Showing posts with label J. J. Sedelmaier. Show all posts
Showing posts with label J. J. Sedelmaier. Show all posts

Thursday, November 24, 2022

Giving Thanks 2022

It's Thanksgiving already? Time to find a turkey...

George Booth
The New Yorker, November 26, 1973


Throughout these eleven years of blogging, I have benefited from the support of a number of generous contributors. Some send me submissions, some send me alerts, and some send me corrections. Some function more as behind-the-scenes advisors. Whatever the case, I owe a great debt to each of the individuals listed here for offering much-appreciated assistance to me over these past twelve months. Friends, I thank you all:


Amid Amidi

Tom Bloom

Scott Burns

joecab

Roz Chast

David from Manhattan

Joe Dator

Linda H. Davis

Bob Eckstein

Karen Green

Joel Jacobus

Stephen Kroninger

Michael Maslin

H. Kevin Miserocchi

Jeff Nelson

J. J. Sedelmaier

Steve Stoliar

Jessica Ziegler






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Friday, November 4, 2022

George Booth: Into the Dictionary

New Yorker cartoonist George Booth, who passed away this week on November 1, spoke at the Society of Illustrators five years ago in conversation with animator J. J. Sedelmaier, who curated the concurrent exhibition "George Booth: A Cartoonist's Life." One of the things Booth said was that he liked to go to the dictionary, of all places, for cartoon ideas. That was interesting but, to me, it seemed to be an oversimplification of the sort of advanced wordplay the author of "Ip Gissa Gul" [The New Yorker, January 20, 1975, p. 32] actually engaged in.

Sarah Booth, George Booth, and J. J. Sedelmaier in conversation at the Society of Illustrators, November 8, 2017
My photograph, edited for brightness by J. J. Sedelmaier


A recent eBay listing, though, may shed some light on his process. A sketch Booth included in a note to one John may be a true example of the dictionary approach he described. The line, "One feels better after the morning enharmonic," indeed sounds as if it might have been derived from browsing a dictionary, and it prompted me to look up the unfamiliar word's definition. Enharmonic, then, is defined as relating to notes with the same pitch but different notations, such as C sharp and D flat. It is always an adjective, never a noun, except in the skilled hands of George Booth, whom I suspect was influenced by the word's sound rather than its dictionary definition.





George Booth
eBay listing accessed September 18, 2022

George Booth
eBay item description









Note:  Got an illustrated letter from the late George Booth that's crying out to be posted online? This could be your blog. What about a Booth drawing that looks as if it may have stepped off the pages of the dictionary? Again, this blog could be at your service.




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Wednesday, November 8, 2017

Bork! The Onomatopoetic George Booth

Two sequential gags—one in five panels and another in six—share a frame in the show "George Booth—A Cartoonist's Life" now on view at the Society of Illustrators. The exhibition is curated by animator J. J. Sedelmaier who knows a thing or two about how images work in sequence. On the right, one of George Booth's signature English Bull Terriers lets us know what it thinks of the cat's bowl in six panels. On the left, a caveman grabs a quick bite in five panels, including one gurgly sound effect and one very short punch line. That sound effect—BORK!—is fairly unusual in the cartoon repertory. Bork seems like a newly-coined example of onomatopoeia, one of those words, like beep or boom, whose sound imitates the thing it describes.

George Booth
"Fast Food!" and Dog Eating Cat's Bowl


But, not so fast. What if Bork isn't merely a random sound effect? What if it's also... a name? Could the caveman's satisfied eructation be something more insidious, a politically-charged hand grenade masquerading as a silly cartoon sound effect? What if Mr. Booth had submitted this cartoon to The New Yorker back in 1987 when President Reagan made Robert Bork his very controversial Supreme Court nominee? What then?

No way, you say. We're talking about The New Yorker, the apogee of urbane wit and sophistication. That magazine would never permit a Supreme Court nominee's name to appear in a cartoon as a base sound effect.

Ah, innocent reader! If only that were so...

Robert Weber
The New Yorker, October 5, 1987, page 33

http://archives.newyorker.com/?i=1987-10-05#folio=032


Note:  After the United States Senate rejected conservative Robert Bork's nomination to the Supreme Court, liberal Justice Lewis Powell's seat went to Judge Anthony Kennedy. Robert Bork died in 2012.

Tonight the Society of Illustrators in New York will host "An Evening with George Booth." Tickets are available online. Come see the exhibition and hear what Mr. Booth has to say. Maybe he'll discourse on Constitutional originalism and caveman cartoons, but I doubt it. "George Booth—A Cartoonist's Life" will remain on view at the Society of Illustrators through December 30, 2017.

The original art shown in this post is part of the George Booth Collection via the Society of Illustrators. I'm always looking for scans or photos of original art by this one-of-a-kind cartoonist. Rare published cartoons are welcome too. Bork!


Quick Links to the Attempted Bloggery Archives

George Booth

Robert Weber

The Society of Illustrators


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Sunday, November 5, 2017

Cat Got Your Tail?—George Booth Proposed New Yorker Cover Art

One of the joys of the current exhibition "George Booth—A Cartoonist's Life" at the Society of Illustrators is being able to see a handful of George Booth's magazine cover proposals for The New Yorker. It is of course distinctly unusual for a national weekly newsmagazine to feature artistic cover illustrations without the distraction of blurbs or titles, and Mr. Booth himself brings a distinctly unusual sensibility to the art form. To wit: in a clean, comfortable home featuring throw rugs, a floral arrangement, and patterned wallpaper, the one thing that has captured the cat's attention is the terrier's wagging tail. A hitherto unknown magazine cover proposal, this image is nothing short of delightful. The exhibition is curated by J. J. Sedelmaier.



Note:  "George Booth—A Cartoonist's Life" remains on view at the Society of Illustrators in New York through December 30, 2017. On Wednesday evening November 8th the Society will host "An Evening with George Booth." Tickets are available online. Come see the art and see Mr. Booth. Hey, see me too.

The original art shown here is from the George Booth Collection via the Society of Illustrators. This blog could always use a few more scans or photos of original art by this world-class cartoonist. Published rarities are welcome too.


Quick Links to the Attempted Bloggery Archives

George Booth

Proposed New Yorker Cover Art

The Society of Illustrators


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Saturday, November 4, 2017

Tilting at Windmills: George Booth Proposed New Yorker Cover Art

Four New Yorker magazine cover pitches by George Booth are under glass together at the Society of Illustrators, part of the current exhibition "George Booth—A Cartoonist's Life" curated by J. J. Sedelmaier. The first, sketched on a paper dinner napkin, depicts an extreme sporting event. The next shows a friendly, undersea encounter between a dolphin and a scuba diver. It is a simple composition with elegant, flowing lines. A collaged cover proposal goes after an enormous problem in insect control. Finally there is a reworked image of Don Quixote from June of 2004, here redrawn, we are told, with a more dramatic sun and with the suggestion to the art editor that additional windmills could be added to represent the trouble spots of Afghanistan, Iran, and North Korea. Yes, George Booth doesn't fear the political scene.





Note:  "George Booth—A Cartoonist's Life" remains on view at the Society of Illustrators in New York through December 30, 2017. On Wednesday evening November 8th the Society will host "An Evening with George Booth." Admission is by ticket. Come by and say hi to Mr. Booth. Say hi to me too. I'll likely be wearing a suit and pestering the cartoonists.

The artwork shown here is from the George Booth Collection. This blog could always use a few more scans or photos of original art by the cartoonist. Published obscurities are welcome too.


Quick Links to the Attempted Bloggery Archives

George Booth

Proposed New Yorker Cover Art

The Society of Illustrators


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Thursday, October 26, 2017

A Dog's Life: George Booth Original New Yorker Cover Art

The original artwork to George Booth's New Yorker cover of February 4, 1974 is included in the exhibition "George Booth—A Cartoonist's Life" at the Society of Illustrators. The illustration evokes a time—can it already be so far gone?—when working people with 9-5 jobs could be expected home before six. (See how the hands on the clock not only indicate the time but also point to the expectant dog.) It's a static but charming image in one-point perspective bursting with sumptuous color and ecstatic in its attention to detail; just look at that luminescent wallpaper! This cover also contains a rarity in Booth interiors: a tidy throw rug without a single fold or wrinkle. Note that the New Yorker's required strap along the left-hand border of the cover is a paste-on, apparently added as an afterthought.

George Booth, original art
The New Yorker, February 4, 1974

George Booth
The New Yorker, February 4, 1974



Note:  The artwork shown here is from the George Booth Collection via exhibition curator J. J. Sedelmaier. Thanks, J. J.

Right now it's George Booth's moment. But even when it isn't, I'm looking for scans or photos of original art by the cartoonist. Published rarities are also welcome.

I hope to be in attendance at the opening reception tomorrow night at the Society of Illustrators in New York. Don't be shy about saying hello. You can't miss me; my iPhone cover bears the very image in this post!


Quick Links to the Attempted Bloggery Archives

George Booth

Original New Yorker Cover Art

The Society of Illustrators


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Sunday, October 22, 2017

George Booth—A Cartoonist's Life

This week George Booth is coming to the Society of Illustrators! Curated by animator J. J. Sedelmaier, the show "George Booth—A Cartoonist's Life" opens on October 24 with an opening reception on the 27th. "This is the first exhibit exclusively dedicated to George Booth's work," according to the Society's website. That represents a tremendous oversight on the part of the art world, even though technically it isn't true. In 1978, Mr. Booth had a monthlong solo exhibit at the Nicholls Gallery.

"George Booth—A Cartoonist's Life"


George Booth, 1996
Absolutely No Pets

Three issues of Leatherneck with contributions by George Booth

George Booth
"Mister Berghwin is not himself lately. And the cat hasn't been acting right, either."

"George Booth—A Cartoonist's Life" at the Society of Illustrators
"This is the first exhibit exclusively dedicated to George Booth's work."

Meanwhile, forty years earlier...
Art
The New Yorker, February 13, 1978, page 8

Booth exhibition ad
The New Yorker, February 13, 1978, page 126

What do you suppose became of those $20 signed posters? As a matter of fact, there's one available on eBay right now!
George Booth, signed exhibition poster for the Nicholls Gallery, 1978

George Booth's signature










George Booth
eBay Listing as of October 21, 2017

George Booth
eBay Item Description
"Reframing wouldn't be a terrible idea." Yup.


* * *

George Booth
"Very good, Leon."


Note:  All original artwork shown here is from the George Booth Collection via the Society of Illustrators website.

It's George Booth's moment. As always, I'm looking for scans or photos of original art by the cartoonist. Published rarities are also welcome.

I hope to be in attendance at the opening reception Friday. Don't be shy about saying hello.


Quick Links to the Attempted Bloggery Archives

George Booth

The Society of Illustrators


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