Showing posts with label The Square Egg & The Vicious Circle. Show all posts
Showing posts with label The Square Egg & The Vicious Circle. Show all posts

Tuesday, March 1, 2022

Robert Hansen's Copy of Das eckige Ei [The Square Egg] by Ronald Searle

The American edition of The Square Egg & The Vicious Circle (1968) puts one of author Ronald Searle's New Yorker cartoons on the dust cover. This drawing is evidently the reason the original British title, The Square Egg, was (unnecessarily?) lengthened into two parts for the American market.

https://www.ebay.co.uk/itm/274971807916?mkevt=1&mkcid=1&mkrid=710-53481-19255-0&campid=5338722076&customid=&toolid=10050



Ronald Searle
The New Yorker, November 12, 1966, page 59


The New Yorker drawing, with some color added to the eggs, wraps around onto the spine and just onto the back of the dust jacket: 

https://www.ebay.com/itm/363744540781?...


No doubt sometime around its November publication, Searle turned this cartoon into a 1966 lithographic print in an edition of 50 (Gurlitt 1). Here, I believe, he answers a fan's inquiry about it:




Searle takes a very different approach with the cover of the British Edition. It is called simply The Square Egg, and no vicious circle is anywhere to be found. Instead, the cover features a man walking with an open umbrella, overwhelmed by a cascade of rubber stamped pointing hands. This is a rather paranoia-inducing image, with the square egg relegated merely to a floating border around the title and author's name.

https://bookpatrol.net/product/the-square-egg-by-ronald-searle/



The German edition of Ronald Searle's The Square Egg is called Das eckige Ei and it closely resembles the British edition. Robert Hansen's former copy is inscribed by the artist in English. There is a sketch of a bird sitting on a very tall square egg—more of a square pillar, really.


Ronald Searle
AbeBooks listing accessed December 26, 2021

When the above AbeBooks listing is robo-translated back into English, the title becomes "The Angular Egg."

The 1974 German-language paperback has a different, eggless New Yorker drawing on its cover: a matador and a snail.
Ronald Searle
The New Yorker, September 23, 1967, page 42


Searle created a new color cover for the 1981 Penguin paperback:


Why let a good idea go to waste? It can be fascinating to watch a cartoonist work through variations on a theme. Here's one of Searle's best, slightly cropped, perhaps because it is scanned from a rectangular postcard. (You can see the full composition in Ronald Searle in Perspective, page 85 where its shape is, frankly, somewhat square.)

 
The Outsider (large detail, 1977)
Ronald Searle


Searle's secretary Jean Ellsmoor's copy of The Square Egg is the book on the right, one of three of her personalized books sold at auction in 2006. It is, I believe, the quintessential example of a personalized copy of The Square Egg.




Cartoons by Warren Miller and Ronald Searle

Cartoons by Robert Kraus and Ronald Searle

August 26, 2022 Update:  Regarding the copy of this book with the laid-in note to Mrs. Milton Mones, I thought I'd include the full eBay auction here as an appendix to the post. Offered at $81, a best offer of $50 was rejected automatically. The book was then sold on March 1, 2022, for a best offer of $55.



Ronald Searle
eBay listing accessed March 1, 2022












Note:  You can see more of Ronald Searle's birds and their eggs—square and otherwise—on Perpetua, the Ronald Searle tribute blog curated by Matt Jones, right here.


https://www.luciusbooks.com/shop/art-books/the-square-egg-and-the-vicious-circle/






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Tuesday, January 5, 2021

Kenneth Mahood and Ronald Searle: Letter Drop

Kenneth Mahood, who passed away on December 30 at the age of 90, published a great many cartoons in his lifetime and I've been looking at a small number of them in remembrance. His cover for the Punch issue of October 28, 1964 struck me as a somewhat familiar gag set in a library. Specifically, it reminded me of a cartoon by Ronald Searle, who himself passed away on December 30, 2011 at the age of 91. Searle's gag appeared in 1968 in the collection The Square Egg. But where was Searle's drawing first published? The Square Egg collects work from 1961 to 1968, so it's by no means ironclad whose gag made it into print first. Not that it really matters. One cartoonist may or may not have seen the other's work, if he had he may or may not have remembered seeing it, and the two may or may not have come up with these gags independently. Anything's possible . . . 

Kenneth Mahood
Punch, October 28, 1964




Ronald Searle
from The Square Egg (1968)


 

Note:  Nevertheless, if you do know where and when the Searle drawing was first published, it would be useful thing to convey such information to the devotees of this blog.

The Searle dropped letter gag has previously appeared on this blog here.



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Wednesday, April 17, 2013

National Library Week: Ronald Searle

What's that? It's National Library Week already?
Last year for National Library Week I attempted to get together a nice selection of artists, then found I had more material by Ronald Searle than anyone else. This year I'm putting together a much smaller selection, but to be consistent I'll start with some Searle artwork anyway. Look, it's what I do, and I make no pretense of objectivity in any of my choices.

This photograph of original artwork from the over-hyphenated Wilhelm-Busch-Museum was given the reasonable but incorrect title Onomatopoeia on the microblogging platform on which it appeared last September. The author and photographer was someone who preferred to be known by the tongue-twisting name MissMuthichcreamhilled and who has since vanished without a trace. Maybe that's a good thing. What's not good is that the image also has disappeared from the site that was hosting it, one of the more annoying things about the internet. Fortunately I saved a copy for you. You're welcome.

The cartoon is set in a personal library, which actually is the preferred subject for all my posts during National Library Week, even though that's not what we're supposed to be celebrating. Hey, it's my blog, all right?

The drawing, which actually goes by the title Vroomp!!! Crrakk!! Zok!!!—you know, some days I marvel at what I actually end up putting out there for general consumption—was reproduced in Searle's 1968 collection The Square Egg. He or his wife Monica sometimes set aside drawings of his that contained adorable mice and this became part of her personal collection. The Searles later donated their personal holdings to the Wilhelm-Busch-Museum in Hannover. Do you see how we've come full circle here?

Oh, did I forget to mention that this drawing is delightful?








Onomatopoeia by Ronald Searle 
zu sehen im Wilhelm-Busch-Museum Hannover
Photo and post on mobypicture.com by MissMuthichcreamhilled


OK, that's how MissMuthichcreamhilled did it. This is how I would do it:

Vroomp!!! Crrakk!! Zok!!! (1966)
Ronald Searle,
Pen and wash, 35.2 x 49.1 Collection Monica Searle
Le Figaro Littéraire, October 20, 1966
and
The Square Egg & The Vicious Circle (1968), Page 15
Ronald Searle (1973) Cabinet des Estampes, Bibliotheque Nationale, Paris, Catalogue number 153
Searle & Searle (2001), Catalogue number 16, page 39






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Monday, April 9, 2012

From the Library of Ronald Searle

For National Library Week, I continue to survey the work of artists who are as enamored of libraries as I am. Here are some library notes from Ronald Searle's The Square Egg (1968).  And please, if you're reading this in a library, try not to laugh out loud.




Note:  Punch cartoonist John Taylor kept a book with drawings by contributors to the magazine. You can see the contributions by Ronald Searle and E. H. Shepard here.

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