Showing posts with label Piglet. Show all posts
Showing posts with label Piglet. Show all posts

Sunday, June 25, 2017

E. H. Shepard: Reaching for the Honey Jar

A colored drawing of piglet and Winnie-the-Pooh by Ernest H. Shepard is signed and dated 28 January 1970. It depicts Pooh Bear reaching for a jar of honey and is inscribed "Replica drawing for Leif Dahlberg." It was sold in September of 2015 in Nottingham for 12,000 GBP to London's Chris Beetles Gallery, where it was exhibited at "The Illustrators" 2015 show. It is still available from the gallery for 45,000 GBP. Assuming a buyer's premium and other expenses of about 3,000 GBP from the auction house, this price represents a dealer markup of about 200%. Talk about reaching for the honey jar!



E. H. Shepard
International Autograph Auctions
September 26, 2015





Chris Beetles Item Listing as of June 24, 2017




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Thursday, June 22, 2017

E. H. Shepard: On the Bridge

An iconic illustration by E. H. Shepard shows Winnie-the-Pooh, Piglet, and Christopher Robin standing on what is the Posingford Bridge in Sussex and gazing silently at the river below them. It appears in chapter six of A. A. Milne's The House at Pooh Corner published in 1928. Sotheby's, in a December 2014 sale, called it "Probably the most famous and evocative book illustration of the twentieth century." One year earlier, the auction house had sold Shepard's long-unseen preliminary pencil sketch as well. Here they are together with their respective auction listings.

E. H. Shepard, "For a long time they looked at the river beneath them saying nothing, and the river
said nothing too, for it felt very quiet and peaceful on this summer afternoon."

A. A. Milne, The House at Pooh Corner, chapter six, 1928

http://www.sothebys.com/en/auctions/ecatalogue/2014/english-literature-history-childrens-books-illustrations-l14408/lot.274.html
The preliminary sketch:
E. H. Shepard, "For a long time they looked at the river beneath them saying nothing, and the river
said nothing too, for it felt very quiet and peaceful on this summer afternoon."

Preliminary art, A. A. Milne, The House at Pooh Corner, chapter six, 1928

http://www.sothebys.com/en/auctions/ecatalogue/2013/english-literature-history-l13408/lot.397.html


E. H. Shepard, "For a long time they looked at the river beneath them saying nothing, and the river
said nothing too, for it felt very quiet and peaceful on this summer afternoon."

Preliminary art, A. A. Milne, The House at Pooh Corner, chapter six, 1928
E. H. Shepard, "For a long time they looked at the river beneath them saying nothing, and the river
said nothing too, for it felt very quiet and peaceful on this summer afternoon."

A. A. Milne, The House at Pooh Corner, chapter six, 1928



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Sunday, March 25, 2012

John Taylor's Punch Cartoonists

Cartoonist John W. Taylor kept an autograph album dedicated exclusively to Punch cartoonists. He collected drawings by 27 of them, circa 1952-1953. This extraordinary album sold for 8,000 GBP on February 13, 2010 at International Autograph Auctions, Ltd. Here are two drawings from the album and the auction house's complete description of lot 415.

Ernest H. Shepard

Ronald Searle, February 1952

PUNCH CARTOONISTS: A remarkable oblong 8vo autograph album containing 27 original pen and ink drawings and cartoons by various Punch cartoonists, comprising (in order of appearance within the album), Kenneth Bird (1887-1965, English Cartoonist, known as Fougasse) a small original colour pencil sketch of an artist with a learner L plate on the back of his coat, signed Kenneth Bird, Fougasse in ink immediately above the drawing; Russell Brockbank (1913-1979, Canadian-born Cartoonist) an original pen and ink sketch of a man running at speed along a pavement, signed with his name alone above the drawing; Ernest H. Shepard (1879-1976, English Artist & Book Illustrator) a fine, rare original pen and ink sketch depicting the towering figure of Mr. Punch standing opposite Winnie-the-Pooh and Piglet who both appear a little nervous before the anarchic Punch who is dressed in a jester's motley, signed by Shepard with his name alone above the drawing; George Sprod (1919-2003, Australian Cartoonist) an original black pen and ink cartoon depicting a tourist in London asking a tall policeman for assistance with his guide book, neatly laid down to the page of the album and signed and inscribed beneath, 'To John Taylor, with best wishes, Sprod'; Mervyn Wilson (1905-1959, Comic Artist) an original black pen and ink cartoon depicting a mother sewing a patch on her young son's trousers while he lies across her knees, drawn on a 12mo card and dated 1953. Neatly laid down to the page of the album which is signed by Wilson at the head; Harold Hailstone ( - , English Cartoonist and Artist, brother of Bernard) a good original pen and ink drawing depicting an old man standing at the foot of some steps to a Public House, beckoning two younger men who run across to the pub from the other side of the street, signed Hailstone at the centre of the drawing; Joshua Armitage (1913-1998, English Illustrator, known as Ionicus) a good original colour pen and ink sketch of the head of Mr. Punch in profile. Signed Jos. Armitage (Ionicus) at the base; John Taylor ( - , Artist, and compiler of this album) a black pen and ink drawing, possibly a self caricature, of a man's head in profile, smoking a cigarette. Signed with his initials JWT immediately beneath the drawing and again signed with his full signature at the head of the page; William Sillince (1906-1974, British Artist) an original black pen and ink drawing depicting a woman pausing to listen to a small bird singing from a tree while walking in the countryside, her small dog appearing a little disgruntled at her side. Signed ('W. A. Sillince') in fountain pen ink at the head of the drawing; Rowland Emett (1906-1990, English Cartoonist) an original pen and ink drawing depicting three men in the sea engaged in typically silly pursuits, entitled Porter's Half-Holiday. Signed in bold black ink at the head of the drawing, 'For John F. Taylor, from Rowland Emett'. Neatly laid down to the page of the album, which is again signed by Emmet and annotated in Taylor's hand 'Original drawing from Far Twittering'; Bernard Hollowood (1910-1981, English Writer and Cartoonist) a simple original pen and ink drawing of a cricket bat bearing the words John F. Taylor - Specially Selected - One of the best and date 1953. Signed by Hollowood with his name alone at the head of the page; Ronald Searle (1920- , English Artist and Cartoonist) an excellent original black pen and ink sketch depicting an elderly upper class gentleman standing in a three quarter length pose and holding a large lit cigar in one hand. Signed by Searle at the head of the page and inscribed in his hand at the base of the drawing; Norman Mansbridge (1911-1993, English Cartoonist) an original black pen and ink sketch of a man standing in a full length pose on the deck of a ship. Smoking a pipe, he holds his cap in one hand and waves farewell. Signed by Mansbridge at the head of the page and dated 1953 at the base; David Langdon (1914- , English Cartoonist) an original black pen and ink cartoon depicting a young man running away from a window which he has just smashed with a cricket ball. Signed by Langdon with his name alone at the head of the page; Leslie Starke (1905-1974, British Cartoonist) an original black pen and ink sketch depicting a vicar in a head and shoulders pose smoking a pipe, the rings of smoke creating halos above his head. Signed ('Starke') at the base of the drawing and again signed with his full signature at the head of the page; Douglas England (1891-1971, English Cartoonist) an original black pen and ink sketch of an upper class gentleman dressed in an evening suit, signed to the lower white border with his full signature. Neatly laid down to the page, again signed Douglas at the head, and with a loosely inserted A.L.S. from England to John Taylor, sending the drawing; George Hickson ( - , Cartoonist, known as Hickey) an original colour pen and ink drawing of an elderly lady seated in a full length pose knitting a long scarf bearing the words 'To John with best wishes from', the drawing with an affixed signature of Hickson at the base, dated 1953. Neatly laid down to the page, again signed Hickey at the head; Harry Hewitt ( - , Illustrator) a small original pen and ink drawing of batsman Golobrai Sipahimalani Ramchand in an action pose at the crease. Slightly irregularly trimmed and neatly laid down to the page which is signed by Hewitt at the head. Also annotated by Taylor 'Published in Punch 4.VI.52'; Arnold Wiles ( - , English Illustrator and Cartoonist) an original pen and ink cartoon of an unshaven man walking in a full length pose with a sandwich board reading 'To John F. Taylor with best wishes from A F Wiles', the signature incorporated within the cartoon. Neatly laid down to the page; Kenneth Mahood (1930- , Irish Cartoonist) a good original colour pen and ink cartoon of a vicar in a rather glum mood aiming a revolver towards the halo above his head. Signed in full at the base of the cartoon. Neatly laid down to the page; Michael ffolkes (1925-1988, British Illustrator and Cartoonist) an excellent original colour pen and ink drawing of an artist of eccentric appearance, with a long arm, painting a fish onto canvas. Signed at the base 'Best wishes from ff' and again signed 'Michael ffolkes' at the head of the page; William Scully (1910-2002, English Cartoonist) an original pen and ink drawing of a man, most likely a self caricature, seated in a full length pose at a desk. He holds a pen in one hand as he writes in the notebook before him. Neatly laid down to the page which is signed by Scully at the head; Leslie Illingworth (1902-1979, British Cartoonist) a fine original colour pen and ink portrait drawing of Winston Churchill, smoking a cigar, on a 12mo card. Signed and inscribed 'To John, Illingworth'and dated 1950. Neatly cornermounted to the page, which is also signed Illingworth at the head; Ronald Niebour (1903-1972, British Cartoonist, known as Neb) an original pen and ink caricature of a balding man with a large nose and spectacles wearing a shirt with high starched collars, on a 12mo card. Signed and inscribed at the head, 'To John from Neb'. Neatly cornermounted to the page; Wally Fawkes (1924- , British Cartoonist and Jazz musician, known as Trog) a good original pen and ink drawing of Flook in a bouncy full length pose. Signed and inscribed at the base of the drawing, 'To John Taylor, with very best wishes from Trog'. Neatly laid down to the page; David Low (1891-1963, New Zealand Political Cartoonist) a good original pen and ink portrait caricature of a man with a goatee beard and hat, on a small 8vo card. Signed ('Low') at the base. Loosely inserted in the album; H. M. Bateman (1887-1970, British Artist and Cartoonist) an original pen and ink cartoon of a balding man standing in a full length pose, the empty pockets of his trousers outturned, and with an envelope lying at his feet, featuring the caption 'The little more, how much it is (That Ha'penny stamp!)'. Signed at the base of the cartoon. Loosely inserted in the album. The album also includes signatures, without drawings or cartoons, of Peter L. Agnew, Humphrey Ellis (Literary Editor of Punch) and a T.L.S. from Leslie Illingworth, signed with initials L. G. I., one page, 8vo, London, 7th June 1951, to John Taylor, on the printed stationery of the Daily Mail, inviting him to address a Toby Club dinner on the 19th June, (where many of the contents of this album were acquired), in part, 'Talk to us as the prettiest and most fork-tongued housewife would talk to the butcher; as Loyola would talk to Luther; as honest Churchill would talk to Stalin if he met him in the lavatories of Harrow. Be as ruthless as you like. Don't single us out because of our several or three ways of outlining our thoughts; treat us as a team and may the Devil's Grandfather lend power to your elbow.', stapled to the first page of the album, also including a loosely inserted A.L.S., Leslie G. I., from Illingworth, two pages, 4to, London, n.d. ('Monday', annotated in pencil 10th July 1951), to John Taylor, on the printed stationery of the Daily Mail. Writing following the Toby Club dinner, Illingworth states, in part, 'I have been wanting to tell you the reactions of your victims to your blistering attacks on their pitiful efforts to be like the New Yorker. Well to start with they all loved you....Your short speech had bones in it which they are still gnawing and growling over....Kenneth Bird himself I am certain will be influenced inwardly not a bit. His mind is unassailably certain on all topics and very often he is right too....But Peter Agnew is a different kettle of fish and your words didn't fall on stoney (sic) ground. Now my own fear and that of a few other Tobies is that it may be that we have lost a fan by exhibiting ourselves to him with all our nervous tics and frayed trousers. There was no doubt about who was the best man present. You and Peter Agnew tied for 1st place, the rest nowhere.' A truly exceptional and extremely rare album featuring original drawings by some of England's finest cartoonists of the period. About VG

Autograph Auction 
Radisson Edwardian Hotel Heathrow 
13 February 2010

                                                                                                                  http://www.autographauctions.co.uk/bidcat/detail.asp?SaleRef=0010&LotRef=415



Note: A recent blog post on E. H. Shepard can be found here  and—what do you know?—one on Ronald Searle can be found here. 


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Sunday, July 10, 2011

When is an Illustration Worth $200,000?

Yes, this blog is not afraid to ask the really tough questions.

Lot No: 92 Ernest Howard Shepard (British, 1879-1976) "Pooh and Piglet walked home thoughtfully together in the golden evening, and for a long time they were silent," illustration for A. A. Milne's Winnie-the-Pooh (London: Methuen; New York: E. P. Dutton, 1926).
Signed "EHS."
Pen and ink on board.
8 x 13.5cm (3 1/8 x 5 5/16in).  Matted and framed.
Estimate: US$100,000 - 200,000
 
Sold for US$194,000 inclusive of Buyer's Premium 
Footnote:  Provenance:  Sporting Gallery, 1928 .

For most of us, that kind of money should go toward buying a home, not a drawing.  Some fortunate collectors and dealers do have that sort of a budget for art, and there was evidently even some competition among them to acquire one of the more important lots from Bonhams's June 22 sale.

So when is an illustration worth $200,000 at auction? First of all, from a purely technical point of view, with the low estimate at $100,000 in this case, there have to be at least two potential buyers who want the item badly enough to bid it up to this range. For any piece of mere illustration art to command this kind of attention at auction, it has to be something truly special. Indeed, the image should be iconic, ideally by a well-known artist depicting beloved characters, particularly in a fondly-remembered moment.

Here we have E. H. Shepard's classic rendition of two of A. A. Milne's characters from the last pages of the 1926 book Winnie-the-Pooh. Usually a collector would want the figures to be shown more or less from the front in a classic pose or attitude, but in this case the charming image as they amble away towards the setting sun works extremely well and is totally endearing.

Note how Pooh Bear's head tilts down toward Piglet and how Piglet's snout is pointed upwards toward the bear, connecting them even in their silence. Multiple diagonals--the book, Pooh's right shoulder and right foot, the shadows--lead the eye from him back towards Piglet. E. H. Shepard's charming drawing is all the more remarkable because it seems so effortless.

The original auction listing can be found here: http://www.bonhams.com/eur/auction/19514/lot/92/

E. H. Shepard "Pooh and Piglet walked home thoughtfully together in the golden evening, and for a long time they were silent."
Original art
A. A. Milne's 
Winnie-the-Pooh (London: Methuen; New York: E. P. Dutton, 1926)

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