Showing posts with label cornucopia. Show all posts
Showing posts with label cornucopia. Show all posts

Tuesday, January 13, 2026

Annals of Captioning: Facing the Data

On Thanksgiving, I was at the top of the world and the view was great. My caption, I just learned, had been selected as a finalist for The New Yorker Cartoon Caption Contest #969, the one with the cornucopia served in a restaurant, by Shannon Wheeler. I'd been entering regularly since Contest #375, so it was nice to be recognized, if maybe just this one time.



But then the contest concluded with my caption ranked at third place in the voting. As a one-time finalist with zero wins, that places me no longer at the summit of Mount Olympus but down in the base camp in the company of a majority of the caption contest finalists. The rankings are maintained meticulously on the WordsBelow app by Victor Chongchua. It is a humbling thing to behold.


The top rankings go to those contestants who were seemingly born to write captions and who demonstrate their facility consistently. Their names are legend to those who follow the contest. Here are the top ten on the WordsBelow page as of January 12, through Contest #971:





And where do I fit in? By the WordsBelow algorithm, I am one of many who share the finalist rank of 180. My winner rank is 912. There are some 1,589 contestants who share both these ranks, defining the largest and lowest echelon of the contestant pool. Separately, the first, second, and third place outcomes affect the placement score, adding three points, two points, or one point, respectively. With the announcement of this week's winner on Monday, the finalist rank and winner rank each went up by one. Currently some 2,586 finalists are ranked on WordsBelow. Each week, some 5,000 to 10,000 contestants play and three become finalists.






Note:  My thanks to Victor Chongchua for explaining the WordsBelow placement score to me. I have corrected my wayward copy, I hope.



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Sunday, January 11, 2026

Annals of Captioning: Collecting the Original Art

Not so many years back, the winner of The New Yorker Cartoon Caption Contest would receive a print of the cartoon bearing the winning caption, signed and perhaps personalized by the artist. The two runners up in the contest would receive, predictably, nothing. Nowadays, the winner also receives nothing, other than bragging rights, a rules adjustment that allows the magazine to take entries from all over the world regardless of different laws and tax codes. Needless to say—but I'll say it—the two runners up still receive nothing as well.


Which is where I come in. Having at long last made it to finalist status in Contest #969, the cornucopia cartoon, after twelve-and-a-half years of weekly attempts, I finished third in the voting.



Many people told me they liked my caption although some admitted they didn't understand it. I, whatever the outcome, was delighted to have my name appear in the magazine for the first time, and during it's centenary year, no less. I decided to pursue ownership of the original art before I knew what the outcome of the contest would be. The artist, Shannon Wheeler, was happy to make the sale.


My vanity purchase arrived this past Friday. Shannon was kind enough to also include a rough drawing and a print of an earlier rough with his original caption. First let's look at the original art, which is what I had sought. 



The rough he sent was probably publishable too, but he chose to refine the image further. The signatures differ, with a full O on the rough in Shannon and a dot for the O in the finish.



The sale date, March 11, 2024, was a full year-and-a-half before the contest appeared in the magazine. Such a delay is not unusual for The New Yorker.


The print gives us Shannon's original caption on an earlier rough. 

Here then are the four captions:

Shannon also included a personal note, in which he is very kind:

I was delighted even with the mailer. It bears several stamps saying Do Not Bend. There is also a stamp of Shannon's comics character Too Much Coffee Man, who has the same message:


The postal service heeded TMCM and the art arrived without a crease.


Note:  You too can own original art by Shannon Wheeler. Just visit his Etsy page here.








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Monday, November 24, 2025

My Entry in The New Yorker Cartoon Caption Contest #969

In The New Yorker Cartoon Caption Contest #969 from the issue of November 24, 2025, we see a restaurant table where a horn of plenty has been placed before a couple. The waiter speaks. My entry appears below. The drawing is by Shannon Wheeler.

"Compliments of the chef, who went home early."




These captions were just a little too much:
"It's our special for Throwback Thursday."
"We ask that you consume conspicuously."
"There's a standard 1000% gratuity."
"How many doggie bags would you like?"
"It's an unusual commitment for a first date."
"Save room for dessert."
"I hope you don't have theater reservations."
"Compliments of the chef, who doesn't feel like cooking."





December 1, 2025 Update:  The Finalists




December 20, 2025 Update:
  I voted for my own caption, the one from Princeton. It's the first time I got to do this.


On Monday morning, December 15, during an off-week for the contest, this result was briefly posted online and subsequently taken down. Is it the actual outcome, or just a reformatting of the captions in the order in which they were originally placed pending a final result? Stay tuned.








December 22, 2025 Update:  The Winner











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Friday, January 3, 2025

Fortune's Bounty: Ronald Searle Original New Yorker Cover Art

The Angel of Fortune has bestowed its bounty on the deserving and the undeserving throughout the history of art, but it has never quite appeared as it does in Ronald Searle's cover for The New Yorker of August 13, 1990. Here both angel and mortal are cats and the Horn of Plenty is filled with something felines can truly appreciate. Searle's original art was sold on New Year's Day in Southampton, Pennsylvania.




Ronald Searle
Stephenson's Auction listing accessed 13 hours before the sale





Sold!








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Monday, March 3, 2014

Ronald Searle: Two for the New York Times, Almost

These two illustrations by Ronald Searle for the New York Times are examples of just how good commercial illustrations can be. As it happens, they were never published, but that's not so unusual in the advertising business. I doubt the clients had any complaints with the quality of the artwork. These two originals were sold on May 20, 2011 at Skinner in Boston.

Ronald Searle was born on this day in 1920. He passed away late in 2011.

Lot 552 Ronald William Searle (British, b. 1920) 
Cat on a Raft Signed "Ronald Searle" l.l., stamped "Ronald Searle/ John Locke Studios Inc.... Drawing...Copyright © Ronald Searle 1986" on the reverse. Mixed media (watercolor, ink and graphite) on Vinci paper, 19 x 13 3/4 in. (48.3 x 34.9 cm), unframed.  Condition: Tape hinged to backing mat. 
N.B. The present work was a commissioned but unpublished image intended for the New York Times by the international ad agency, Bozell & Jacobs. 
Estimate $2,500-3,500  Sold for $2,963


Lot 555 Ronald William Searle (British, b. 1920) 
Horn of Plenty Signed "Ronald Searle" l.l., stamped "Ronald Searle/ John Locke Studios Inc.... Drawing...Copyright © Ronald Searle 1986" on the reverse. Mixed media (watercolor, ink, and graphite) on paper, 19 x 13 3/4 in. (48.3 x 34.9 cm), unframed. Condition: Tape hinged to backing mat. N.B. The present work was a commissioned but unpublished image intended for the New York Times by the international ad agency, Bozell & Jacobs. 
Estimate $2,500-3,500 Sold for $2,844





Note:  Further scattershot musings of mine on the art of Ronald Searle may be seen here.

Less scattershot is the Ronald Searle Tribute Blog which has quite a lot to say on the subject of Searle's advertising work, although it hasn't covered the New York Times campaign yet.

This is the final month to see "Searle in America," the exhibition of Ronald Searle's brilliant reportage work for the American magazine market at the Cartoon Art Museum in San Francisco. The show closes March 30 and I haven't even ordered my catalogue yet. Perhaps you can beat me to my copy here.

The Searle in America blog is dedicated to Ronald Searle's work for the U.S. market and can be seen here.


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