Showing posts with label 1939 World's Fair. Show all posts
Showing posts with label 1939 World's Fair. Show all posts

Wednesday, July 30, 2025

Margaret McElderry's Copy First Encounters by the Sorels

Man about town David From Manhattan has created an informative piece about a book personalized by illustrator Edward Sorel to a leading children's book editor. David writes:


First Encounters: A Book of Memorable Meetings (1994), written by Nancy Caldwell Sorel and illustrated by her husband Edward, was inspired by a Vanity Fair feature from the 1930s, "Impossible Interviews," that was illustrated with caricatures by Miguel Covarrubias. "First Encounters" became a popular feature of The Atlantic, which six times a year described and pictured actual first encounters between real people that allowed Mr. Sorel "to experiment," as he put it, with different mediums each time an encounter appeared, thus showing off the full scope of his art. After a 14-year run, Sorel's publisher, Alfred Knopf, was quite happy to enlist printers in Italy and produce a lavish volume in time for Christmas.



One of the recipients of this book, most likely during the holidays, was the legendary children's book editor, Margaret McElderry (1912-2011) whose copy of First Encounters is warmly inscribed: "For Margaret McElderry/ Who published my first children's book/ With affection/ Edward Sorel."




Mr. Sorel was still a few years from publishing two children's books, Johnny on the Spot (1998) and The Saturday Kid (2000), under the auspices of McElderry Books at Simon & Schuster, so what exactly was he referring to with his thank-you? We need to go back to 1958, and King Carlo of Capri, a children's story based on "Riquet with the Tuft of Hair," a 17th century tale by Charles Perrault, retold and reworked by Warren Miller (the writer, not the cartoonist), and illustrated by Sorel, who also came up with the catchier title.




Most important, it was actually his very first book, period, published at Harcourt, Brace & Co., with a children's book department headed by none other than Margaret McElderry. Sorel had not forgotten.


Still, in the spirit of not forgetting, I can't quite leave the subject of children's literature and first books without mentioning one more volume of Sorel's: The Zillionaire's Daughter (1989).




His second children's story, it was his first as sole author and illustrator, with a contract that gave him free reign. Published by Warner Juvenile Books, it's a witty, 22-page story set entirely in rhymed verse, and well-illustrated with watercolors, right down to the striking endpapers.



The story of a wealthy Frenchman, Max Maximillion, who brings his daughter Claire on a trip to America, it was also a great excuse for Sorel to share his love of Art Deco, visit the 1939 World's Fair, and spend quality time on an ocean liner Max owned and, with no knowledge of today's billionaires & oligarchs, presciently named the S.S. Gigantic.






Note:  Thanks a zillion to David From Manhattan for providing us with this post, words and pictures, as only he can. This is his seventieth contribution to Attempted Bloggery, so it doesn't qualify as a first encounter.


Edward Sorel is a fabulous illustrator who has been creating top-notch art for decades. Collectors who would like to share their Sorel originals here virtually are encouraged to submit what they have.



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Thursday, May 16, 2024

Speaking of Pictures: Life Magazine on Peter Arno, 1941

In its October 13, 1941 issue, Life magazine gave its readers a generous sampling of ten Peter Arno cartoons from The New Yorker collected in his seventh book, Cartoon Revue. The looming wartime themes are evident, but there's also the 1939 World's Fair, a wedding night scenario, and a gag about aging—or is it about publicity?



Peter Arno
Life, October 13, 1941, pp. 8-9

I think Life made an obvious mistake here: placing the captions on the lower half of the page at the top of the cartoons could only have been dreamed up by an art director too concerned about "balance." The idea, I suppose, was to keep the captions from being trimmed off the lower edge of the page.

Peter Arno
eBay listing accessed April 27, 2024


Peter Arno
eBay item description
EBay paper sellers often don't disclose specific issue dates—I mean, why buy the two pages on offer when you could get a copy of the full magazine for probably not too much more?—but that withheld information is increasingly searchable. My own formidable Google skills gave me not only the issue date, but an additional page, numbered 11, with the final two Arno cartoons. Here, I'm pleased to report, both captions are placed underneath the drawing, where they belong.
Note:  I've been at this game long enough to have written a few comprehensive posts on some of these classic Peter Arno cartoons, including:




As for "Well, back to the old drawing board," Paul Karasik explains why this is his candidate for the perfect cartoon here.




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Sunday, February 25, 2018

E. Simms Campbell's Map of the 1939 New York World's Fair

Illustrator E. Simms Campbell's humorous map of the 1939 New York World's Fair is painted in watercolor, whereas his more famous A Night-Club Map of Harlem from 1932 was done in ink and wash. The World's Fair map pokes gentle fun at the Fair's indulgence in modern art, dancing showgirls, drinking, and homages to the city's speakeasies and jazz clubs. Grover Whalen, New York's familiar official greeter and the president of the New York World Fair Corporation, is mentioned by figures on the map three separate times. On the lower left, there is a gag about Sally Rand, a fan dancer who famously appeared at the 1933 Chicago World's Fair where she was arrested four times in one day for indecent exposure. She did not perform at the New York Fair.

E. Simms Cambell
New York World's Fair 1939
Original art

E. Simms Campbell
Swann Galleries Sale 2465, Illustration Art, December 14, 2017, Lot 244
Hammer Price




Where was this 1939 World's Fair map of Campbell's published? Swann Galleries doesn't speculate, but it was very likely in Esquire, possibly with a gatefold image by Campbell of Esky, the Esquire mascot he himself created, visiting the World's Fairgrounds in Flushing Meadows. Esky, wearing sport jacket and roller skates, is accompanied by a half dozen of Campbell's soon-to-be-named Cuties, each in swimsuits and also on roller-skates. Perhaps the Fair was too vast to explore on foot alone. Each of the women represent a number of states and tower over the diminutive Esky. The curtain is pulled back to reveal the Trylon and Perisphere, twin symbols of the 1939 fair.

E. Simms Campbell
1939 New York World's Fair gatefold
Esquire


A tweet with photos from AmericanLit@Beinecke announced the acquisition of the original art by Yale's Beinecke Library, where it joins Campbell's A Night-Club Map of Harlem (1932). Yale students, your tuition is being put to good use.
E. Simms Cambell
New York World's Fair 1939
Original art



E. Simms Cambell
New York World's Fair 1939
Original art detail



E. Simms Cambell
New York World's Fair 1939
Original art detail



Note:  So when and where was this map published?  Was it indeed in Esquire? If you know, please speak up.

Attempted Bloggery continues to explore the work of cartoonist E. Simms Campbell (1906-1971). This blog requests that readers provide scans or photographs of original Campbell art—illustrations, cartoons, maps, advertisements—or of rarely-seen published works.
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Tuesday, December 9, 2014

Roger Duvoisin: A New Yorker Spot Drawing of the 1939 New York World's Fair

The original artwork for a New Yorker spot drawing by Roger Duvoisin was offered in September on eBay. The illustration's subject is the Borden Corporation attraction at the 1939 New York World's Fair in which a technical farm innovation called the Rotolactor was demonstrated to the general public.

Roger Duvoisin, Original artwork
Spot drawing of the Borden's exhibit at the 1939 New York World's Fair

The New Yorker, September 30, 1939, page 8

Roger Duvoisin, Original artwork
Spot drawing of the Borden's exhibit at the 1939 New York World's Fair

The New Yorker, September 30, 1939, page 8

Spot Drawing Verso
Ex-Collection of Murray A. Harris

EBay Listing Ended September 13, 2014

EBay Item Description


The eBay Bid History:  22 bids from 5 bidders


[End of eBay Listing]
The illustration as it appeared in the New Yorker:
The New Yorker, September 30, 1939, page 8

The Borden's attraction

The New Yorker, September 30, 1939, page 8


As you can see, there were many fine attractions to experience at the World's Fair. Why were the Borden's dairy cows chosen from all of the exhibits for a spot illustration in the New Yorker? Well, Borden's had been advertising its World's Fair attraction in the New Yorker since April. Perhaps that's just a coincidence, but perhaps not.
"A World's Fair College for Cows"
Advertisement for Borden's
The New Yorker, April 29, 1939 page 68

"I've Been Adopted by the Quints!"
Advertisement for Borden's
The New Yorker, June 17
, 1939, page 67

"It's Not the Heat...It's the Stupidity!"
Advertisement for Borden's
The New Yorker, July 8, 1939, page 38

"And So to Bed!"
Advertisement for Borden's
The New Yorker, August 5
, 1939, page 49

"Clever as Chinese...These Cows!"
Advertisement for Borden's
The New Yorker, August 19
, 1939, page 34

"We Live in a Glass House...And Like It!"
Advertisement for Borden's
The New Yorker, September 9
, 1939, page 71

By the way, the first living Elsie the Cow was selected at the Borden attraction in the 1939 World's Fair:
Borden's Dairy World of Tomorrow at the 1939 New York World's Fair


Note:  On this blog, I've had occasion to mention a few other spot drawings from the New Yorker. How many bloggers do you know who can make that claim? Say, if you should happen to own original art from a New Yorker spot, I'd love to hear from you.

There has been some mention of the 1939 New York World's Fair here on the blog before as well. I pride myself on covering the latest cultural events.

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Monday, January 28, 2013

Ronald Searle's Tower of Light

Ronald Searle's Tower of Light depicts an exhibition from the 1964-1965 New York World's Fair. The Electric Power and Light Companies' Exhibit demonstrated our abundant energy resources by wasting as much of them as conceivable. A similar exhibit had been at the 1939 New York World's Fair.

I'm just about certain this illustration was published in the July 1964 issue of Holiday magazine, just as I was pretty much certain I had a copy of it around here somewhere at Blog Central. I'd like to tell you that my home is an immaculate archive of scholarly research material, but it would be more accurate to say I can never find anything when I need it.

Swann Galleries gave this piece an estimate of $6,000 to $9,000, which is rather pricey for Searle in the American market. The hammer price was just above half the low estimate. Absentee bidding below half the low estimate is not permitted at Swann.

You might like to see how Charles Addams handled a similar subject in 1973 here.

Ronald Searle, Tower of Light
Presumably in Holiday, July 1964

Searle, Ronald. From Frozen North to Filthy Lucre. New York: Viking Press, 1964, Page 69.

Ronald Searle, Tower of Light
Swann Galleries, January 24, 2013


Last month Swann Galleries offered this poster of the attraction at auction. Note how lackluster this 1965 image is compared with Searle's:
Expo--New York, 1965
Follow the Tower of Light to the "Brightest Show on Earth" at the New York World's Fair

http://catalogue.swanngalleries.com/asp/fullCatalogue.asp?salelot=2297+++++496+&refno=++661843&saletype=


The following poster is currently offered on eBay for $400. It's a fairly staid corporate rendering, with nowhere near the wattage of Searle's watercolor.
Rudolph Assoc. NYC, Tower of Light, New York World's Fair 1964-1965
Electric Power and Light Companies' Exhibit

February 23, 2013 Update:  Now the price has gone up to $600 but there is the Make Offer option.

Image Added May 26, 2013


The Singing Tower of Light was part of the earlier 1939-1940 New York World's Fair:
Westinghouse Print Ad for the Singing Tower of Light at the 1939-1940 New York World's Fair
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Wednesday, October 10, 2012

A Poster for the 1939 New York World's Fair

This poster by Joseph Binder promotes the 1939-1940 New York World's Fair. It depicts the Trylon and Perisphere, together forming the exhibition's Theme Center.

Sale 2284 Lot 344   - Aug 01 2012 10:30
JOSEPH BINDER (1898-1972) NEW YORK WORLD'S FAIR. 1939.
30 1/4x20 inches, 76 1/2x51 cm. Grinnell Litho Co., New York.
Condition A-: minor restoration in margins and corners.
World's Fair p. 219, Weill 427, Resnick 31.
Estimate $2,500-3,500
Sold for $2,000


The Trylon and Perisphere were the symbols of the Fair. Here they are seen on a commemorative U.S. postage stamp.

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