Showing posts with label 15 May 1954. Show all posts
Showing posts with label 15 May 1954. Show all posts

Wednesday, January 30, 2019

James Thurber: The Dance of Life

Two James Thurber figures dancing in tandem lead off "The Talk of the Town" section of the New Yorker for May 15, 1954. Spring, evidently, was in the air.

James Thurber
Spot drawing
The New Yorker, May 15, 1954, page 29



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Thursday, July 10, 2014

Bernard Wiseman's Martian Horror

One hates to see original cartoon art from the New Yorker sell for less than the price of a tankful of gas or a bag of groceries. Such was the fate of this sixty-year-old gag cartoon by Bernard Wiseman. In all fairness, the eBay seller didn't know the caption for this drawing, and in its mute state it looked rather incomplete. The seller wrote, "This cartoon is of an alien, probably a Martian, sitting in a space age chair in his home & reading a story to 2 child Martians." Child Martians? Okay, fair enough.


As it turns out, the brown paper backing bears the original publication date and stamps on the back of the artwork confirm that it was published in the New Yorker, so the necessary research might have been within the means of almost anyone, even an eBay seller, and certainly any current New Yorker subscriber who owns a computer. 

So here's the eBay listing in full with the addition of the published caption, and a rather ungainly one at that, plus the relevant publication information. The cartoon as published in the pages of the New Yorker is also included. We'll never know just what this drawing might have sold for if the full information had been provided, but one hopes more than $26.52.

The 1950's were the heyday of E. C. horror comics, gruesome graphic tales that more or less led to the establishment of the Comics Code Authority. Perhaps those lurid comic books had some influence on the style of Mr. Wiseman's caption.

Bernard Wiseman, "A wave of horror sickened her as she saw the creature approach. Its hands were a grotesque cluster of five fingers; its head, if it could be called that, was small, with slits for eyes and a shapeless blob for a nose, and crowned with a rank, repulsive growth..."
Original artwork, The New Yorker, March 15, 1954, page 130

Bernard Wiseman, "A wave of horror sickened her as she saw the creature approach. Its hands were a grotesque cluster of five fingers; its head, if it could be called that, was small, with slits for eyes and a shapeless blob for a nose, and crowned with a rank, repulsive growth..."
Detail of original artwork, The New Yorker, March 15, 1954, page 130



Bernard Wiseman's signature


The date of publication is written on the paper backing.


Stamps confirm publication in the New Yorker.


http://www.ebay.com/itm/ORIGINAL-BERNARD-WISEMAN-CARTOON-ART-MARTIAN-STORY-TELLER-THE-NEW-YORKER-/370869411218?pt=Art_Drawings&hash=item56598a1d92&nma=true&si=UB68sj2DvLx%252F9kdb54zXrlCgzYs%253D&orig_cvip=true&rt=nc&_trksid=p2047675.l2557



Bernard Wiseman, "A wave of horror sickened her as she saw the creature approach. Its hands were a grotesque cluster of five fingers; its head, if it could be called that, was small, with slits for eyes and a shapeless blob for a nose, and crowned with a rank, repulsive growth..."
The New Yorker, March 15, 1954, page 130

Bernard Wiseman, "A wave of horror sickened her as she saw the creature approach. Its hands were a grotesque cluster of five fingers; its head, if it could be called that, was small, with slits for eyes and a shapeless blob for a nose, and crowned with a rank, repulsive growth..."
The New Yorker, March 15, 1954, page 130




Note:  Make sure you're up to date on all the blog's little green men--even if none of them are really green.

Perhaps you'd like to see more examples of original New Yorker cartoon art? I wish I could help you.

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Saturday, April 12, 2014

The Dream House: Constantin Alajálov New Yorker Cover Art

Sure, Constantin Alajálov's New Yorker cover of May 15, 1954 is in its essence a comment on postwar real estate development, but it doesn't depict a typical suburban tract. Instead, we get to see this average-looking couple's dream house and--surprise!--it's modernist. Alajálov has used his prodigious skills as an illustrator not only to show us what can't be shown in any other medium, but also to subvert our conventional expectations. What a fine illustration this is!
Constantin Alajálov, Framed original artwork, The New Yorker, May 15, 1954

Back in 2007 when this original artwork was sold, I was a novice at preserving online auction sales records although I did make one or two halting attempts. This blog did not exist in those days, of course; I was copying the sales records for myself and I knew better than to try my hand at anything so preposterous as writing a blog. This Alajálov piece is one of those rare eBay auctions from that time period that I did manage somehow to archive, unnecessarily, as it turns out. The auction house's own online archive still records the sale. A bit of redundancy is good for the internet, no?

The eBay record:




 The Pook & Pook auction house record, which includes the 22% buyer's premium:
http://www.pookandpook.com/cat/2007-10-26/260

Constantin Alajálov, The New Yorker, May 15, 1954


Note:  Am I alone in this? It occurs to me that there must be other folks with a similar obsessive bent and perhaps a better track record than mine at preserving old auction sales of vintage illustration art. If you are likewise afflicted and you'd like to share your archival records of relevant auctions here, please get in touch.

Constantin Alajálov was no one-hit wonder. See other blog posts about him here.

Would you care to see more original New Yorker cover art? You've come to the right place! Check out the archives here.

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