Showing posts with label Mike Lynch. Show all posts
Showing posts with label Mike Lynch. Show all posts

Friday, July 6, 2018

John Klossner's Whale-to-Whale Resuscitation

I never support Kickstarter projects. Don't hate me. I have this old-fashioned idea that if you give money to help launch a venture of some sort then you should own a share in that venture. The vast majority of arts projects on Kickstarter don't ever generate significant revenue, of course, and that's fine, but I can't see giving money to someone else's project and having them maintain full ownership. That would never pass muster on "Shark Tank" and it doesn't work with me.

Instead of a share in the business, what Kickstarter offers supporters is a gift, sometimes just a trinket, a reward of some sort that can be scaled into something more desirable the more money you pledge. Some of these rewards are very tempting, but overall I've observed that the rewards are pegged to pledges roughly double what their market value should be. The idea is that the remaining money goes to support the project. Well and good, if that's okay with you.

The Kickstarter campaign for the book Lobster Therapy & Moose Pick-Up Lines: Cartoons from Maine (2018) launched by Mike Lynch was very specific about where the money would be used. The campaign reads, "A book of Maine cartoons by magazine gag cartoonists who live in Maine. The campaign will help with paying them." That's rather blunt. Maybe this explains why there are so few cartoon books being published these days: cartoonists who put out collections aren't being paid much for all of their efforts. That's a real shame.

Unmoved as I am by Kickstarter, I was impressed nonetheless by the inclusion of an original New Yorker cartoon in the campaign. It is by John Klossner, one of the five artists involved in the book project, and it is not reproduced in the book. Offered for the top pledge of "$600 or more," it's a delightful rendition of an idea which many a reasonable person would not consider drawable. I am intrigued—as only I can be—to report that the hyphens in Whale-to-Whale Resuscitation were added late in the editorial process (they do not appear on the original), just as the hyphen in the book's title was added at the last minute. What is it about Maine cartoonists and hyphens?

The upshot is that no one pledged the $600 for the New Yorker cartoon and the Kickstarter campaign made it only a third of the way to its $5,000 goal. That renders all the campaign pledges null and void. I've made it clear that I'm no fan of Kickstarter, but I am a fan of cartoons, and it saddens me just a bit that five talented cartoonists couldn't pick up an extra grand each for all their inspired efforts.

John Klossner
Whale to Whale Resuscitation
Published as Whale-to-Whale Resuscitation

Original art
The New Yorker, April 27, 2017, page 65

https://www.kickstarter.com/projects/1583602835/lobster-therapy-maine-cartoon-book-by-maine-cartoo


https://archives.newyorker.com/?i=2017-04-24#folio=64
Kickstarter
"Lobster Therapy" Maine Cartoon Book by Maine Cartoonists
Campaign ended May 19, 2018
https://www.kickstarter.com/projects/1583602835/lobster-therapy-maine-cartoon-book-by-maine-cartoo


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Thursday, July 5, 2018

A Signed Copy of Lobster Therapy & Moose Pick-Up LInes

I will always remember 2018 as the year I added a book of cartoons from Maine to my library. The occasion, of course, is the publication of Lobster Therapy & Moose Pick-Up Lines edited by Mike Lynch. Here's the stock image of the cover from Amazon:


Disappointing, right? But here's the actual book. Note that a hyphen has judiciously been added to the word Pick-Up. That having been done, I can now heartily endorse this collection.

Lobster Therapy & Moose Pick-Up Lines:  Cartoons from Maine, 2018

The book is a paperback priced at $16.95, but Amazon offers it discounted to $13.14. I opted instead to pay a premium, $25 for a copy signed by the four living contributors, postpaid, because I was willing to pay extra to be sure I got a copy with the hyphen. In all seriousness, it's good to get things signed by Mike Lynch as he's eager to go the extra mile to promote cartooning just as he does with his blog, Mike Lynch Cartoons. Take a look and you'll see what I mean:

Signed by Mike Lynch with a drawing.
Additionally signed by David Jacobson, John Klossner, and Bill Woodman.


Lobster Therapy & Moose Pick-Up Lines:  Cartoons from Maine
Promotional postcard signed by Mike Lynch


Note:  You too can order a copy of this book signed by Mike Lynch, David Jacobson, John Klossner, and Bill Woodman here. It's the Maine event, while supplies last. Well, what are you waiting for?

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Wednesday, April 4, 2018

No Parade: E. Simms Campbell and Al Johns Share a Caption

A 1935 Esquire cartoon we looked at last week in the big post on E. Simms Campbell has a truly memorable caption about a parade that isn't happening. So does a Saturday Evening Post cartoon from the 1950s by Al Johns that was featured on Mike Lynch Cartoons back in 2010. The two cartoons are quite different but the captions are the same. And who doesn't love a parade?

"I don't see any parade[.]"
E. Simms Campbell
Esquire, 1935


"I don't see any parade."
Al Johns
The Saturday Evening Post, c. 1950s





Note:  Al Johns is new to the blog. It is E. Simms Campbell (1906-1971) whose work we have been surveying. Readers with access to original art by either artist are encouraged to submit high-resolution scans or photographs.

It's for you. In the following video at the 11:50 mark, cartoonist Michael Maslin discusses selling The New Yorker several cartoons each with the same caption.

Four New Yorker Cartoonists
The Hotchkiss Library
Sharon, CT
September 30, 2012


Quick Links to the Attempted Bloggery Archives

Esquire

The Saturday Evening Post



Attempted Bloggery supports net neutrality.

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Saturday, November 18, 2017

A Chicken in Almost Every Pot: Otto Soglow's New Deal


A series of magazine covers done by cartoonist Otto Soglow for Judge in 1938 offers some insights on how Franklin D. Roosevelt's New Deal was embraced by the press. The covers are all intensely colorful economic parables of the Great Depression executed against a plain white background. The four recurring characters are second-term Democratic President Franklin Roosevelt, a farmer, a worker, and a capitalist, each trying to cope with the dire economic situation. Many an American president might be depicted as the advocate of agriculture, of labor, or of business, but it's unusual even during hard times for a president of either party to be depicted as the champion of all three.

On the April 1938 Judge cover, FDR is drawn as an acrobat on the flying trapeze executing a breathtaking midair catch of the farmer while immobile business and labor look on aghast. The May cover shows the three branches of the economy tangled around the maypole, with the capable President clearly taking charge of the awkward situation. The June cover alludes to the famous political promise of a chicken in every pot, one often incorrectly attributed to Herbert Hoover and embraced by the Republican party back in 1928 during more prosperous times. Note also that each cover depicts the President as physically vigorous and able-bodied, with no reference to the braces he required to stand or the wheelchair he required for mobility.

Otto Soglow
Judge, April 1938
Otto Soglow
Judge, May 1938
Scan by Dick Buchanan
Otto Soglow
Judge, June 1938
Scan by Dick Buchanan



Note:  Once again I offer my thanks to Dick Buchanan for providing Attempted Bloggery with two Judge cover scans from the legendary Dick Buchanan Cartoon Clip Files. The April cover comes from Mike Lynch Cartoons to which Dick regularly contributes, most recently a post entitled, "Dick Buchanan's Favorite Gag Cartoons 1946 - 1964." See what magazine readers were laughing at during the postwar years with the Depression long behind them.

Otto Soglow was a prolific cartoonist who was especially at home with the wordless gag. Readers are encouraged to contribute scans or photos of original art or of rare published cartoons. I am especially eager to know whether there are any more Judge covers in this FDR series.


Quick Links to the Attempted Bloggery Archives:



Monday, September 21, 2015

Mike Lynch: Raconteur No. 7

Mike Lynch is one of those cartoonists who works tirelessly to promote the art form. His cartoons appear in the Wall Street Journal, Reader's Digest, Playboy, and just about any of those rare publications which still appreciate the humorous line. He also teaches classes in cartooning. He even writes a daily blog about cartoons which is probably as foolhardy a pursuit as one can have in this world.

When Mike Lynch isn't doing all that, he publishes Raconteur, a small comic magazine with several contributors now in its seventh issue. In its pages, world-class cartoonists recount some of their real-life experiences in comic panel format. The publication is 24 pages and sells for $5.99 postpaid. Not only is it highly entertaining and ridiculously inexpensive, but it comes personalized with a little drawing, or at least mine did. Raconteur No. 6 was promoted as including an autograph and a sketch, and this issue—No. 7—apparently does too. So there you have it: an all-around great buy. I just hope there's enough money left over to buy a beer for the cartoonists.

Raconteur No. 7 signed, insribed, and sketched upon in the upper margin by Mike Lynch


Raconteur No. 7, Spring 2015


Note:  Mike Lynch makes it easy for you to order your own copy of Raconteur No. 7. I heartily recommend it. The other cartoonists whose work appears in this issue are Mark Anderson, John Klossner, Michael Maslin, and Rina Piccolo.

Three years ago, Mike Lynch stumbled upon my most popular post of all time and just had to blog about it himself. No mention on the blog from him since. Talk about cherry-picking!

Autumn is coming around in a couple of days, you know. See what this blog looks like dressed in fall colors.

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