Showing posts with label P. G. Wodehouse. Show all posts
Showing posts with label P. G. Wodehouse. Show all posts

Monday, January 1, 2024

Lea and Ira Gershwin's Copy of Carry On, Jeeves! by P. G. Wodehouse

With the new year come new post-holiday sales to torment the insolvent. For any who somehow still have reserves of cash in the bank, though, there are bargains to be had. Peter Harrington of London, for example, offers Lea and Ira Gershwin's lovely copy of Carry On, Jeeves! by P. G. Wodehouse. It has a very desirable full-page inscription made out to one of the author's collaborators and his wife. The price has been significantly discounted but it's still up there.









P. G. Wodehouse
Peter Harrington listing accessed January 1, 2024


The price in U.S. dollars
P. G. Wodehouse
Peter Harrington item description









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Sunday, November 12, 2017

A First Edition of P. G. Wodehouse's Eggs, Beans and Crumpets

Eggs, Beans and Crumpets—which of these might you be? A 1940 first edition of Wodehouse's humorous short story collection is not in the best condition, but it still sells for a song.




P. G. Wodehouse
eBay Listing Ended June 16, 2017

P. G. Wodehouse
eBay Item Description

P. G. Wodehouse
eBay Bid History
Only four bids, but the one placed in the last six seconds is the one that counts




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P. G. Wodehouse
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Sunday, November 13, 2016

Peter Arno Art for Air-India

In September an eBay seller offered an original cartoon by Peter Arno with an opening bid of only $100 or a Buy It Now price of $300. The only information given in the description is "Humorous New Yorker Cartoon." There is only one photo:

So right off we have a lot of questions. Where to begin? The drawing depicts a man fast asleep while a frilly female chorus line does some high-kicking It was indeed published in the New Yorker, but not as a cartoon. Rather, it is the first installment of a 1966 advertising campaign Arno did for Air-India. The subject is the effect of jet lag and the copy reads Does the time change really get you? The drawing, like much of Arno's work, seems reminiscent more of the 1920's than of the 1960's. Like the writer P. G. Wodehouse, Arno's work seemed to keep one foot in the Jazz Age for much of his career.


So once you've seen the ad, you realize that this original appears to be very tightly framed, with the edges of the artwork  cut off on all sides. The lone photo we are given is extremely tightly cropped as well. Why? Are we looking at a frame around the border or the inner edge of a matte? Has the artwork been trimmed or does a matte extend for a few inches in each direction?  Is there any reflective glass here? It is difficult to tell much about what we're looking at.

Here's the auction listing:
Peter Arno, Does the time change really get you?
Original Air-India advertising art
The New Yorker, February 26, 1966, page 97

eBay Listing Ended September 16, 2016

eBay Item Description

eBay Bid History. This sold in under 16 hours with Buy It Now.



Peter Arno, Does the time change really get you?
Original Air-India advertising art
The New Yorker, February 26, 1966, page 97

Arno created a total of six ads for Air-India and they all appeared in the New Yorker.
Peter Arno, Does the time change really get you?
Air-India advertisement, The New Yorker, February 26, 1966, page 97
Peter Arno, Does the time change really get you?
Air-India advertisement
The New Yorker, February 26, 1966, page 97

Peter Arno, What goes on when you choose an airline?
Air-India advertisement
The New Yorker, 
April 9, 1966, page 119


Peter Arno, What goes on when you choose an airline?
Air-India advertisement
The New Yorker, 
April 9, 1966, page 119

The New Yorker, September 17, 1966, page155

Peter Arno, Do you have to be in London early in the morning?
Air-India advertisement
The New Yorker, May 14, 1966, page 127

Peter Arno, Do you have to be in London early in the morning?
Air-India advertisement
The New Yorker, May 14, 1966, page 127
October 15, 1966, page133

Peter Arno, Should you trust a travel agent?
Air-India advertisement
The New Yorker, June 11, 1966, page 95

Peter Arno, Should you trust a travel agent?
Air-India advertisement
The New Yorker, June 11, 1966, page 95


Peter Arno, Is there something you must do in London, tomorrow morning, early?
Air-India advertisement
The New Yorker, July 23, 1966, page16


Peter Arno, Is there something you must do in London, tomorrow morning, early?
Air-India advertisement
The New Yorker, July 23, 1966, page16

Peter Arno, Do you wish there were more love in economy class?
Air-India advertisement
The New Yorker, August 13, 1966, page 89



Peter Arno, Do you wish there were more love in economy class?
Air-India advertisement
The New Yorker, August 13, 1966, page 89

The New Yorker, November 12, 1966, page 169

At least three of the ads were run a second time.
Peter Arno, What goes on when you choose an airline?
Air-India advertisement
The New Yorker, April 9, 1966, page 119

The New Yorker, September 17, 1966, page155



Peter Arno, Do you have to be in London early in the morning?
Air-India advertisement
The New Yorker, May 14, 1966, page 127
October 15, 1966, page133

Peter Arno, Do you wish there were more love in economy class?
Air-India advertisement
The New Yorker, August 13, 1966, page 89

The New Yorker, November 12, 1966, page 169


February 4, 2017 Update: The new owner has posted a photograph showing the work to be matted to the edge of the image:
https://www.artworkarchive.com/artwork/satiric-art/air-india-ad-illustration-1966


Note:  Thanks to Paul Merklein for bringing this auction listing to my attention.

If you are the new owner of this artwork, please send a better image or two of the whole thing. (If you possess other Arno art, the same applies.)

What do you know? My latest blog post, "The New Yorker and the New President," was mentioned on Ink Spill!


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Thursday, December 18, 2014

Book Review: The Pothunters and Other School Stories by P. G. Wodehouse

The Pothunters and Other School Stories
P.G. Wodehouse


P. G. Wodehouse famously wrote ninety-two books. This volume collects the first three of them. These early books are school stories. They were popular in their day and many readers became Wodehouse fans for life.

Wodehouse's first novel is The Pothunters, first published in 1902. The plot concerns some purloined silver trophies (the pots of the title) from the Cricket Pavilion at a boarding school called St. Austin's. Overall, it is weak and demonstrates numerous missed opportunities for humor. If people are reading this today, it's solely on the strength of young Wodehouse's authorship, and not because of any great intrinsic merit. Wodehouse is still on training wheels here.

A Prefect's Uncle, his second book from 1902, is a little better, although not all that much. There is a long and glorious tradition in Wodehouse's fiction of nettlesome aunts and uncles, and this novel is apparently the beginning of it all, although the uncle in question is unusually underage.

Finally, Tales of St. Austin's dates from 1903, the year Wodehouse turned 22. It is a collection of short stories and is a notable improvement on the earlier books. "The Manoeuvres of Charteris" is the centerpiece here, an amusing story in six chapters. Less happily, there are four first-person opinion pieces tacked on at the end which are not in keeping with the style of the rest of the book. I suppose it's understandable for a young author to wish to collect all his scattershot musings and preserve them in book form, but overall it doesn't really make for a unified book.


Note:  I have a couple of other blog posts related to P. G. Wodehouse.

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Saturday, July 6, 2013

Book Review: Piccadilly Jim by P. G. Wodehouse

Piccadilly Jim by P. G. Wodehouse


It has occasionally been noted that P. G. Wodehouse's novels, including even his much later ones, all seem to be set in the bucolic 1920's.  I would add to that the observation that Piccadilly Jim, a book first serialized in the Saturday Evening Post in 1916 during the first World War and subsequently published in the U.S. in 1917 and in the U.K. in 1918, already seems to anticipate the impossibly carefree attitude of the 1920's rather than the harsh realities of its own time. 

The several transatlantic crossings in the story are presented with no topical mention of either the Titanic which famously struck an iceberg in 1912 or of the Lusitania which was sunk by a German U-Boat in 1915.  In fact, the most serious problem alluded to regarding crossing the Atlantic is, as you might guess, sea-sickness.

In the middle of World War I, Wodehouse has already invented his own benign world mostly untroubled by war and other serious calamities.  The sole reference to war here, in fact, is a newly-invented but farcically-untested explosive which various unnamed and unscrupulous governments may be interested in illicitly acquiring even without knowing if it actually works.

The 1920's were doubtless a boon to Wodehouse's delightful writing, but I think he may have been well on his way to inventing them before they just happened to come along. 

Piccadilly Jim by P. G. Wodehouse, Dodd, Mead & Company (1917), First Printing (USA)

Piccadilly Jim by P. G. Wodehouse
 Herbert Jenkins Limited (1918)
 First Printing, 2/6 Net (UK)
http://en.wikipedia.org/wiki/File:PiccadillyJim.jpg


Piccadilly Jim by P. G. Wodehouse, Herbert Jenkins Limited (1918), 1931 Reprint 5/- Net (UK)

Piccadilly Jim by P. G. Wodehouse, Herbert Jenkins Limited (1918), 6/- Net Reprint (UK)

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Sunday, February 17, 2013

"Nice Work If You Can Get It" on Broadway


"Nice Work If You Can Get It" Broadway Poster
I saw last night's performance of "Nice Work If You Can Get It" at the Imperial Theatre. Like the memorable "My One and Only" from a few decades back, the show is not an old Gershwin musical but rather a new concoction with classic Gershwin songs that are, for the most part, still very well known. The book is by Joe DiPietro inspired by material by Guy Bolton and P. G. Wodehouse. Okay, I'm in!

Matthew Broderick is very funny as Jimmy Winter, an independently-wealthy, likeable lout who was kicked out of three schools, has never worked a day in his life, and has been through three unsuccessful marriages. Broderick is a serviceable song-and-dance man who can hold his own on the stage and has been in more than his fair share of hit musicals. No doubt he's the show's main box office attraction. His decision to devote so much of his career to the theater has been a very happy one for the Broadway scene. Here you can see how hard the poor guy has to work every night:
"Nice Work If You Can Get It" on Broadway
http://niceworkonbroadway.com/


"Nice Work If You Can Get It" Broadway Poster


Kelli O'Hara, who among other roles played Nellie Forbush in the 2008 revival of "South Pacific," was not present at last night's performance. Instead the role of Billie Bendix was played by Stephanie Martignetti, whom I must say was terrific. I've been disappointed by understudies on occasion, but certainly not last night. Still, watching the videos of highlights from the production, Kelli O'Hara's voice is hard to beat.

The other principals in the cast all turned in very good comic performances. They include Judy Kaye, Blythe Danner, Jennifer Laura Thompson, Brad Oscar, Robyn Hurder, Chris Sullivan, Stanley Wayne Mathis, and Terry Beaver. I last saw Blythe Danner in Harold Pinter's "Betrayal" over thirty years ago. Hmm. I'm starting to sound just a little like an old-timer.

Last night every member of my family had a very good time at the performance. It's been a while since I last got to say that!

***


Here's the supposed Playbill cover, but it's not strictly correct. Ours were printed in black and white.
http://www.playbill.com/news/article/160278-A-COVER-STORY-Nice-Work-If-You-Can-Get-It
 

Videos:
"Nice Work If You Can Get It"
Broadway Clips

"Nice Work If You Can Get It"
Broadway Medley
2012 Tony Awards

March 30, 2013 Update:  The role of Billie Bendix is now being played by Jessie Mueller.

Jessie Mueller
"Ev'ry Night at Seven" ["Royal Wedding," 1951, MGM]
As Performed in the 2011 "Revisal"
of "On a Clear Day You Can See Forever"
Lyrics by Alan Jay Lerner
Music by Burton Lane


April 30, 2013 Update:  The final performance will be June 15.

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