Showing posts with label Richard Taylor. Show all posts
Showing posts with label Richard Taylor. Show all posts

Thursday, March 5, 2026

Annals of Censorship: Richard Taylor and Hateful Activities

I generate all sorts of content for this blog, and I share much of it from virtually every new post on various social media platforms. Once I send my curated images out into the world, they may be subjected to varying interpretations of community standards on the respective sites. There could even be some censorship leading to permanent removal of some of the content.


Last year, a Pinterest pin of mine featured proposed New Yorker cover art by Richard Taylor, a favorite cartoonist. It was no doubt from the latter part of World War II. The pin was subsequently "deactivated" from the site for "hateful activities, because it contains support for hate based groups or ideologies." The Taylor art is from a 2022 post, "Richard Taylor Goes to War." The artwork had been sold that year by Swann Galleries in the June Illustration Art sale.

Richard Taylor
Proposed New Yorker cover art


Swann had referred to the work as "Worried Hitler." Taylor's art celebrates the Fuerher's panic as he contemplates a war that is inexorably going against him. His justified paranoia prevents him from trusting his generals, who lurk menacingly in the background. In other words, this is anything but supportive of Nazi ideology. Sure, it does have a prominent swastika on that flag hanging from the wall. Taken out of the context of my original post, could this image really be seen as a violation of Pinterest's Community Guidelines on hateful ideologies?

Well, it was. But I feel certain that in the mid-1940s, when this illustration failed to meet The New Yorker's needs for a cover, no one would have mistaken it for pro-Hitler, pro-Nazi, or containing "support for hate based groups or ideologies." Today, though, corporations may be erring on the side of caution. A PDF explains "This violation was reported to" Pinterest. That certainly sounds as if a human reported it. The complaint may then have been reviewed by algorithm; who knows whether any human input was sought or, indeed, whether the involved human would know any pertinent history.



I had the decision reviewed earlier this year, without any change in the verdict.



Thus the pin was permanently removed from my Attempted Bloggery board on Pinterest. Oddly, though, there is another board of mine, this one about Taylor, where you can still see the image from the pin. It's here, but with absolutely no supporting text. 


Now watch—someone's going to report me.





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Friday, November 21, 2025

Charles Addams: A Lesson in Knots

Yesterday Nate D. Sanders Auctions of Los Angeles sold an original 1941 cartoon from The New Yorker by the matchless Charles Addams.

Charles Addams
Original art
The New Yorker,
 April 26, 1941, p. 19



Addams certainly knew how to draw Boy Scout uniforms and how to do shading.
Charles Addams
Matted original art
The New Yorker,
 April 26, 1941, p. 19

And he even rendered some convincing knots.
Charles Addams
Matted original art
The New Yorker, April 26, 1941, p. 19

The bidding started at $10,000. Two days before the auction there were as yet no bids. Smart bidders don't announce their intentions too early.
Charles Addams
Nate D. Sanders auction listing accessed November 18, 2025, two days before the sale



And sold—to the highest bidder!




Here's how it looked in The New Yorker:
Charles Addams
The New Yorker, April 26, 1941, p. 19

Charles Addams
Original art
The New Yorker, April 26, 1941, p. 19

With cartoons by Richard Taylor and Charles Addams




* * *

The Addams art, a horizontal wooded exterior view in no need of words, is balanced on the opposite page of the magazine by a Richard Taylor cartoon, a vertical ornate interior in which the speaker delivers a self-serving caption.
"Modernism, if I may make a suggestion, Madam,
is becoming just a little dated."
Richard Taylor
The New Yorker, April 26, 1941, p. 18








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Monday, July 7, 2025

Richard Taylor and Robert Day for the United States Playing Card Compnay

"How long since you've bought new cards?" asked the United States Playing Card Company back in 1941. Each of their six brands could provide players "with fresh, clean cards" according to their print advertising. Cartoonists Richard Taylor and Robert Day set the scenes. But why are there no women at the card tables?


"It's the only way George can shuffle
those old, limp cards of his."
Richard Taylor

"Fred isn't sure, but he thinks
they're all hearts."
Robert Day



The source for these ads is eBay. Here are the sales details on the Taylor:
Richard Taylor
eBay listing ended April 13, 2025

Richard Taylor
eBay item description




And the same for the Day, as yet unsold:

Robert Day
eBay listing accessed June 6, 2025

Robert Day
eBay item description







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Wednesday, June 4, 2025

Richard Taylor: Burying True Love?

An original color illustration by Richard Taylor (1902-1970) was sold three months ago on eBay. The setting is nighttime in the woods. The art shows an older, balding man dressed in tie and tails. He is holding a shovel laden with soil, filling in a grave holding a single long-stemmed rose.


The artwork was sold three months ago on eBay. The seller knew nothing of where it may have been published.

Who is this man? Why does he look surprised and fearful? Does the rose represent true love? We may never know.




Richard Taylor's initials

Verso of illustration board

"R. Taylor/New Yorker Cartoonist." Noted.


Richard Taylor
eBay listing ended March 4, 2025


Richard Taylor
eBay item description




Huh?



Note:  Where and when was this published? Any reader in the know is asked to step forward, avoiding the open grave, of course.


It's a good thing original cartoon art by Richard Taylor has a second home here on the blog. Collectors may send images here for posting.





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Tuesday, May 13, 2025

Richard Taylor: The Metamorphosis

Richard Taylor's illustration The Metamorphosis gives us a cartoonist's interpretation of the opening scene of Franz Kafka's 1915 novella. Taylor renders the face of the "monstrous vermin" of the book as something akin to cute. The original art was sold on May 2 at Heritage Auctions. It had previously been sold at Swann Galleries in 2022. 





Richard Taylor
Heritage Auctions listing of May 2, 2025


Richard Taylor
Heritage Auctions item description






In the Swann Illustration Art sale of December 15, 2022, the very same artwork was sold for $600, or $750 with the buyer's premium.



The handwritten title, which omits the article The, is hidden under the matte at Heritage, but it was previously photographed by Swann.


Note:  I'd like to hear from knowledgeable readers who may know where this was first published.

I'd also like to hear from collectors willing to share other original art by Richard Tayler, with or without the insect legs.



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Sunday, December 22, 2024

W. B. Park: Doctors' Dollars

After years of our perusing cartoons together here, I hope we can agree that the most misguided New Yorker drawings of all are the ones that attempt to find humor at the expense of us beleaguered doctors. To be sure, the very worst of this genre of cartoon must be W. B. Park's ill-conceived 1998 slander against the profession, which I purchased on eBay in July, evidently by mistake, and certainly against any sound judgment, medical or otherwise.

Cartoons which try to get a cheap laugh from physician avarice such as, for example, Richard Taylor's wrongheaded "wrong bag" cartoon, the original of which I somehow also possess, should have no place in the magazine, and that goes especially for Park's thoughtless, amateurish, and pathetic attempt at humor at the expense of hard-working doctors fighting the good fight. I would assume that any self-respecting collector of New Yorker work would want nothing to do with an ill-conceived piece like this, yet somehow I of all people bought the original art for $160, an exorbitant price, but as low as the seller would go below the $205 ask. Surely I have better things to do with my money.

"Sure, we doctors make a lot of money. But, don't forget, we spend a heck of a lot, too."
W. B. Park
Original art
The New Yorker,
 February 13, 1998, p. 31

W. B. Park's signature





W. B. Park
eBay listing ended July 11, 2024

https://www.ebay.com/itm/204866903789?_skw=Yorker+signed&itmmeta=01J9JCFPRVYHAG2X5V0HTH0WPN&hash=item2fb304deed:g:rpgAAOSwnRdmhJGY&itmprp=enc%3AAQAJAAAA0HoV3kP08IDx%2BKZ9MfhVJKm16TgobPTHtsXYxPAUtWjYc5FtDHJe7jQxVfaCHxiqimISGVhV4MhaNb%2BIwCojskz2eZ3y6QBuek
Arc3jaN4ut3H7CG9nsKpiCSj%2B45a3v5h0NijcxHTx9rB1vrVIw1SnTQ85NSbTRQ1zZdneUbdLhAlo8EunBQ5Y%2B3UDvk%2FEF5LbnsG0KwWXTEHhkN5hK7POvoYyFqIdlD0rsrBWkRSpi3%2Bv4R7IV7m6CxEp8mEeGmeSPy4QfHMq9BiekY4CVOn4%3D%7Ctkp%3ABk9SR8LsvszMZA

W. B. Park
eBay item description




"Sure, we doctors make a lot of money. But, don't forget, we spend a heck of a lot, too."
W. B. Park
The New Yorker, February 13, 1998, p. 31


"Sure, we doctors make a lot of money. But, don't forget, we spend a heck of a lot, too."
W. B. Park
Original art
The New Yorker,
 February 13, 1998, p. 31

With cartoons by William Haefeli and W. B. Park



In contrast, The New Yorker portrays the aspiring business tycoon with relative sensitivity:
"Don't disturb Daddy. He's busy visualizing unparalleled success in the business world and, by extension, a better life for us all."
William Haefeli
The New Yorker, February 13, 1998, p. 30




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