Yorker Book of Money Cartoons. The first was published on November 1, 1999 at $21.95. It has an introduction by humorist Christopher Buckley. The revised and updated edition was published in 2012 at $22.95—that's not even inflationary because there are twenty-one more cartoons—with an introduction by cartoonist David Sipress. Both editions are edited by Robert Mankoff, who doesn't always go by the name Bob.


Kiribi's copy is from the original edition, the one with the cover by Michael Witte. Whatever signing event there was presumably occurred back in 1999 or possibly 2000 as part of the book launch publicity. The four cartoonists present were Liza Donnelly, Arnie Levin, Victoria Roberts, and Danny Shanahan. All four added original drawings at the signing; two of these are inspired by the book's subject matter.

Cover by Michael Witte

Signed by Arnie Levin, Victoria Roberts, Liza Donnelly, and Danny Shanahan
Dust jacket flap cartoon by Dean Vietor


Cover art by Michael Witte and Chad Covert Darbyshire



Back cover cartoons by Roz Chast and Barbara Smaller

Cartoonist David Sipress, whose work did not appear at all in the first edition—he was quite new to the magazine then—had two cartoons included in the revised and updated one, to which he wrote the introduction. He signed a copy of the book, not Kiribi's, at an unknown promotion likely circa 2012.
David Sipress's signature

The indices of artists in these two editions differ somewhat with good reason. The first edition has 110 cartoons and the revised and updated edition has 131. The first twenty-five pages of cartoons in the revised and updated edition are new here. Then the drawing by Lee Lorenz from page 1 of the 1999 edition appears on page 26 of the new edition, and from there the cartoons follow the sequence of the first edition. Four drawings that were in the first edition have been dropped: Michael Crawford's on page 65 (perhaps the Microsoft millionaires reference was thought to be less timely), two by Richard Cline on pages 16 and 78 (for whatever reason), and one by Lee Lorenz from the very last page (see the Monopoly money gag, below) who also had a different cartoon added to the very first page of the new edition. It's the circle of life.


Similar revised and updated editions were published for The New Yorker Book of Baseball Cartoons, The New Yorker Book of Teacher Cartoons, and The New Yorker Book of Golf Cartoons. Collect them all.


Note:  Docnad's conjecture is that if something, however rare, happened to a book once, it probably happened more than once. Thus any rare volume very likely exists in several variations. For example, a copy of The New Yorker Book of Money Cartoons obligingly signed and decorated by four New Yorker cartoonists is probably not the only one out there signed by these four. (The conjecture, of course, may be expanded to include countless other groupings of New Yorker cartoonists signing myriad other Cartoon Bank collections.) The beauty of the conjecture is that it cannot easily be disproven; the nonexistence of a similar book is generally unknowable. All it takes to prove the conjecture, though, is for an enterprising individual to read this post, take a similarly signed and decorated book down off the shelf, scan or photograph the relevant page or two of original art, and forward it to this philosophizing blogger. It should really all be so simple.




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Saturday, December 21, 2019

Karl Haendel: New Yorker Cartoon Drawing #27

In 2007 artist Karl Haendel appropriated his twenty-seventh New Yorker cartoon, mining the work of cartoonist David Sipress for at least the second time. A 2004 work, New Yorker Cartoon Drawing #9, appropriated Sipress's "Bad dog" drawing. As with other drawings in the series, Haendel makes large graphite renderings of published New Yorker cartoon images. His process may or may not involve a light box or a projector; these renderings do not appear to be done freehand.


This drawing is one of five framed pieces that make up the Mazel Tov group. The phrase is Yiddish meaning good luck or congratulations. The Jewish theme suggested by the title may also apply to the inclusion of the lyrics to Bob Dylan's "Jokerman." The grouping was offered for sale at Sotheby's in 2013 where it apparently did not find a buyer:
Karl Haendel
Mazel Tov Group (2006-2007)
Sotheby's 2013

The work currently resides at the Henry Art Gallery of the University of Washington, Seattle.  The artist's installation view from a 2019 exhibition is notable for placing the New Yorker drawing and the Dylan lyrics well below eye level.
Karl Haendel
Mazel Tov Group (2006-2007)
Installation View, Henry Art Gallery, University of Washington


Joe Milutis's commentary on the grouping articulates the "multiple themes" to be discovered here:
https://henryart.org/exhibitions/karl-haendel-mazel-tov-group#page-navigation-overview


The museum's commentary doesn't even mention cartoonist David Sipress; it speaks only of "a Jewish-American themed cartoon from The New Yorker." That's odd because Haendel does nothing to hide the identify of the cartoonist; the signature is copied directly from his source material. The cartoon was first published in December of 2006 so Handel no doubt selected it when it was quite fresh.
David Sipress
The New Yorker, December 4, 2006, page 68
Karl Haendel
New Yorker Cartoon Drawing #27 (2007)

Cartoon by David Sipress
Could there be some autobiographical element to Haendel's appropriation of this cartoon mixing the Jewish and Christian holiday traditions? Haendel didn't meet Emily Mast until 2009, which was two years after he completed the Mazel Tov Group. His wedding ceremony in 2011 was performed by a friend of the bride in "a ceremony that included Jewish traditions."
https://www.nytimes.com/2011/09/25/fashion/weddings/emily-mast-karl-haendel-weddings.html



Karl Haendel
Sotheby's New York Contemporary Art, March 7, 2013
https://www.sothebys.com/en/auctions/ecatalogue/2013/contemporary-art-n08967/lot.140.html



Bob Dylan
"Jokerman"
From Infidels (1983)





February 5, 2020 Update:  David Sipress writes of this piece for NewYorker.com's Culture Desk in a piece called "Stop, Thief! My Cartoon Gets Appropriated." His essay was posted yesterday and it marks the first time this blog is mentioned on the New Yorker's website—it's literally parenthetical: "(According to the cartoon-related Web site Attempted Bloggery, to date Haendel has appropriated at least twenty-seven New Yorker cartoons.)" Let's just hope I've been fact checked on this.


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Sunday, September 8, 2019

Karl Haendel: New Yorker Cartoon Drawing #9

Artists who appropriate other artist's images don't just copy them. They transform the images in a meaningful way. There are any number of ways in which this may be achieved and many decisions to make along the way. The artist first must choose an image to appropriate. Karl Haendel, for his series of New Yorker Cartoon Drawings, has a wealth of images to choose from. For his New Yorker Cartoon Drawing #9, he chose one by cartoonist David Sipress.
Karl Haendel
New Yorker Cartoon Drawing #9 (2004)

The Sipress cartoon was published in the same year as Haendel made his drawing. 
"Bad dog."
David Sipress
The New Yorker, April 19, 2004, page 169


The carefully-rendered caption makes it clear that Haendel's subject matter is the cartoon as it appears in print on the page of the New Yorker. Haendel's drawing differs from the published Sipress cartoon in at least three fundamental ways: it is reproduced by hand, it is much larger, and the medium is graphite. In this way it is decontextualized from the magazine page and is presented as an art object on the wall. It is an irony of this process that when Haendel's work is reproduced in a printed catalogue or onscreen, it becomes more like the mass-produced magazine cartoon that served as its original source.

https://www.phillips.com/detail/karl-haendel/NY010610/348

https://archives.newyorker.com/?i=2004-04-19#folio=168






Quick Links to the Attempted Bloggery 
Archives:


Appropriation Art


David Sipress

The New Yorker


September 11


Attempted Bloggery's Never-Appropriate Index


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Saturday, July 23, 2016

My Entry in the New Yorker Cartoon Caption Contest #529

Here is my entry in the New Yorker Cartoon Caption Contest #529 for July 11, 2016. The drawing is by David Sipress.


"This is where we'll put the rock wall."



July 25, 2016 Update:  The Finalists




August 1, 2016 Update:  I voted for the third caption.


August 21, 2016 Update:  Winning Caption





Note:  Last week, Drew Dernavich went rogue with the T-square. My caption was way off kilter. You just may find yourself sliding into Contest #528.

See my previous blog posts to learn more about how David Sipress has been taking his art to new heights.

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