Showing posts with label Movie posters. Show all posts
Showing posts with label Movie posters. Show all posts

Tuesday, June 3, 2025

How to Murder a Rich Uncle: Charles Addams Preliminary Art

An original drawing by Charles Addams is currently listed on eBay by an established seller with the all-too-convenient name masteraddamsgreatescape. The 15" x 16" (by sight) work is framed and double-matted. It carries the hefty asking price of $35,000. The seller lists it as PUBLISHED—just like that, in all caps—but has not backed up that assertion with any evidence, even in lower-case.


Now, Addams's classic published cartoon panels are usually in the medium of ink and wash en grisaille on paper. The work in question is a detailed pencil drawing far more typical of an Addams rough.


Of course, this might not be a freestanding cartoon panel at all. The two malevolent onlookers are in no way essential to the humor of the piece. What we have here must be a story illustration of some sort.




The cutaway wall is a seldom-used device in cartoons coming, perhaps, from the stage. It is hard to visualize how this drawing might have been done without it.



Charles Addams
eBay listing accessed May 28, 2025

Charles Addams
eBay item description
"Looks incredible hanging on the wall or in the mancave . . . "



Just maybe the seller is aware that the asking price is on the high side. I received a "special offer" to buy the item at a discount. The deal, alas, is expiring today:

Why then have a pencil drawing so detailed that the seller believes it was actually published in this form? The answer is that this is a preliminary design for a movie poster. As such, it would have had to go through a thorough approval process with the studio. Here is the finished version of the poster art:

https://www.imdb.com/title/tt0050527/

"How to Murder a Rich Uncle"
Charles Addams
Preliminary poster art
1957


The finished art was also printed on a lobby card. This one is currently listed on eBay:

https://www.ebay.com/itm/401054484780

The movie used another Addams design as well:

https://m.imdb.com/title/tt0050527/mediaviewer/rm933018625/



August 17, 2025 Update:  The eBay seller must have seen my post. Now he knows this was created for a movie and he almost has the title right. He bought a set of lobby cards to include with the framed art. He still calls this a published pencil drawing—and it is still a rough. He has made the 12% discount available to all comers, but the price still seems on the high side.




Note:  If you have some original Charles Addams art of your own hanging in the mancave and you can think of a blog more worthy of posting it than this one, by all means forward your images there. Otherwise, I await your submission.



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Sunday, May 24, 2020

Tall, Dark...and Handsome?

In yesterday's post, readers may recall, I got on my high horse and very matter-of-factly stated that the copy in a 1949 Alemite ad by Peter Arno featuring a fortune-teller should read "tall, dark, and handsome" rather than just "tall, dark." At least that's what sounded right to my ear. In the light of a new day, it still does.
You'll meet a tall, dark man on "A"-Day!
Peter Arno
Alemite advertisement
The Saturday Evening Post, December 17, 1949



Yet I will always entertain other opinions, and what opinion could be more authoritative on this blog than that of the New Yorker editors who okayed a vintage New Yorker cartoon? Specifically it is the cartoon by Leonard Dove from the issue of January 11, 1941 that brings us into the parlor of another fortune-teller, this one reading tarot cards rather than gazing into a crystal ball:

"But I've already met a tall, dark man."
Leonard Dove
The New Yorker, January 11, 1941, page 13





That's interesting in that it's very similar in both setting and wording to the Arno ad of 1949 and it treats "tall, dark man"—without the addition of "handsome"—as an established cliché. Next thing you know, the movie "Tall, Dark, and Handsome" was released on January 24, 1941, less than two weeks after the publication date of this issue of the New Yorker. That movie may well have enshrined the expression "tall, dark, and handsome" in the language for keeps.
"Tall, Dark and Handsome" movie poster, 1941


Except that, come 1949, it didn't affect the caption, as it were, of Arno's Alemite ad. Of course, we don't even know whether Arno wrote the final copy himself. It's possible the words "and handsome" were left off deliberately to keep the ad's large-type words short and punchy. But it's also possible that Arno created the ad with Dove's cartoon in front of him, or at least in his thoughts. (It could also be that he remembered the expression as he'd heard it before 1941.) All of which might go a long way to explaining the apparent similarities between the Dove cartoon and the Arno ad, but alas it is only speculation. So that's where things will have to stand, at least for now.



Cartoons by Richard Taylor and Leonard Dove


July 3, 2020 Update:  The Facebook group Vintage Panel and Gag Cartoons has proven quite useful once again. A Playboy cartoon by Erich Sokol published in February of 1972 provides further evidence for the common usage of tall dark—no comma needed, apparently, for the Playboy reader—without handsome. So now we have examples of this trope from 1941, 1949, and 1972 which agree with each other…and not with me. It is high time that I admit I was wrong.
"But I don't want to meet a tall dark man. How about a tall blonde woman?"
Erich Sokol

Playboy, February 1972
Scan by George Topham Hayes
Enhanced by Larry Miller III 



November 5, 2023 Update:  A cartoon from the 1970's by Barney Tobey favors the rule of three, but it avoids the word handsome.
"You will meet a tall, dark, attractive Reagan man."
Barney Tobey
The New Yorker, December 22, 1975, p. 35

Image added November 5, 2023

Cartoons by Lee Lorenz and Barney Tobey



Note:
  All right, I'll get off my high horse now. Readers are asked to submit evidence of how good-looking men were described, whether as "tall, dark" or "tall, dark, and handsome," in the 1940s and later. Opinions are welcome as well.


Sound the fanfare. This is my one-hundred thirtieth post about Peter Arno, a subject who never fails to fascinate me. Readers are invited to keep me going by submitting original Arno art, letters, published rarities, or memorabilia for discussion on the blog. Help me to get back on my high horse.

On the other hand, this is only the sixth post here to mention Leonard Dove. One could argue that I am more in need of material about him to balance things out a bit on the blog.


Quick Links to the Attempted Bloggery Archives:

Peter Arno

Leonard Dove


Movies

Advertising

Attempted Bloggery's Tall, Dark Index



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Thursday, February 12, 2015

The Comedians: Lost in Translation

From today's poster sale at Swann Auction Galleries, two classic comedy teams are depicted in three overseas movie posters. Mickey Mouse joins Laurel and Hardy for good measure.

Jano, The Marx Brothers, "Un Dia en las Carreras"

Laurel and Hardy, "Hijos del Desierto"

Stanlio e Ollio 
Swann Auction Galleries, February 12, 2015, Lot 197
Hammer Price $350


Swann Auction Galleries, February 12, 2015, Lot 198
Hammer Price $350


Swann Auction Galleries, February 12, 2015, Lot 199
Unsold




Note:  Check out more of my blog posts featuring posters.

You know, I also have more about Marxism.

And more Laurel & Hardy.

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Tuesday, December 27, 2011

Tinker Tailor Soldier Spy, 1980 & 2011


The new screen adaptation of John le Carré's 1974 novel Tinker Tailor Soldier Spy is now playing in theaters. George Smiley, once played on television by the superb Alec Guinness, is now played on film by another fine character actor, Gary Oldman. In the intervening three decades, we've truly entered the digital age, and the means of producing much promotional artwork has changed radically.

I really like the quiet intrigue of the 1980 television campaign by Richard Hess, but I suppose Hollywood doesn't think such a thoughtful, staid approach can sell movie tickets today. The current film's posters are attention-grabbers, using the digitally-manipulated photographs to suggest a variety of moods, the principle poster showing a thrilling intensity. Both approaches are valid, but you would be forgiven if you didn't recognize that both productions sprang from the same book.
Richard Hess, Alec Guinness as George Smiley, The New Yorker, September 29, 1980



Gary Oldman as George Smiley, 2011



Colin Firth, 2011. I've shown this poster in larger dimensions to give an idea of the detail. Note that there are a few key words scattered among the digits.
http://movies.sky.com/tinker-tailor-soldier-spy-exclusive-character-posters
Tom Hardy, 2011



Gary Oldman, 2011




Benedict Cumberbatch, 2011

Mark Strong, 2011


Svetlana Khodchenkova, 2011
Image added November 24, 2012



[Spoiler Alert!]
Paul Smith's 2011 limited edition print, one of four created concurrent with the recent theatrical release, reprises Richard Hess's visual chessboard theme from 1980, a theme taken directly from the novel.



MI6 is known as "The Circus"


The 1979 trailer:

Tinker, Tailor, Soldier, Spy

 (1979) Trailer

Video added June 28, 2012


And the trailer from 2011:

Tinker Tailor Soldier Spy - 

2011 Official Trailer [HD]

Video added June 28, 2012

Note:  I have some lighter poster fare for you here.




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