Showing posts with label Abner Dean. Show all posts
Showing posts with label Abner Dean. Show all posts

Saturday, September 13, 2025

Neva's Copy of It's a Long Way to Heaven . . . by Abner Dean

In an unusual anatomical choice by cartoonist Abner Dean, the descending angel on the dustcover of his book It's a Long Way to Heaven . . . (1945) has wings which emanate not from his shoulder girdle but from his pelvis. The book's introduction is by Philip Wylie who, like Dean, worked for The New Yorker.


The volume offered by Carpetbagger Books of Woodstock, Illinois, was inscribed by the artist "Love to Neva / from / Abner Dean." An odd drawing of an alien stands there on the page, already in possession, it would appear, of a halo.


Abner Dean
AbeBooks listing accessed September 12, 2025


Abner Dean
AbeBooks item description


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Wednesday, May 7, 2025

Totem Pole: Abner Dean Original New Yorker Cover Art

The second New Yorker cover original by cartoonist Abner Dean to be sold on May 2 at Heritage Auctions was a work originally published in 1934. It depicts a tourist making an unusual discovery when visiting a totem pole.

Abner Dean
Original art
The New Yorker,
 April 21, 1934

It should come as no surprise that there was a greater lack of cultural sensitivity in the New Yorker of the 1930s than there is at the current moment. Still, the primary aim of Dean's cover is to be amusing.
Abner Dean
Original art
The New Yorker,
 April 21, 1934

Verso

Abner Dean
Heritage Auctions listing ended May 2, 2025


Abner Dean
Heritage Auctions item description



[End of Heritage Auctions listing]


Here's how it looked in print:
Abner Dean
The New Yorker, April 21, 1934


Abner Dean
Original art
The New Yorker,
 April 21, 1934



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Tuesday, May 6, 2025

The Gambler's Nightmare: Original Abner Dean New Yorker Cover Art

Two of Abner Dean's five published New Yorker covers showed up on the auction block last week. The first of these was given the title Gambling Nightmares by Heritage Auctions. I've modified this to The Gambler's Nightmare because I'm very competitive.

Abner Dean
Original art
The New Yorker,
 February 23, 1935

Making the playing card figures transparent allows Dean to crowd them around his beleagured gambler.
Abner Dean
Original art
The New Yorker,
 February 23, 1935


Verso

Abner Dean
The New Yorker, February 23, 1935
Faded cover


Abner Dean
Heritage Auctions listing of May 2, 2025


Abner Dean
Heritage Auctions item description



[End of Heritage Auctions listing]


Abner Dean
The New Yorker, February 23, 1935


Abner Dean
Original art
The New Yorker,
 February 23, 1935






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Sunday, April 15, 2018

Esquire Cartoon Window Signs, 1935-1937

Magazine covers are designed to sell magazines; that's clearly their job. Window signs produced for Esquire in the 1930s used a different promotional tack, taking advantage of the popular, full-page, color cartoons that appeared abundantly in each issue. Up to two such small posters or window signs were produced for issues of the monthly magazine in the mid to late 1930s to promote newsstand sales. The editors selected only one or two of the color cartoons from each issue for use on these signs, giving an indication of which particular artists and cartoons they thought could best promote their magazine. It was a strategy that might well have given Esquire a competitive advantage against those magazines which ran only black and white cartoons.

An Abner Dean gag selected for this purpose in October 1935 seems an unlikely candidate for this sort of display. The old joke is about a father's fecundity, but the setting is somewhat morbid. Dean's work was often odd, to say the least. (A more traditional handling of this sort of gag may be seen in the first Dorothy McKay Esquire cartoon here.)
"Mama, what kind of a man was Daddy?"
Abner Dean
Window Sign/Poster for Esquire, October 1935



Rodney deSarro's lustful old lady may anticipate Buck Brown's later Granny cartoons that were to appear in Playboy.
"But lady, when I knocked on your door, I only
asked for a dime[.]"

Rodney deSarro
Window Sign/Poster for Esquire, February 1936



Another gag by deSarro depicts a cruise ship's staff nervously trying to reclaim a stateroom after the cruise has ended. The gag appears to be cropped for use on this window sign, cutting off the artist's signature.
"Do you think, sir, we might tell them, sir,
that the cruise is over?"

Rodney deSarro
Window Sign/Poster for Esquire, April 1936



A Dorothy McKay gag takes us to the waiting room of a maternity ward where we get to watch a stunned new father drop his hat. This time it is McKay's turn to have her signature unceremoniously cropped. 
"Well, Mr. Hotchkiss! I guess you hit
the jackpot this time!"

Dorothy McKay
Window Sign/Poster for Esquire, April 1936



Shh! An uncaptioned cartoon by E. Simms Campbell depicts the ship's captain engaged in some clandestine work.
E. Simms Campbell
Window Sign/Poster for Esquire, May 1936

Rodney deSarro's captain on shore leave has found a novel use for a hula skirt. The oval format works well on the window sign and preempts any attempt at cropping.
"She loves me—she loves me not!"
Rodney deSarro
Window Sign/Poster for Esquire, June 1936



The "Harem Girls" cartoons by E. Simms Campbell were popular from the very first issue of the magazine. Men trying to make a go at a relationship with a woman must have been amused at the sultan's excesses.
"Make it ten!"
E. Simms Campbell
Window Sign/Poster for Esquire, July 1936



In another Abner Dean gag, a sailor on a life raft has some second thoughts.
"Sometimes I almost wish I'd rescued that blonde
instead of the Harvard Classics!"

Abner Dean
Window Sign/Poster for Esquire, July 1936



Another of Campbell's "Harem Girls" gags bears a striking similarity to the one in yesterday's post.
"I'll be away for two weeks—sort of look
after things while I'm gone[.]"

E. Simms Campbell
Window Sign/Poster for Esquire, August 1936



Gilbert Bundy's young lady exercises her due diligence...
"Oh!  Yes I'll be here[,] Mr. Van Gates—I'm
reading the most interesting book[.]"

Gilbert Bundy
Window Sign/Poster for Esquire, September 1936


...While Barbara Shermund's old man sees no need to be hasty.
"Of course I love you—but there's such a difference in our ages—we ought
to wait a few years[.]"

Barbara Shermund
Window Sign/Poster for Esquire, July 1937



Note:  That's it for now. I'd love to hear from anyone with other examples of these window signs featuring vintage Esquire cartoons. Examples of original artwork by any of these artists are always welcome here as well.

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Friday, March 2, 2018

Vintage Esquire Cartoons: Shall We Join the Ladies?

It is missing its cover, so there is no date and no title—even the staples are missing—but the cartoons in a small cartoon sampler from Esquire presented on eBay are thankfully intact. The pamphlet features cartoons by Howard Baer, E. Simms Campbell, Irwin Caplan, Abner Dean, Eldon Dedini, Syd Hoff, Robert Holley, Dorothy McKay, Garrett Price, Irving Roir, Barbara Shermund, Raeburn Van Buren, and Alex Young. There are also two racy images of The Esquire Girl, a photograph by Ronnie Jacques and a pinup painting by Al Moore.

We start with a beautiful drawing by Barbara Shermund set at a soda fountain. Here we get an important civics lesson regarding different forms of government. A pair of images both titled The Esquire Girl reveal what is on readers' minds besides civics.
Barbara Shermund
"I'm not sure, but I think in a dictatorship you have to have
children, but in a democracy they leave it up to you."
Ronnie Jacques
The Esquire Girl
Al Moore
The Esquire Girl

The image by Al Moore from the pamphlet was published in Esquire in 1949 according to a post on Pinterest, which may provide an earliest possible date for the booklet.
Al Moore
The Esquire Girl:  Mis-Adventure, 1949
Image added March 3, 2018

The Al Moore pin-up image, now tilted slightly, also appeared in a 1950 calendar:
Al Moore
April 1950

Image added March 3, 2018



Two color cartoons by E. Simms Campbell are from his popular "Harem Girls" series. Both seek their humor in the transactional nature of the harem.
E. Simms Campbell
"Come, come, let's not quibble about price—she's not only a dancer!"
E. Simms Campbell
"Sometimes I feel just like selling out."

With Shall We Join the Ladies? cartoonist Eldon Dedini takes us on a tour of the bar. Of course we shall.
Eldon Dedini
Shall We Join the Ladies?
Raising our spirits high by Eldon Dedini
You finish it!
Ooo! What's in this!
I don't care, mix me anything!
The "manly" drinker
May I have your olive?
The usual, Sam
Just a "teeny" bit

A stolen kiss is the subject of an absolutely gorgeous drawing by Dorothy McKay. Note the sweeping diagonal lines and the transformation of the mundane to the romantic. Syd Hoff's card player holds a winning pair.
Dorothy McKay
[A stolen kiss]
Syd Hoff

"Stop looking at my cards!"

Five in black and white:
Irving Roir
"I hope you don't mind, but we just couldn't get a chaperon."

Alex Young
"Now in this round, lead with your left, feint with the right, jab
with the left, cross with the right—get up at the nine count."
E. Simms Campbell
"O.K. buddy, break it up."
Eldon Dedini

"I've discovered more movie stars this way."
Irwin Caplan
"...and this one has everything."





It's mind-boggling how many cartoons there are from this time period--I'm guessing the 1940s--about the casting couch. It's impossible to view this today as the sort of knowing, light-hearted gag it was meant to be: This is the way the world works, nudge, nudge. These days it's hard to get beyond the implied sexual harassment, and rightly so.
Howard Baer
"There are two ways of becoming a star, Miss Tulare—one is by industry,
concentration and perseverance—the other I think might interest you."

Robert Holley
"I got fed up with the same old grind."
Raeburn Van Buren
"I've got a surprise for you—I'm going to be your mother!"
Howard Baer
"All right, so I'm dumb—so what would you do with a cultured woman[?]"
Eldon Dedini
"He was just about the most unforgettable character I've ever met."


Abner Dean's cartoon is about an important lesson learned too late. E. Simms Campbell's churchgoer pulls rank when the collection plate comes around.
Abner Dean
"She said her husband was out of town and I was
fool enough to believe her."

(March 29, 2018 Update:  Published in Esquire, September 1935)
E. Simms Campbell

[Church collection]

Five color cartoons are led by a beauty from Barbara Shermund:
Barbara Shermund
"He was a perfect gentleman—but we ran into that wildcat wife of his."
Abner Dean
"Stand back! All I want is a little gasoline."
Garrett Price
"I thought you said there were three girls to every man in this town."
Jaro Fabry
"We thought we'd never get here."
Barbara Shermund
"It's Mr. Aldrich, Mother. I dampened his ardor."


The cartoon by Jaro Fabry was published as a full page in the January 1941 issue:
Jaro Fabry
"We thought we'd never get here[.]"
Esquire,
January 1941, page 46
Imaged added March 3, 2018



This was all found on eBay:
Vintage Cartoons from Esquire
eBay Listing Retrieved April 5, 2015

Vintage Cartoons from Esquire
eBay Item Description


Note:  Can anyone furnish the title, date, and cover images of this Esquire cartoon sampler?

Attempted Bloggery would appreciate receiving scans and photographs of original art or forgotten published work by any of these artists.

Attempted Bloggery supports net neutrality.

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Friday, February 23, 2018

E. Simms Campbell and Abner Dean in Esquire, January 1936

The Dionne quintuplets were born on May 28, 1934 in Canada. Their birth and development became an ongoing news story. E. Simms Campbell's color cartoon for Esquire's January 1936 issue is a rare instance of the African-American artist depicting members of a black family. The cartoon features the mother, surrounded by her own numerous children, commenting on the news item with what is supposed to be  a clever quip. The caption is written in some unfortunately-chosen dialect.


E. Simms Campbell
"All dat fuss ovah jes five babies[.]"
Esquire, 
January 1936, page 79

Detail

E. Simms Campbell's signature and the printed caption


On the other side of the page is a beautiful but cryptic winter cartoon by Abner Dean. A man standing on a Manhattan balcony during a snowstorm wears a top hat and carries what seems to be a bag. He is saying, "Oh well—I might as well go in and take it!" Take what?
Abner Dean
"Oh well—I might as well go in and take it!"
Esquire,
January 1936, page 80

If you have any idea what's going on in the Abner Dean gag, please explain it to me. I just don't get it.


February 28, 2018 Update:  Twitter user Richard Serkey, @aufrichtig40, identifies the activity engaged in by the young man in the Abner Dean cartoon as a panty raid.
Let the record state that this is the first time I've heard the phrase Knicker Nabber. What do readers think of this interpretation?


Note:  Meanwhile Attempted Bloggery will continue to look at the work of cartoonist E. Simms Campbell (1906-1971). I seek scans or photographs of original art or obscure published works that will help to shed light on this artist.
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