Showing posts with label World Trade Center. Show all posts
Showing posts with label World Trade Center. Show all posts

Monday, September 11, 2017

Art Spiegelman Against All the Odds

Art Spiegelman has personalized a copy of his 2004 book In the Shadow of No Towers and included the salient words "All the best against all the odds!" The strange character in the drawing is "a Hapless Hooligan," Spiegelman's cartoon alter ego from plate 10 of the book based on Frederick Opper's classic strip Happy Hooligan.

Inside back cover inscribed with a drawing of "a Hapless Hooligan"
"For Stephen and Aviva and my favorite twins!
All the best against all the odds!"



Note:  Thanks to Stephen Kroninger for sharing this unique copy of the book.

Attempted Bloggery is eager to publish scans or photographs of personalized books by Art Spiegelman and other New Yorker artists, especially books which contain original drawings.

Don't forget to get your copy of The American Bystander #5 and see this blog's very first classified ad.

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Sunday, September 11, 2016

Taking the Twin Towers for Granted

The gargantuan twin towers of the World Trade Center are framed by the stately Washington Square Arch in a New Yorker spot drawing by Tom Funk. The drawing was published in the "Goings on About Town" section of the March 19, 1979 issue six years after the World Trade Center opened. The twin towers were never beloved exactly, not while they stood, but they were accepted and embraced by New Yorkers as an audacious expression of the outsized aspirations of our city. In their brashness they were understood by us and as familiar presences in lower Manhattan we soon learned to take them for granted.

Discovering the many ways these two monolithic buildings played off against the more established elements of the skyline was an ongoing process that we engaged in casually, believing we had all the time in the world to work out the nuances of scale and perspective. Then, of course, the towers were suddenly destroyed, lost forever in the terror attacks of September 11, 2001 amid a far greater human tragedy. Only then did we stop taking the towers for granted. They became instead an enduring symbol of all we had lost, and of the importance of remembrance and resolve.

Tom Funk, The New Yorker, March 19, 1979, page 4



Quick Link:

9/11

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Wednesday, December 2, 2015

Arthur Getz in Washington Square Park

A painting of the Washington Square Arch by Arthur Getz comes out of the estate of film critic Judith Crist. It was recently listed on eBay. The eBay seller identified the medium as oil or acrylic, but more likely it's watercolor or gouache and ink. The seller also hopefully raised the possibility that it could be an original New Yorker cover, but it clearly isn't. In fact, the NYU T-shirt in the foreground gives it away. This illustration appeared on the cover of the New York University Bulletin from the summer of 1979.

Arthur Getz, Original art, New York University Bulletin, Summer 1979

Arthur Getz's signature

Arthur Getz's signature

The T-shirt reads NYU Summer '79. That should be clue enough to where this was published.

Detail





Arthur Getz, Original art, New York University Bulletin, Summer 1979


EBay Listing as of September 29, 2015

eBay Item Description



Arthur Getz, Original art, New York University Bulletin, Summer 1979
[End of eBay listing]

Here's the published catalogue:
Arthur Getz, New York University Bulletin, Summer 1979
Scan courtesy of Sarah Getz, updated May 9, 2018


And here's a preliminary version of the artwork:
Arthur Getz, Preliminary art, New York University Bulletin, Summer 1979
Photo courtesy of Sarah Getz

Arthur Getz had also illustrated this NYU Bulletin in the previous summer. Then the view of Washington Square Park was observed from a higher vantage point. The view to the south showed the Washington Arch and lower Manhattan. Note also the Brooklyn Bridge and the World Trade Center.


Arthur Getz, New York University Bulletin, Summer 1978
Photo courtesy of Sarah Getz


December 25, 2015 Update: The seller has updated the listing to reflect the correct publication history that appears in this post. He has not gone so far as to correct the medium used or the spelling of film critic Judith Crist's name.



Note:  Much thanks once again to Sarah Getz for her photographs and knowledgable assistance. Learn more about Arthur Getz's artwork at getzart.com.

Past blog posts about Arthur Getz are just a click away.

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Thursday, September 11, 2014

In the Shadow of No Towers Signed by Art Spiegelman

Today I present my signed copy of Art Spiegelman's In the Shadow of No Towers (2004), the author's account of his reaction to the attack of September 11, 2001. The book is in no way worthy of the author of Maus, but I didn't know that when I bought it.

Art Spiegelman's signature in In the Shadow of No Towers, 2004


Note:  Three years ago when I was still fairly new to blogging, I published my unfavorable review of In the Shadow of No Towers. Looking back, I think I let the author off easy.

Other blog posts about Art Spiegelman are just a click away. I guess I've mellowed a bit over these last three years.

I believe the blog's 9/11 posts are still worth more than a casual look, particularly today on the anniversary.

By the way, if signed books are your thing, I've got a bunch of 'em.

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Tuesday, September 11, 2012

Sunday, September 11, 2011

9/11 Aerial Photos of the World Trade Center Attack

Back in 2009, ABC News filed a request under the Freedom of Information Act for the release of these singular aerial photographs of the World Trade Center. They were taken on September 11, 2001 by Detective Greg Semendinger of the New York City Police Aviation Unit who had been sent by helicopter with a pilot to scout out possible rooftop rescue scenarios. Having identified no one on the roof of the North Tower, Semendinger took these photographs of the unfolding disaster. These photos had been collected by the National Institute of Standards and Technology for its investigation into the collapse of the World Trade Center towers. They were made public in February of 2010. These aerial views provide a vivid overview of the attack and its aftermath. They provide some of the clearest images available of the physical scope of the calamity.

The North Tower, the first tower hit, is burning.  The South Tower is on the far right. Until I saw these photos, I believed a rooftop rescue by helicopter might have been feasible.  Access to the roof was locked. For orientation, Brooklyn is in the background.

The North Tower burning.  The South Tower has collapsed at the far right.  The buildings of the World Financial Center are in the foreground.  The East River and Brooklyn are in the background.

The North Tower continues to burn.





The North Tower continues to burn after the collapse of the South Tower.  The view is from the west, over the Hudson River.



The North Tower burning.  The Hudson River is in the foreground.  The East River and the Brooklyn Bridge are in the mid-background.  Note how narrow Lower Manhattan is.


Collapse of the North Tower. Jersey City with Liberty State Park are in the background.

Collapse of the North Tower.  That's Ellis Island in New York Harbor.

After the North Tower collapses, the dust and debris cloud spreads.

The dust cloud engulfs apartment buildings.

This sequence shows the dust cloud spreading from Ground Zero, upper left.

Looking south on West Street as the dust cloud moves north

The Tribeca Bridge on West Street at Stuyvesant High School

Dust engulfs lower Manhattan.

The Woolworth building, center


The dust begins to settle.  Ground Zero is at the upper right.

Everything on West Street is covered by dust and debris.  I believe those are mostly emergency vehicles in the street.

The dust-covered ground looking south on West Street from Chambers Street

Liberty Island with the Statue of Liberty.  Left to right you can make out the Empire State Building, the Chrysler Building, the World Financial Center, and Battery Park City.

Battery Park City including the Museum of Jewish Heritage.  Battery Park City is built on landfill obtained during the excavation of the World Trade Center. The photo shows a variety of boats racing to the scene hoping to effect a rescue.

The Staten Island Ferry leaves the Ferry Terminal in lower Manhattan

The view of lower Manhattan from the north. The wind is blowing towards Brooklyn. The Brooklyn Bridge is on the left.

As the helicopter departs, we see the view from the East River looking south towards the Brooklyn Bridge. Ground Zero is on the West Side closer to the Hudson River. The wind is blowing to the east towards Brooklyn. 



Photos by Det. Greg Semendinger/NYC Police Aviation Unit

Links:

Saturday, September 10, 2011

The World Trade Center in Pre-9/11 New Yorker Covers

The World Trade Center opened in 1973 in lower Manhattan.  The twin towers were briefly the world's tallest buildings until the completion of the Sears Tower in Chicago, now the Willis Tower.  They were massive structures boldly dominating the New York City skyline and, love them or hate them, they just couldn't be ignored.  

R. O. Blechman's 1974 New Yorker cover put the World Trade Center front and center and paid homage to the City's Dutch origins by depicting fanciful windmills on the buildings. Arthur Getz's 1982 cover gives the best sense of the towers's scale against the lower Manhattan skyline. In most of the New Yorker's cover art that appeared prior to 9/11, though, the World Trade Center was not the sole focus, but rather was the most outsized of the many notable landmarks of which the City boasted.

Robert Weber, December 3, 1973

R. O. Blechman, April 29, 1974

Eugène Mihaesco, December 27, 1976

Paul Degen, May 8, 1978

Eugène Mihaesco, May 14, 1979

Charles Addams, May 5, 1980


Arthur Getz, July 19, 1982

Bob Knox, May 2, 1988

Robert Mankoff, August 22, 1988

John O'Brien, April 9, 1990

Bob Knox, September 17, 1990

Gürbüz Doğan Ekşioğlu, March 22, 1993

Jacques de Loustal, October 11, 1993


City of Dreams by Edward Sorel, February 22, 1999

Center of the Universe by Mark Ulriksen, January 10, 2000



Note:  My previous post on artist R. O. Blechman is here.

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