Showing posts with label musical. Show all posts
Showing posts with label musical. Show all posts

Thursday, February 14, 2019

Valentine: What a Waste of a Lovely Night

It seems to be an obvious truth that more dating couples are wrong for each other than are right for each other, but people keep doggedly trying to find the right partner for themselves anyway. So much has changed between the publication of Ben Roth's cartoon in the June 1937 Judge and the release of Damien Chazelle's film "La La Land" in 2016, but the challenges of compatibility and of somehow finding love have not. Thus we have nearly the same sentiment being expressed in two very different media some eight decades apart. Sometimes the mood is right but the match is just wrong. Or…is it?


"Boy, could this be a romantic night, if we weren't stuck with each other."
Ben Roth
Judge, June 1937

Scan by Dick Buchanan



"A Lovely Night"
from "La La Land" (2016)
Ryan Gosling and Emma Stone
Music by Justin Hurwitz
Written and Directed by Damien Chazelle




Note:  If a cartoon is worth seeing once,chances are it's worth revisiting. The above Ben Roth cartoon which still captivates me was scanned by Dick Buchanan and included a year and a half ago in a sumptuous post on Mike Lynch Cartoons entitled "From the Dick Buchanan Files: Magazine Cartoons from Life and Judge 1931 - 38." Dick writes of the cartoonist, "Ben Roth was the eldest of the four cartooning Roth brothers." Dick maintains the invaluable Dick Buchanan Cartoon Clip Files from which he contributes regularly to Mike Lynch Cartoons, most recently a post entitled "From the Dick Buchanan Files: More Vintage Gag Cartoons 1947 - 1962." You could do worse.



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Saturday, March 11, 2017

Today's Entertainment: "Hamilton"

It's as good as you've heard!

The Richard Rodgers Theatre


The view from the last row

The Playbill

The matinee cast

"Hamilton" with lyrics
By Lin-Manuel Miranda
Original Broadway Cast



Quick Links to Attempted Bloggery's Archives
Broadway
Playbill

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Sunday, March 13, 2016

Something Rotten!

On Tuesday evening we saw the musical "Something Rotten!" (2015) at the St. James Theatre. It was a very enjoyable show. Illustrations for the production are by Peter de Sève. I've collected a few of them here.



http://rottenbroadway.com/offers.php


The Poster:
Poster by Peter de Sève

Originally, the Playbills were in color. They have since been redesigned for black and white. That can't be a good sign.
Playbill

Ten Tony nominations:
Billboard

Christian Borle won the 2015 Tony Award for Best Featured Actor. He plays Shakespeare.

Alas...
https://twitter.com/peterdeseve/status/580131995386269696

"A Musical"
Brad Oscar as Nostradamus
Brian d'Arcy James as Nick Bottom
Music and Lyrics by Wayne Kirkpatrick and Karey Kirkpatrick
"Something Rotten!"

Brad Oscar and Brian d'Arcy James


January 9, 2016 Update:  Stephen Kroninger has sent an image of his daughter's Playbill signed by the cast on closing night January 1st.
Playbill signed by the cast on closing night.
Photo courtesy of Stephen Kroninger



Note:  Of course this blog covers Broadway. What won't I do for you?

The talented Peter de Sève has been mentioned here in the context of the 1996 production of "A Funny Thing Happened on the Way to the Forum." I admit it's not much, but then what does your blog have to say about him?

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Tuesday, October 13, 2015

License Plate for Captain Spaulding

The Yiddish word shnorrer refers to a moocher or sponger. It is used pejoratively to denote a cheapskate who borrows money and does not intend to return it. The word famously appears in "Hooray for Captain Spaulding" in the Marx Brothers movie "Animal Crackers" (1930) and before that in the Broadway stage musical of the same name. I apologize for my filthy windshield.
"SHNORER"
New Jersey license plate


"Hello, I Must be Going" and "Hooray for Captain Spaulding"
from "Animal Crackers" (1930)
Groucho Marx as Captain Spaulding
Margaret Dumont as Mrs. Rittenhouse
Zeppo Marx as Horatio Jamison
Written by Bert Kalmar, Harry Ruby, and George S. Kaufman
Songs by Bert Kalmar and Harry Ruby
Directed by Victor Heerman



Note:  I ask you, how many blogs can give you posts about both license plates and Groucho Marx?

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Sunday, June 14, 2015

Whitney Darrow, Jr.: "Annie Get Your Gun"

Back in 2003, when three drawings came up together at auction, you were lucky to get a picture of even one of them. Such is the case with the sale of three illustrations by Whitney Darrow, Jr. created for a Rodgers and Hammerstein theatre library catalogue. The musical "Annie Get Your Gun" (Irving Berlin and Dorothy Fields with Herbert Fields) is illustrated here. Drawings for "Showboat" (Jerome Kern and Oscar Hammerstein II) and "Oklahoma!" (Rodgers & Hammerstein) are not shown.

Whitney Darrow, Jr. "Annie Get Your Gun"

Swann Auction Galleries, November 13, 2003
Sale 1985, Lot 237
Hammer Price $2,400


Note:  "Annie Get Your Gun" doesn't take a comma. What's with that?

Perhaps the buyer of this lot would like to come forward with scans or photos of the two other drawings. It's worth a shot.

Is any reader familiar with the catalogue in which these drawings were published? One at a time, please.

It's a closely-guarded secret, but this blogger has been humming Broadway show tunes for years. Come and hum along with me.

You might think that the music of Irving Berlin never comes up here, but you would be wrong.

By now you probably think you're familiar with my posts about Whitney Darrow, Jr. But are you really?

Today on Ink Spill, Michael Maslin writes about his tipping point as a cartoonist, and Whitney Darrow is part of the tale.

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Sunday, January 18, 2015

"Pretty Little Picture" with Added Harmonies

When "A Funny Thing Happened on the Way to the Forum" was revived in 1996, composer Stephen Sondheim restored some complex harmonies to the third verse of "Pretty Little Picture" that had been dropped from the original 1962 Broadway production. The result is fresh and interesting although perhaps a little distracting. (These revisions can be heard starting at 1:39 on the video.) The 1996 production ended up dropping the number altogether—inexcusably, I know—but it was included in the cast recording.

"Pretty Little Picture"
"A Funny Thing Happened on the Way to the Forum"
1996 Broadway Revival
Nathan Lane as Pseudolus
Jim Stanek as Hero
Jessica Boevers as Philia
Music and Lyrics by Stephen Sondheim

Peter de Sève, Original 1996 Broadway Cast Recording

Note:  As you probably know by now, I have more blog posts about Broadway and also about Stephen Sondheim.

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Tuesday, August 5, 2014

Cole Porter: Brush Up Your Shakespeare

In the week since I posted it, I've been staring at Edward Gorey's 1997 "Hamlet" poster and quietly puzzling over the anthropomorphic form of the clouds. It occurred to me only then that Gorey had worked into his illustration a reference to a famous conversation in which Hamlet makes Polonius sound ridiculous by suggesting the shape of a cloud to him and then changing the animal it supposedly resembles every time Polonius agrees. So I've dutifully gone back to the post and updated it with the relevant quotation at the top of the page. All well and good. Now I must give myself an urgent reminder, courtesy of Cole Porter, that I need to brush up my Shakespeare.


"Brush Up Your Shakespeare"
From "Kiss Me, Kate" (1948)
Music and lyrics by Cole Porter
1991 Broadway revival



Note:  It's Standing Room Only for my Broadway blog posts!

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Saturday, December 28, 2013

The Fortune of the Night

I'm beginning to suspect my Chinese fortune was plagiarized.
"Open up your mind. Let your fantasies unwind."

The relevant lyrics are at about 2:21 in this video recording of "The Music of the Night:"
"The Music of the Night"
from "The Phantom of the Opera" (1986)
Michael Crawford as the Phantom
Sarah Brightman as Christine Daaé
Andrew Lloyd Webber, music
Charles Hart, lyrics (with Richard Stilgoe?)


Speaking of allegations of plagiarism, the estate of Giacomo Puccini once accused Lloyd Webber of lifting a musical passage from the opera "La Fanciulla del West" ("The Girl of the Golden West"). The suit was settled out of court. Listen from 0:40 and see what you think.
"Quello che tacete"
from "La Fanciulla del West" (1910)
Daniele Barioni, tenor, as Dick Johnson
Giacomo Puccini, music
Guelfo Civinini and Carlo Zangarini, libretto


Note:  It seems much of the world's accumulated wisdom can be gleaned from fortune cookies. See my collected musings after Chinese banquets here.

More posts about the Broadway stage may be seen here.

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Thursday, July 4, 2013

Al Hirschfeld's "1776"

Theatre caricaturist Al Hirschfeld produced this illustration of the original cast of "1776" for The New York Times issue of March 1, 1969. John Adams (William Daniels) is shown quill pen in hand surrounded by Ben Franklin (Howard Da Silva), Edward Rutledge (Clifford Davis), Thomas Jefferson (Ken Howard), John Dickinson (Paul Hecht), and Richard Henry Lee (Ron Holgate), the founding fathers. This was my first Broadway show. It was awarded the Tony Award in 1969 for Best Musical. The movie version was released in 1972 with much the same cast. There was a fine Broadway revival in 1997.

Al Hirschfeld, "1776," The New York Times, March 16, 1969

http://catalogue.swanngalleries.com/asp/fullCatalogue.asp?salelot=2300+++++189+&refno=++670107&saletype=

http://www.playbillvault.com/Show/Detail/3101/1776

http://www.playbillvault.com/Show/Detail/Whos_who/3101/23564/1776





For the 1997 revival of the play, Hirschfeld produced this lithograph.
Al Hirschfeld, "1776," Lithograph, AP IV/XV, 1997 (Revival)

http://catalogue.swanngalleries.com/asp/fullCatalogue.asp?salelot=2015+++++150+&refno=++541530&saletype=




"The Egg" from "1776" (1972)
Music and Lyrics by Sherman Edwards
Ken Howard as Thomas Jefferson
Howard Da Silva as Benjamin Franklin
William Daniels as John Adams


"The Signing" from "1776" (1972)



Note:  There's more about Al Hirschfeld here.

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Wednesday, June 12, 2013

Overture: Abe Birnbaum New Yorker Cover Art

Abe Birnbaum's superb original New Yorker cover art depicts a Broadway stage and orchestra pit during the exciting moments of a musical's overture before the curtain rises. Most of the composition is given over to the folds of the curtain, almost an abstraction in the upper half of the image, while the conductor and orchestra are confined to a small corner at the lower right. Such an unconventional use of space is not likely to be seen today on the cover of this magazine or of any magazine.

Today, The New Yorker's covers are still often splendid in their own way, but they are also almost always about generating buzz, and this kind of soft-spoken cover, anomalous in the publishing world of 1954, is now pretty much extinct. Yet it is still very much the quintessential New York experience to attend a Broadway musical and to be overwhelmed at the outset by the vast curtain and all the wonderful possibilities it seems to conceal. What has changed over the last sixty years is that the orchestra has gotten smaller and the instruments today often are electric.

Abe Birnbaum, Original Artwork for The New Yorker, November 6, 1954

Abe Birnbaum, The New Yorker, November 6, 1954

http://www.ebay.com/itm/KODACHROME-SLIDE-1954-THE-NEW-YORKER-NOV-6th-ISSUE-ABE-BIRNBAUM-COVER-/290910801467?pt=Magazines&hash=item43bba28e3b

http://www.ebay.com/itm/KODACHROME-SLIDE-1954-THE-NEW-YORKER-NOV-6th-ISSUE-ABE-BIRNBAUM-COVER-/290910801467?pt=Magazines&hash=item43bba28e3b

http://www.ebay.com/itm/KODACHROME-SLIDE-1954-THE-NEW-YORKER-NOV-6th-ISSUE-ABE-BIRNBAUM-COVER-/290910801467?pt=Magazines&hash=item43bba28e3b



Note:  I'm always interested in hearing from collectors with original New Yorker cover artwork such as this outstanding Abe Birnbaum original. I'm delighted to be able to share images of fine original artwork here.

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Sunday, May 5, 2013

A Little Bit Wicked by Kristin Chenoweth

A Little Bit Wicked:  Life, Love, and Faith in Stages (2009)

Kristin Chenoweth
with Joni Rodgers
In her memoir A Little Bit Wicked, Kristin Chenoweth comes across as sweet, honest, and pretty decent, probably not too far off from her delightful stage persona. The book's title refers not very obliquely to her role as Galinda in the original Broadway cast of "Wicked." That may be her most well-known stage performance, but I imagine it would be hard to see Chenoweth in anything without adoring her.

Chenoweth is very talented and hardworking. She is also a religious Christian. She has appeared on The 700 Club, advocated passionately for the gay community, and dated, it seems, mostly Jews. Have you got a problem with any of that? In contrast to her soaring career, her personal life seems to have left her somewhat unfulfilled, at least, that's my take on it.

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"Easy Street"
From "Annie" (1999, Disney)
Kathy Bates as Miss Hannigan
Alan Cumming as "Rooster" Hannigan
Kristin Chenoweth as Lily St. Regis
Music by Charles Strouse
Lyrics by Martin Charnin


"Popular"
From "Wicked:  The Untold Story of the Witches of Oz" (2003)
Kristin Chenoweth as Galinda
Idina Menzel as Elphaba
Music and Lyrics by Stephen Schwartz


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Sunday, February 17, 2013

"Nice Work If You Can Get It" on Broadway


"Nice Work If You Can Get It" Broadway Poster
I saw last night's performance of "Nice Work If You Can Get It" at the Imperial Theatre. Like the memorable "My One and Only" from a few decades back, the show is not an old Gershwin musical but rather a new concoction with classic Gershwin songs that are, for the most part, still very well known. The book is by Joe DiPietro inspired by material by Guy Bolton and P. G. Wodehouse. Okay, I'm in!

Matthew Broderick is very funny as Jimmy Winter, an independently-wealthy, likeable lout who was kicked out of three schools, has never worked a day in his life, and has been through three unsuccessful marriages. Broderick is a serviceable song-and-dance man who can hold his own on the stage and has been in more than his fair share of hit musicals. No doubt he's the show's main box office attraction. His decision to devote so much of his career to the theater has been a very happy one for the Broadway scene. Here you can see how hard the poor guy has to work every night:
"Nice Work If You Can Get It" on Broadway
http://niceworkonbroadway.com/


"Nice Work If You Can Get It" Broadway Poster


Kelli O'Hara, who among other roles played Nellie Forbush in the 2008 revival of "South Pacific," was not present at last night's performance. Instead the role of Billie Bendix was played by Stephanie Martignetti, whom I must say was terrific. I've been disappointed by understudies on occasion, but certainly not last night. Still, watching the videos of highlights from the production, Kelli O'Hara's voice is hard to beat.

The other principals in the cast all turned in very good comic performances. They include Judy Kaye, Blythe Danner, Jennifer Laura Thompson, Brad Oscar, Robyn Hurder, Chris Sullivan, Stanley Wayne Mathis, and Terry Beaver. I last saw Blythe Danner in Harold Pinter's "Betrayal" over thirty years ago. Hmm. I'm starting to sound just a little like an old-timer.

Last night every member of my family had a very good time at the performance. It's been a while since I last got to say that!

***


Here's the supposed Playbill cover, but it's not strictly correct. Ours were printed in black and white.
http://www.playbill.com/news/article/160278-A-COVER-STORY-Nice-Work-If-You-Can-Get-It
 

Videos:
"Nice Work If You Can Get It"
Broadway Clips

"Nice Work If You Can Get It"
Broadway Medley
2012 Tony Awards

March 30, 2013 Update:  The role of Billie Bendix is now being played by Jessie Mueller.

Jessie Mueller
"Ev'ry Night at Seven" ["Royal Wedding," 1951, MGM]
As Performed in the 2011 "Revisal"
of "On a Clear Day You Can See Forever"
Lyrics by Alan Jay Lerner
Music by Burton Lane


April 30, 2013 Update:  The final performance will be June 15.

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Tuesday, February 5, 2013

Hirschfeld's Pippin

When I was growing up in the suburbs of New York in the 1970's, "Pippin" was the smart new musical that seemed to best define my generation. It had fabulous music and stunning choreography by the great Bob Fosse. In my unseasoned opinion, it was both cool and knowing.

Al Hirschfeld was the theatre caricaturist for the New York Times. His illustration for "Pippin" was published on October 22, 1972. The original artwork was sold last month at Swann Galleries.


Al Hirschfeld, Pippin
Original Artwork for The New York Times, October 22, 1972
Hirschfeld:  Art and Recollections from Eight Decades.
 New York:  Charles Scribner's Sons, 1991.  Page 157.

Al Hirschfeld, Pippin
Swann Galleries, January 24, 2013



Al Hirschfeld, Pippin
Original Artwork for The New York Times, October 22, 1972
Hirschfeld:  Art and Recollections from Eight Decades.
 New York:  Charles Scribner's Sons, 1991. Page 157. 
The copyright is held by the Al Hirschfeld Foundation.



"Pippin" Original Broadway Cast, PlaybillVault.com
 http://www.playbillvault.com/Show/Detail/Whos_who/6044/Pippin

Tony Walton, "Pippin" Original Cast Album Cover



Tony Walton, "Pippin" Vocal Selection Cover

 "Pippin" Vocal Selection Back Cover


"Pippin" was the first Broadway show to advertise on television. The TV campaign was a huge success and the musical was a hit.
"Pippin" TV Commercial

The floating hands in Hirschfeld's drawing refer to Bob Fosse's choreography of the opening number "Magic to Do:"
"Magic to Do"
Ben Vereen and Company
Music and Lyrics by Stephen Schwartz
Directed and Choreographed by Bob Fosse 
"Pippin" 1981 DVD

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