Showing posts with label Auguste Rodin. Show all posts
Showing posts with label Auguste Rodin. Show all posts

Saturday, August 3, 2019

Blog Post No. 3000: The Vatican Museums 2019

My mother-in-law told us that when she visited the Sistine Chapel in the 1950s she could lie face-up on the floor to take in Michelangelo's magnificent ceiling. Today there are forty-thousand daily visitors each of whom hopes to commune with the famous ceiling. Even if the chapel weren't crowded at all hours of the day, I'm certain that lying down on the ground to claim a comfortable vantage point would not be permitted.

The summer crowds are a concern that might best be dealt with by reserving tickets in advance. If one does this through a tour, one can enter earlier than the general public. We used the tour group Viator, or Italy Wonders. Unfortunately, our tour skipped so many essential parts of the Vatican Museums that I can't recommend the group, but we did get to see Michelangelo's Sistine Chapel and Raphael's School of Athens which is certainly what most visitors want to see.

Our tour, and dozens of others, met across the street from this entrance before the Vatican Museums opened. While waiting we bought ourselves some overpriced coffee served black.

Vatican City is not large. The magnificent dome of St. Peter's Basilica overlooks the museum grounds where tours regrouped.



The Belvedere Courtyard with a taunting view of some other areas of the Vatican Museums I assumed we were going to see.

The Vatican Museums' long halls are done extremely well:

Too nice to walk on:






The ceiling is painted to look like relief. Still, the cracks indicate it's got to be a conservator's nightmare.


Tapestry designed by Raphael depicting the resurrection of Christ:
Raphael
The Resurrection of Christ (large detail)

Tapestry designed by Raphael:



The Gallery of Maps:


The world turned upside-down: Sicily, with the south oriented to the top.



The far end of the Gallery of Maps:


Exposure to the elements:





Up above:


Down below:
Roman mosaic





Fine woodwork:


Gianfrancesco Penni or Giulio Romano
The Donation of Constantine
Sala di Costantino



Raphael
Ceiling of the Room of Heliodorus

Raphael
The Expulsion of Heliodorus from the Temple, 1511–12

Raphael
The Mass at Bolsena, 1512

Raphael
The Meeting of Leo the Great and Attila



Raphael
The School of Athens (large detail)




Raphael
The School of Athens (detail with Euclid or Archimedes)
Border details:
Border detail
Tiles underfoot:


Raphael
Disputation of the Holy Sacrament

A gift of the Musée Rodin, 1959:
Auguste Rodin
The Thinker, c. 1880, cast 1956



Pierre Matisse donated preparatory designs created by his father Henri Matisse for the Chapel of the Rosary in Vence.








This is a Pope by Francis Bacon, but is it a screaming Pope?
Francis Bacon
Study for
Velázquez Pope II, 1961



Photography is forbidden in the Sistine Chapel not, as we were told, for religious reasons but because the Vatican sold the photo rights at the time of the restoration. Instead I give you these amazing views from the Sistine Chapel Virtual Tour.
Michelangelo Buonarroti
The Sistine Chapel Ceiling
Michelangelo Buonarroti
The Last Judgment


There should have been a lot more. No tour (except ours apparently) would be complete without stopping in the Museo Pio-Clementino. There in the Octagonal Court one can see the Apollo Belvedere, a masterpiece of Classical Antiquity greatly admired a few generations ago and proudly displayed on the Vatican Museum's ever-improving website:
Roman copy after Leochares
Apollo Belvedere


And, of course, the Laocoön Group, a Hellenistic masterwork which I think speaks more to our own time:
The Laocoön Group

Another essential stop would have to be the Hall of the Muses to see the Belvedere Torso, a large sculptural fragment which had a profound influence on Michelangelo.
Apollonius of Athens
The Belvedere Torso

And we're done!






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Wednesday, May 23, 2018

MoCCA Fest 2018: Not Waving But Drawing by John Cuneo

It is said that Bach could improvise at or above the level of his musical compositions. John Cuneo, I would argue, produces seemingly spontaneous sketchbook drawings that are at least as intriguing  as his finished illustrations. It's a good bet that the artist's sketchbook drawings are unlike anything else you have encountered. They are intensely personal yet broadly relatable, arcane yet accessible, erotic yet grotesque, morbid yet hilarious. To me, they somehow recall the sketches of Heinrich Kley and Auguste Rodin in their technical prowess and ability to surprise, yet they have an esthetic and a character that is all their own. And now we have a book full of 'em!

John Cuneo
Not Waving But Drawing:  Dark Thoughts, Lightly Rendered
Seattle:  F.U. Press, 2016

Signed and personalized with a drawing by John Cuneo


Note:  David Apatoff's unsurpassed Illustration Art blog is as fine a place as any to learn more about the work of John Cuneo. He always loved larking.

This week's posts are devoted to the fascinating items I collected at MoCCA Fest 2018.


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John Cuneo

MoCCA Arts Festival

Signed Books with Original Drawings


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Thursday, May 1, 2014

The Clarks as Collectors

Recently I have surveyed the work of illustrator Constantin Alajálov residing in the collection of the Clark Art Institute in Williamstown, Massachusetts. It did not immediately occur to me that these seven remarkable pieces were not acquired in 1955 by the museum's directors, but rather were collected by Sterling and Francine Clark themselves only a few years earlier. They were definitely my kind of collectors. Not only did they assemble a world-class collection of French Impressionist masterpieces and very impressive 19th century European salon paintings, they also took time out to purchase outstanding contemporary magazine cover illustrations by a New Yorker artist.

It's not clear what the museum's curators think of this, if they think of it at all. The Alajálov illustrations are catalogued online, to be sure, but the listings don't betray any scholarship or even mild curiosity. Still, I think these works can hold up to an occasional public airing if the museum should ever have the inclination.

My first visit to the Clark was some twenty or more years ago and I was overwhelmed particularly by all the Impressionist masterpieces on display. I had high hopes for my second visit in March of 2013, but the main galleries were closed for an extensive renovation and only a tiny fraction of the stunning collection was on view. I took a few pictures as you can see, but the grandeur and scope of the magnificent collection can't really be appreciated until the galleries reopen in all their glory on July 4.
Pierre-Auguste Renoir and Richard Guino, Venus Victorious, modelled 1913-1914, cast in bronze c. 1914-1915.
Venus is modeled after a figure in a Renoir painting of The Judgment of Paris. Renoir supervised sculptor Guino's work on the large-scale figure.




Edgar Degas, Little Dancer Aged Fourteen, modeled 1879-1881, cast posthumously 1919-1921


Edgar Degas, Little Dancer Aged Fourteen, modeled 1879-1881, cast posthumously 1919-1921.
Another view.

Pierre-Auguste Renoir, Bather Arranging Her Hair, 1885
Renoir retreats a bit from his earlier Impressionism to focus more on the figure.

Auguste Rodin, Man with a Serpent, plaster, c. 1886.
This battle to the death is based on a figure from Rodin's unfinished Gates of Hell.

Auguste Rodin, Man with a Serpent, plaster, c. 1886.
From this angle we can see who has won and who has lost.



Sir Lawrence Alma-Tadema designed this Sample Panel for the Marquand Music Room, c. 1883-1884. Acquired by the Clark Art Institute in 2009.


Sir Lawrence Alma-Tadema designed this Steinway Model D Pianoforte No. 54538, 1884.
The fallfront was painted by John Poynter. Acquired by the Clark Art Institute in 1997.

Extensive renovations were underway in March of 2013. The galleries will reopen on July 4, 2014 with a new Visitor Center.

The Clark's Fiat
The Clark Art Institute, March 2013



Note:  More posts about Renoir may be seen here.

A total of only twenty-eight castings of the Degas Little Dance Aged Fourteen were made. See another one here.

Rodin is always good for a blog post or two. See my earlier posts here.

Other posts regarding works in the Clark Art Institute may be seen here.

May Day is International Workers' Day. I have collected some appropriate reading here.

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