Wednesday, April 12, 2023

William Steig and Saul Steinberg: Bernäd Creations Advertised in The New Yorker

In yesterday's post, we saw three scarce promotional ashtrays for Cole of California swimwear. They were decorated with original designs by three New Yorker artists and issued in enameled copper by Bernäd Creations of Yonkers. So far as we know, these were not advertised in the pages of The New Yorker, and they may or may not have been offered for sale to the general public.


But The New Yorker did run advertising for Bernäd Creations with images licensed from artists who worked for the magazine. Most of these ads, below, were for ashtrays and highball glasses with images by William Steig. At least one ad, though, was for ashtrays and cigarette boxes designed by Saul Steinberg. Here are most of the advertisements, presented in chronological order.

Saul Steinberg
The New Yorker, November 29, 1947




William Steig
The New Yorker, November 6, 1948



William Steig
The New Yorker, December 4, 1948






William Steig
The New Yorker, June 11, 1949



William Steig
The New Yorker, November 12, 1949




William Steig
The New Yorker, December 10, 1949




Note:  There were, as we saw yesterday, licensed Peter Arno products as well, but I don't believe these were advertised in The New Yorker. Please, correct me if I'm wrong.



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Tuesday, April 11, 2023

Charles Addams, Sam Cobean, and Syd Hoff: Cole of California Promotional Trays by Bernäd Creations

Joel Jacobus is extremely knowledgable about Charles Addams merchandise and memorabilia. Today he inquires about an obscure subject that has been troubling him for years: "old enameled copper dishes bearing commissioned advertising art by New Yorker cartoonists. Where did these come from?"

Joel continues:

About fifteen years ago I saw an eBay listing for an old looking, small, enameled, copper dish with a Charles Addams drawing on it that might be advertising swimwear. Foolishly, I wasn’t very excited about it at the time and I didn’t win the bidding. As an obsessive Charles Addams collector who scans eBay every night, I gradually became aware of my huge mistake as fifteen years went by before another dish showed up. But when it did, the person had two Charles Addams dishes plus four other dishes that were obviously from the same advertising campaign with art by Syd Hoff and Sam Cobean. There was only one image by each artist so three of the dishes are duplicates. And most of them are in appalling condition. And I bought them all. But I was still no wiser about what they are.

Are these dishes, trays, ashtrays, coasters, or something else?

When were they made?

Why were they made?

Why are there so few of them in the marketplace?

Even with the dishes in my possession I only knew two things about them:

1. The advertising in all three of the images is for a swimsuit company called Cole.

2. Most (but not all) of the dishes have the name 
Bernäd (not Bernard) stamped on the back.

As companies, Cole and
Bernäd are not very well documented. However, I’ve found this information:

In 1941 Fred Cole changed the name of “West Coast Knitting Mills” to “Cole of California” and focused on swimwear. In 1948 
“Bernäd Creations Ltd” was incorporated on November 4th (but may have been manufacturing things before their incorporation date). In 1951 the cartoonist Sam Cobean died. Therefore it seems likely that the promotional Cole of California dishes, with commissioned artwork by Charles Addams, Sam Cobean, and Syd Hoff, made by Bernäd Ltd, were created between 1941 and 1951, and more likely between 1948 and 1951.

Then I acquired a Bernäd
ad from 1948 for enameled copper “cartoon trays” with William Stieg images on them. So, apparently, they are “trays” rather than “dishes.” I assume they mean ashtrays. These are clearly the same enameled copper trays as the Cole images, but rather than being for a specific advertising campaign, the ones in the ad are just pre-existing licensed images for sale to the public.


Bernäd Creations Ltd was a company that licensed images and printed them on things. In addition to enameled copper trays, they also made: ceramic plates, cocktail napkins, cocktail glasses, mugs, ashtrays, greeting cards, posters, figurines, pinback buttons, matchbooks, and other ephemera. They were apparently very successful with their line of Steig (“People are no damn good”) and Herb Gardner (“Next week we’ve got to get organized”) images. Used Bernäd items with images by these two artists are still generally available on eBay. They also produced Sam Cobean and Peter Arno licensed trays but those are harder to find.

The three known Cole advertising images are:

Charles Addams—A predecessor of the Pugsley character saying to a Grandma Addams-like character who has an octopus stuck in the top of her swimsuit, “It wouldn’t [have] happened with a Cole, Gramma.”

Sam Cobean—A woman with a thought bubble showing her wearing a swimsuit and looking much thinner is thinking, “You mean a Cole could do this to me?”


Syd Hoff—A couple, in bathing suits, is on a beach. The wife is looking through a telescope at stars, the husband is looking at women wearing bathing suits. The caption reads, “Heavenly bodies!” The stars and planets across the top of the tray spell out Cole.


To add to the confusion, a Bernäd tray by Peter Arno also has a swimsuit motif and shows an elderly man staring at a young women in a bathing suit and saying, “By Jove I’d almost dip into capital for her!” But as the tray doesn’t mention Cole (and is a pre-existing New Yorker image that was licensed) it’s probably unrelated to the advertising campaign.


The Tee and Charles Addams Foundation has no record of Mr. Addams creating anything for a Cole of California advertising campaign.

So that leaves me with these questions: When did the Cole advertising trays come out? What were they for? Were they available for sale? Or were they promotional items that were sent to wholesalers or stores? Or were they only given to prized employees? Someone out there must know, and it would help me to sleep at night if they shared the knowledge.







A cartoon by Peter Arno and a spot drawing by an unidentified artist



February 3, 2024 Update:  Much thanks to Marcus Gray, who has come up with a 1951 Los Angeles newspaper clipping with a column by Ezra Goodman. The writer, a Hollywood columnist and publicist, also collected ashtrays. The text in the lower half of the left-hand column dates the Syd Hoff "Heavenly Bodies!" ashtray to a Cole of California event held at the Griffith Observatory and the Cole estate. (I don't think Goodman knew Hoff's first name.) This information correlates well enough with Joel Jacobus's conjecture that these three Cole trays most likely date from 1948 to 1951.
Daily News, Los Angeles, September 19, 1951, p. 29




Note:  My thanks to Joel Jacobus for the fifteen years of interrupted research that went into this post.

Help us learn more about these ashtrays. Help Joel to sleep at night. Please share whatever you know about Cole of California's advertising campaign using art by New Yorker artists.

Speaking for myself, I'm also curious about whoever may have created the obscure spot drawing from 1938. Anyone?





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Monday, April 10, 2023

My Entry in The New Yorker Cartoon Caption Contest #845

The New Yorker Cartoon Caption Contest #845 from the issue of April 10, 2023 is straight out of the wizarding world. My caption is shown below. The drawing is by Robert Leighton.

"It has come to my attention that your daughter believes in science."







April 23, 2023 Update:  The Finalists





May 1, 2023 Update:
  Tough choice. I waved my wand and voted for the caption from Severna Park.



May 12, 2023 Update:
  The Winner






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Sunday, April 9, 2023

Malcom Hancock: A Price List for Joel

It's a shame that we don't have the date for a rather interesting letter from cartoonist Malcolm "Mal" Hancock (1936-1993) written by hand to a fan named Joel. A business card is stapled to the sheet. The letter is apparently a response to a request for original art. It was sold on eBay in January for $40.

Shrewdly, Mal twice describes the purchase of his cartoon art as an "investment." He gives Joel a price list for his artwork including syndicated panel cartoons The Lumpits (1970-1978) and Foster Fenwick (1968-1982) as well as magazine work for The Saturday Review/World, The New Yorker, and Playboy. Mal's first New Yorker cartoon was published in 1973, so this letter most likely dates some time from 1973 to 1982, after which he introduced a new panel title not mentioned here. It more likely dates from 1973 to 1978 when both panel strips mentioned were in syndication, but no matter how early this price list may be, original published New Yorker art priced at $100 seems improbably inexpensive. (According to Michael Maslin's Ink Spill, Mal published only two New Yorker drawings, in 1973 and 1975.) At $250, the Playboy cartoons are the priciest listed, perhaps because they were in color or perhaps because they were most in demand.


A vintage postcard currently listed on eBay shows the Plymouth Building in downtown Minneapolis, where Mal Hancock kept an office for eight years.





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Saturday, April 8, 2023

Whitney Darrow, Jr.: Three Illustrations for On Campus with Max Shulman

Three illustrations created by New Yorker cartoonist Whitney Darrow, Jr., for the Leo Burnett Advertising Agency seem a little puzzling without the full text they were meant to accompany. One of my leading theories had been that this series of drawings was created for a Personna razor blades advertising campaign—Personna is listed as the client on the back of each of these. It is now clear to me that they illustrate the "On Campus with Max Shulman" column which was sponsored by Personna. 
In fact, two of these drawings have Shulman pencilled in at the bottom. The artwork dates from 1966 to 1967 or thereabout.


Or Logging
Shulman Col[umn] #2 '66-67


Or Logging
Shulman Col[umn] #2 '66-67

Or Logging
Shulman Col[umn] #2 '66-67


"Did the Minotaur have ticks? If so, were they immortal?"
Shulman #1 1967-8

"Did the Minotaur have ticks? If so, were they immortal?"
Shulman #1 1967-8


Daily News

Daily News


Whitney Darrow, Jr.
eBay listing ended January 18, 2023


Whitney Darrow, Jr.
eBay listing ended January 18, 2023

Whitney Darrow, Jr.
eBay bid history
One bidder places three bids, just to be sure.





https://www.industrydocuments.ucsf.edu/tobacco/docs/#id=xzvv0004




Which leads us to this much better image:
"There Are No Bad Teachers;
There Are Only Bad Students"
Max Shulman on Campus
The Winonan

Winona State College, Winona, MN
May 11, 1967, p. 3










"Did the Minotaur have ticks? If so, were they immortal?"

"Did the Minotaur have ticks? If so, were they immortal?"






Note:  Please write or leave a comment if you can locate where and when either of the other illustrations were printed.





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