Showing posts with label Le Figaro Littéraire. Show all posts
Showing posts with label Le Figaro Littéraire. Show all posts

Saturday, December 23, 2023

Pierre Daninos and Marie-Pierre Dourneau's Copy of Merry England, Etc., by Ronald Searle

Pierre Daninos (1913-2005) wrote humorous pieces for the French periodical Le Figaro Littéraire. He created the uncannily popular character Major Thompson, the quintessential embodiment of the Englishman abroad in France, cane steadfastly grasped in hand and newspaper tucked under his arm. Daninos's writings were collected in a series of highly successful books. Ronald Searle (1920-2011) was one of the artists to illustrate the Major.


Merry England, Etc., is Searle's consummately British cartoon collection published in 1956. On November 12, 1971, he and his wife Monica dedicated a copy of the fifteen-year-old book to Daninos and his wife, Marie-Pierre Dourneau (1931-2016). This book has an original Searle watercolor drawing of the very properly attired Major Thompson encountering a flamboyant example of the hippie culture of the 1970's. Searle sagely writes, "England has changed a little since the fifties—and this book . . ."




An original illustration by Searle for one of Daninos's 1955 pieces in Le Figaro depicts the Major looking distinctly out of place even in London. It was auctioned by Christie's in 2000.

Perdu dans le Labyrinthe Londonien . . . 
Ronald Searle
Le Figaro, February 18, 1955

https://www.christies.com/en/lot/lot-1971026



Another fine Searle version of the Major, noticeably taller and thinner, appears on the cover of Les derniers carnets du Major Thompson (2000). His physical appearance is quite fluid.

https://www.amazon.com/Derniers-Carnets-Major-T
hompson-French/dp/2259193730


Meanwhile, Searle's hippie in the Daninos book is sartorially related to the one on the cover of The New Yorker from earlier that year.




Note:  I am indebted to the owner of this book for offering these images to me on a silver platter, as it were. Other collectors in possession of such unpublished works by Ronald Searle may similarly incur my debt and gratitude by sending along crisp, clean images suitable for blogging.


You may not be aware that my friend David from Manhattan has shared with us actor James Mason's copy of this very book here.


James Kirkup of the Independent composed an erudite obituary of Pierre Daninos here back in 2005. It is a very British summing up of the writer and his Major Thompson pieces.


Try as I might to give Searle his due in these posts, there is nothing I can hobble together that is in the league of Perpetua, the Ronald Searle Tribute blog sublimely curated by Matt Jones. He even covers Searle's work for Le Figaro here. It should be plain that I've borrowed from his post and at other times he's borrowed from my blog, so it's all very symbiotic really.








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Wednesday, April 17, 2013

National Library Week: Ronald Searle

What's that? It's National Library Week already?
Last year for National Library Week I attempted to get together a nice selection of artists, then found I had more material by Ronald Searle than anyone else. This year I'm putting together a much smaller selection, but to be consistent I'll start with some Searle artwork anyway. Look, it's what I do, and I make no pretense of objectivity in any of my choices.

This photograph of original artwork from the over-hyphenated Wilhelm-Busch-Museum was given the reasonable but incorrect title Onomatopoeia on the microblogging platform on which it appeared last September. The author and photographer was someone who preferred to be known by the tongue-twisting name MissMuthichcreamhilled and who has since vanished without a trace. Maybe that's a good thing. What's not good is that the image also has disappeared from the site that was hosting it, one of the more annoying things about the internet. Fortunately I saved a copy for you. You're welcome.

The cartoon is set in a personal library, which actually is the preferred subject for all my posts during National Library Week, even though that's not what we're supposed to be celebrating. Hey, it's my blog, all right?

The drawing, which actually goes by the title Vroomp!!! Crrakk!! Zok!!!—you know, some days I marvel at what I actually end up putting out there for general consumption—was reproduced in Searle's 1968 collection The Square Egg. He or his wife Monica sometimes set aside drawings of his that contained adorable mice and this became part of her personal collection. The Searles later donated their personal holdings to the Wilhelm-Busch-Museum in Hannover. Do you see how we've come full circle here?

Oh, did I forget to mention that this drawing is delightful?








Onomatopoeia by Ronald Searle 
zu sehen im Wilhelm-Busch-Museum Hannover
Photo and post on mobypicture.com by MissMuthichcreamhilled


OK, that's how MissMuthichcreamhilled did it. This is how I would do it:

Vroomp!!! Crrakk!! Zok!!! (1966)
Ronald Searle,
Pen and wash, 35.2 x 49.1 Collection Monica Searle
Le Figaro Littéraire, October 20, 1966
and
The Square Egg & The Vicious Circle (1968), Page 15
Ronald Searle (1973) Cabinet des Estampes, Bibliotheque Nationale, Paris, Catalogue number 153
Searle & Searle (2001), Catalogue number 16, page 39






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