Showing posts with label The Comic Book Legal Defense Fund. Show all posts
Showing posts with label The Comic Book Legal Defense Fund. Show all posts

Sunday, May 20, 2018

MoCCA Fest 2018

This past April 7th I eagerly returned to Metropolitan West for MoCCA Fest 2018, the annual independent comics festival conceived by the defunct Museum of Comic and Cartoon Art and now under the auspices of the Society of Illustrators. The Society does an absolutely outstanding job, frankly. I missed last year's festival and have not been able to forgive myself, so I made sure to attend this go-round and to allow myself some more time than I had two years ago when I last visited, albeit too briefly.

Naturally no comics convention anywhere is devoted to the kind of art I follow and strive to promote here on the blog, but that's not really a surprise, is it? Comics conventions, as I understand them, seem to be overrun with superheroes and celebrities as the entire industry gets subsumed by giant Hollywood studios. What I like about MoCCA Fest is that the creative artists, known and more commonly unknown, are front and center. The world of independent comics is likely to remain mostly off my personal radar, but I can enjoy the energy and enthusiasm that is everywhere at this festival even as I concentrate on the very specific art I am passionate about.

I researched my visit well this year and therefore knew in advance there would be plenty on tap to tempt me. I resolved to narrow my focus slightly and avoid those books with signed bookplates that are becoming more and more a staple in particular at the Comic Book Legal Defense Fund's table. There, when I encountered a volume by Seth calling out to me with a signed bookplate, I was ready to move on instantly despite my great admiration for the artist and anything he puts his hand to. Instead I would focus on getting books signed and personalized—preferably with small drawings—by the growing number of artists and authors whose work I devotedly follow.

Despite my strategic planning, I didn't really foresee the difficulty I'd have carrying around my haul. I therefore improvised and treated myself to a Society of Illustrators tote bag which I thought was pretty snazzy although it still wasn't big enough to carry everything I wanted. (For that I might need a rucksack.) Next year's organizational challenge for me will be to see whether I can find the tote in time for MoCCA Fest 2019.


JooHee Yoon
MoCCA Fest 2018

JooHee Yoon
MoCCA Fest 2018 program

Society of Illustrators tote bag, $12


Note:  Rest assured my trove of loot from MoCCA Fest 2018 will be presented here over the course of the coming week.


Quick Links to the Attempted Bloggery Archives:

Seth

02553

Thursday, December 1, 2016

George Sprott (1894-1975) with a Bookplate Signed by Seth

I don't really like signed bookplates. No matter how well done, they're evidence that a book's author never came into contact with the particular copy of the book you're looking at. Still, while browsing the Comic Book Legal Defense Fund's table at the 2016 MoCCA Arts Festival, I came across several copies of George Sprott (1894-1975), Seth's 2009 graphic novel. In each, the artist had signed a bookplate and provided a two-tone drawing of the title character. Who was I to say no? I needed a third copy of the oversized book anyway....

Seth, George Sprott (1894-1975), 2009

CBLDF bookplate with an original drawing of George Sprott signed Seth, 2011


CBLDF bookplate with an original drawing of George Sprott signed Seth, 2011



Note:  This concludes my series on the books I purchased in April at the MoCCA Arts Festival, still the closest thing to a comics convention I have attended. I was there only for about two hours, far less than the time it took to write the seven blog posts chronicling my take.

I have followed my own interests and inclinations, hunting down artists primarily over age fifty whose work appears once in a while in the New Yorker. This makes perfect sense for me, but it doesn't begin to hint at the youthful energy and vitality present throughout the venue. Each year's MoCCA Fest is full of talented, independent comic art practitioners already producing exciting art and destined to make many stunning contributions down the road.


Attempted Bloggery's quick links:

Seth

02032k

Sunday, November 27, 2016

The Jew of New York Signed by Ben Katchor

At the MoCCA Arts Festival held in April of 2016, the Comic Book Legal Defense Fund (CBLDF) offered a copy of Ben Katchor's The Jew of New York (1999) signed by the artist with a rudimentary drawing of a folded canal boat ticket. The date and San Francisco location indicates the book was signed on the second day of the Alternative Press Expo in 2012. Has the CBLDF has been carrying it around to comics conventions for four years? I was happy to relieve them of this burden.

Ben Katchor, The Jew of New York, 1998, first paperback edition

Signed with a drawing of a folded canal boat ticket "Ben Katc[hor]/S.F./Oct 14, 2012"

Note:  This is Ben Katchor's first appearance on the blog.


Attempted Bloggery's
 quick links:

02029

Saturday, November 26, 2016

Funny Ladies Signed by Liza Donnelly

The cover of Liza Donnelly's Funny Ladies: The New Yorker's Greatest Women Cartoonists and Their Cartoons (2005) depicts a half dozen female cartoonists dressed as The New Yorker's mascot Eustace Tilley. This copy was purchased on the second day of the MoCCA Arts Festival 2016. It was spotted at the table of the Comic Book Legal Defense Fund and contains a signed drawing of a funny lady who again happens to be dressed as Eustace Tilley.

Liza Donnelly
Funny Ladies: The New Yorker's Greatest Women Cartoonists and Their Cartoons, 2005

Signed by Liza Donnelly with a drawing of a funny lady



Note:  Which is correct, women cartoonists or woman cartoonists? Or should we just avoid using a noun to modify another noun? We would probably never say men cartoonists or, even worse, man cartoonists, would we? We would call them male cartoonists. But what about boy cartoonists...?


Attempted Bloggery's quick links:

02028

Friday, November 25, 2016

Groo: Friends and Foes, Volume I with Bookplate Signed by Sergio Aragonés

At MoCCA Fest this past April I stopped by the table of the Comic Book Legal Defense Fund, always a good source for books I didn't know I needed to have. I'm not too familiar with the character Groo, but I like Sergio Aragonés well enough to take a chance on Volume I of Groo: Friends and Foes published in 2015. The story is by Mark Evanier and the art of course is by Aragonés. The book is colored by Tom Luth and lettered by Stan Sakai. With a signed bookplate, it seemed a reasonable time to experience Groo.

Sergio Aragonés, Groo:  Friends and Foes, Volume I, 2015

CBLDF bookplate signed by Sergio Aragonés


Note:  This is Groo's first appearance on the blog.


Attempted Bloggery's quick links:

02027

Sunday, April 7, 2013

An Art Spiegelman Display Piece

Maus creator Art Spiegelman signed this 1999 San Diego Comic Con display card for the Comic Book Legal Defense Fund and added a drawing. This unique piece sold on eBay for just over $200.

Art Spiegelman, San Diego Comic Con Signed Display Piece, 1999


Art Spiegelman, San Diego Comic Con Signed Display Piece, 1999, eBay Winning Bid


Art Spiegelman, San Diego Comic Con Signed Display Piece, 1999, eBay Item Description

Art Spiegelman, San Diego Comic Con Signed Display Piece, 1999

0684