Showing posts with label USA. Show all posts
Showing posts with label USA. Show all posts

Tuesday, October 26, 2021

Sylvan Byck's Copy of Alex Atkinson and Ronald Searle's By Rocking-Chair Across America

In the late 1970s I had the good fortune to  pay a visit to King Features Syndicate in Manhattan. I remember the open floor plan allowed me to see what some of the people working at drafting tables were up to and I was truly fascinated by it. For example, letterers were sitting before me inking the word balloons of some unfamiliar comic strip originals; it turns out that not every comic artist provided all that neat lettering.


One who did, of course, was Charles M. Schulz, the reigning star of King Features. There was a shelf with a stack of original art, including what must have been about a month's run of original Peanuts strips. At the time, there was nothing in the world of newspaper comics that could have impressed me more, and that was before each strip was worth a small fortune.


The real object of my visit, though, was to meet with Sylvan Byck (1904-1982), the comic strip editor for the whole operation. I had an appointment and had brought along a portfolio of my own work, by which I mean basically a few Strathmore pads. He reacted to the pieces I brought positively and pronounced them "marketable." He was quite encouraging, and he certainly didn't have to be. I was thrilled. 


Still, I did tell him I was somewhat concerned that my drawings might be a bit derivative. He reassured me that James Montgomery Flagg had at one time considered his work too similar to that of Charles Dana Gibson, but Flagg most definitely came into his own as a fine illustrator with his own distinctive—not to mention incredibly popular—style. At our meeting I decided not to bring up my growing admiration for Ronald Searle, whose work I was already becoming quite familiar with. I figured an editor who specialized in American comic strips might not be all that familiar with or interested in the European illustration scene.


More than forty years later, I learn I was mistaken in my assumptions. An AbeBooks listing posted earlier this month by a French bookseller produces photos of Sylvan Byck's personal copy of By Rocking-Chair Across America signed by illustrator Searle and inscribed to the distinguished King Features editor himself in 1959, the year of publication. If the dust jacket's current condition is any indication, the book did not go unread.



"To Sylvan Byck  
      with best wishes
         Ronald Searle
                       NY 1959"



Alex Atkinson and Ronald Searle
AbeBooks listing accessed October 17, 2021


French to English via Google Translate







Note:  Sylvan Byck's Wikipedia page is just a click away.








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Tuesday, June 5, 2018

Scar Strangled Banger Signed by Ralph Steadman

Scar Strangled Banger is Ralph Steadman's 1987 satirical collection on the subject of the United States. A signed copy from the year of publication is currently offered on AbeBooks for $200. It's a hefty price but the book includes a quick sketch of what I take to be a cow's skull.

Ralph Steadman, Scar Strangled Banger
London:  Harrap Ltd., 1987

Signed by Ralph Steadman with a drawing of a cow's skull
3 Nov. '87

Ralph Steadman's signature

Ralph Steadman
Sport

Ralph Steadman
Left Bank of the Rio Grande

Ralph Steadman
AbeBooks Listing Retrieved June 5, 2018



Note:  Signed books and original art by Ralph Steadman could well be on every blog in America, but for some reason they aren't. Help me keep them on this one. Send in your scans and photos please.


Sunday, July 3, 2016

Howard Chandler Christy: I Am an American

In January, Howard Chandler Christie's 1941 study for his I Am an American billboard poster was sold at Swann Auction Galleries in New York. Model Elise Ford poses as Columbia. I Am an American Day was held on May 18, 1941 in Central Park.

Howard Chandler Christy, Study for I Am an American, 1941


Swann Galleries, January 28, 2016, Sale 2403, Lot 148
Howard Chandler Christy, I Am an American poster stamp

Robert Frank, Untitled—I am an American Day Sign, in the permanent collection of the Herbert F. Johnson Museum at Cornell University.


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Thursday, July 2, 2015

Leading Schoolboys: Mischa Richter Proposed New Yorker Cover Art

A color illustration by Mischa Richter features Uncle Sam and Lady Liberty leading a few well-off schoolboys in private school uniforms to America, or at least to a map of the lower forty-eight. We are told by Swann Auction Galleries that this is a proposed NewYorker cover illustration, but what exactly is being depicted? It doesn't seem to be a commentary on public schools, integration, or immigration, to name a few of the hot-button topics of the postwar decades. It can't simply be about school uniforms. It does look as if Lady Liberty is speaking and Uncle Sam is reacting to her statement. Perhaps this is a color gag cartoon not intended for the New Yorker at all that has come down to us missing its caption. The problem with that conjecture is that there is clearly enough space for a magazine logo across the top.

Mischa Richter. Proposed New Yorker cover art

Swann Auction Galleries, January 22, 2015
Sale 2372, Lot 199
Unsold


Note:  Whenever you're feeling rejected, just take a look at some of the great proposed New Yorker cover art that the magazine turned down.

Mischa Richter's art can be enjoyed at various places around the blog but by itself should not be used as an introduction to America.

Finally, here's how to get ready for the 4th of July. Hint: it involves appropriately-themed patriotic posts on this blog.

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Friday, June 6, 2014

Constantin Alajálov: A.D. 1940

The January 1941 issue of Fortune found Europe thrown into the cataclysmic upheaval of war. Russian-born illustrator Constantin Alajálov provided four allegorical illustrations for the article "A.D. 1940" in the January 1941 issue of Fortune. The subject is America's newfound perceptions of three European nations--Russia, France, Great Britain--and of America herself. The illustrations were probably created about a year before the Japanese attack on Pearl Harbor.

Ballet Russe

France

Great Britain

U.S.A.

France
http://www.ebay.com/itm/1941-Print-Battle-France-World-War-II-Cannon-Wartime-German-Invasion-Alajalov-/371062484482?pt=Art_Prints&hash=item56650c2e02

Great Britain


U.S.A.


Note:  After this, you may want to sample the the more humorous side of artwork by Constantin Alajálov here on this blog.

Here are some further blog posts about the Second World War.

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Thursday, July 4, 2013

Al Hirschfeld's "1776"

Theatre caricaturist Al Hirschfeld produced this illustration of the original cast of "1776" for The New York Times issue of March 1, 1969. John Adams (William Daniels) is shown quill pen in hand surrounded by Ben Franklin (Howard Da Silva), Edward Rutledge (Clifford Davis), Thomas Jefferson (Ken Howard), John Dickinson (Paul Hecht), and Richard Henry Lee (Ron Holgate), the founding fathers. This was my first Broadway show. It was awarded the Tony Award in 1969 for Best Musical. The movie version was released in 1972 with much the same cast. There was a fine Broadway revival in 1997.

Al Hirschfeld, "1776," The New York Times, March 16, 1969

http://catalogue.swanngalleries.com/asp/fullCatalogue.asp?salelot=2300+++++189+&refno=++670107&saletype=

http://www.playbillvault.com/Show/Detail/3101/1776

http://www.playbillvault.com/Show/Detail/Whos_who/3101/23564/1776





For the 1997 revival of the play, Hirschfeld produced this lithograph.
Al Hirschfeld, "1776," Lithograph, AP IV/XV, 1997 (Revival)

http://catalogue.swanngalleries.com/asp/fullCatalogue.asp?salelot=2015+++++150+&refno=++541530&saletype=




"The Egg" from "1776" (1972)
Music and Lyrics by Sherman Edwards
Ken Howard as Thomas Jefferson
Howard Da Silva as Benjamin Franklin
William Daniels as John Adams


"The Signing" from "1776" (1972)



Note:  There's more about Al Hirschfeld here.

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Peter Max: Statue of Liberty Serigraph

This serigraph entitled Statue of Liberty by Peter Max caught my eye because it's from the same U.K. eBay seller with the original Ilonka Karasz New Yorker cover art I wrote about just recently here. The serigraph is dated 1994, yet it bears a 2005 Peter Max copyright stamp, which concerns me just a tad. The seller has a slightly less-than-ironclad disclaimer as well regarding authenticity. Nevertheless, for my purposes, which is to celebrate America's independence in a colorful way, this will do just fine.

Peter Max, Statue of Liberty Serigraph, 18/300, 1994

Peter Max Signature


http://www.ebay.com/itm/Peter-Max-Statue-of-Liberty-Serigraph-Limited-Edition-Hand-Signed-/140987206281?pt=UK_art_prints_GL&hash=item20d37e0a89

http://www.ebay.com/itm/Peter-Max-Statue-of-Liberty-Serigraph-Limited-Edition-Hand-Signed-/140987206281?pt=UK_art_prints_GL&hash=item20d37e0a89

Note:  See more interpretations of the Statue of Liberty here.

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Flagg's Uncle Sam ALS

An outstanding letter from James Montgomery Flagg, surely the greatest Uncle Sam illustrator of all time, was sold at Heritage Auctions in 2007. Can you imagine being the recipient of such a thing?



James Montgomery Flagg, Autograph Drawing/Letter, Signed with Uncle Sam

James Montgomery Flagg, Autograph Drawing/Letter, Signed with Uncle Sam, Framed



James Montgomery Flagg, Autograph Drawing/Letter, Signed with Uncle Sam


James Montgomery Flagg, Autograph Drawing/Letter, Signed with Uncle Sam

James Montgomery Flagg, Autograph Drawing/Letter, Signed with Uncle Sam, Framed



Note:  See more interpretations of Uncle Sam here.

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