Showing posts with label lawyers. Show all posts
Showing posts with label lawyers. Show all posts

Wednesday, January 26, 2022

Alan Dunn: A Fender Bender

Readers of Michael Maslin's Ink Spill learned last week that over the course of his career cartoonist Alan Dunn (1900-1974) published an astonishing 1,981 cartoons in The New Yorker. Today we look at one that got away. 

In 1948, Dunn sent an original cartoon along with a typewritten letter to "Brother Hodgson," apparently a fellow Phi Gamma Delta, or more commonly Fiji, fraternity brother known either from his days at Columbia University or from the national organization. Dunn explains that the cartoon nearly saw publication. "The New Yorker once okayed the idea but asked for a few minor changes. Being long repressed about 'changes' I decided to assert myself. 'Either take it as is or don't take it at all[,]' I meekly shouted. 'Very well, they rejoined, 'We won't take it at all.' So here it is."

Hodgson was evidently affiliated with the University of North Carolina at Chapel Hill, because Dunn offered the original drawing to him for publication in Tarnation, the student humor magazine. They should have been thrilled to publish it, but did they? Quite possibly. An exhibition on humor at the library of the University of North Carolina notes that Tarnation was published between 1947 and 1954, so there was adequate opportunity to get it into print.

Dunn ends his letter with the motto "Perge!" It is this that identifies him as a Graduate Brother, as one is called, of Fiji. It means "Press on!" or "Persist!" There can hardly be a better creed for a cartoonist, particularly one of Dunn's prolific achievement.

The cartoon itself shows Dunn's fascination with newfangled technology. Car phones were first introduced in the United States in 1946. In Dunn's gag, set at the site of a downtown fender bender, the new invention is already being exploited by lawyers. But how would they manage to obtain the correct phone number in less time than it would take to walk down the stairs? One wonders what "few minor changes" The New Yorker had insisted on. Were the editors eager to change the silly name of the law firm, perhaps?


"Good morning, sir—I represent the law firm of Lolly, Mire and Fish..."
Alan Dunn
Tarnation [?]

Alan Dunn's signature


Alan Dunn
TLS


Alan Dunn
eBay listing ended August 31, 2020

Alan Dunn
eBay item description 





Note:  Can any Tar Heels tell me whether this cartoon came to be published, and when?

Perge!




03861

Friday, April 3, 2020

Louis Jamme: The Prosecution Rests

A tense courtroom is the setting for an original cartoon by Louis Jamme (1913-1949). But wait—does the nervous defendant know about his Fifth Amendment rights?
"I remember hearing a voice say, 'Stick 'em up!'...then suddenly it came to me, 'Why, that's my voice!'"
Louis Jamme

Detail of defendant with eight fingers

Detail of court officer, court reporter, and prosecutor

Paper loss along the top edge

Louis Jamme's signature

Typewritten caption and printer's marks indicating a 5" vignette







Louis Jamme

The five original cartoons by Louis Jamme in summary:



Note:  
This is the fifth and last of the original works by cartoonist Louis Jamme that came to the art auction market late last month. As with the other four examples, I am eager to hear from anyone in the know about where this cartoon may have been published.

The Fifth Amendment to the United States Constitution states that no person shall be compelled to testify against himself in a criminal case, among other elucidated rights.



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Thursday, October 17, 2019

Dana Fradon: The Price of Justice

Original New Yorker cartoon art by Dana Fradon (1922-2019) from the issue of September 13, 1982 depicts a courtroom scene in one-point perspective. The man on the left is addressing a courtroom judge and the three other principle figures on the right help direct the viewer's eye back toward him. This is made more effective by the judge leaning forward and the lawyer turning away from the witness to look at his client. The speaker has a request for his lawyer to speed up the proceedings. The suggestion that his interests may differ from those of his lawyer is one of those observations that lend a surprising verisimilitude to gag cartoons such as this one.

The figure of the speaker and the table at which he is standing were apparently cut and pasted into the image. The manner in which this cartoon was matted and framed suggest that it was not sold commercially but was purchased by the magazine and given to a client. It was sold at auction in 2016 for the hourly rate of the lawyer mentioned in the caption, which is either a coincidence or a testament to the power of suggestion.
"Your Honor, I request that the witness answer the questions a little faster. I'm paying my lawyer a hundred and sixty dollars an hour!"
Dana Fradon
The New Yorker, September 13, 1982, page 41







Dana Fradon's signature




Dana Fradon
Dirk Soulis Auctions
November 12, 2016



"Your Honor, I request that the witness answer the questions a little faster. I'm paying my lawyer a hundred and sixty dollars an hour!"
Dana Fradon
The New Yorker, September 13, 1982, page 41


https://archives.newyorker.com/?i=1982-09-13#folio=040



Note:
  Attempted Bloggery is eager to publish more original cartoon art by the late Dana Fradon.



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Original New Yorker Cartoon Art

Dana Fradon (1922-2019)


Attempted Bloggery's Cost-Effective Index

  
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Wednesday, July 10, 2019

Wednesday, February 27, 2019

The Cartoon Collections Caption Contest #12

Exhibit A: The Cartoon Collections Caption Contest #12 with a drawing by Mick Stevens. My entries follow, if it please the court.

"My client pleads not guilty to any copycat crime."
"My client is no more guilty than I am."
"Mr. Zelig wishes to represent himself."
"My client wishes to represent himself."
"My client pleads not guilty to identity theft."

"My client pleads not guilty to anything but good taste."
"Not guilty, plaid and simple."
"Not guilty by reason of inanity."



March 6, 2019 Update:  The Winner



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Mick Stevens