Tuesday, February 4, 2025

The CartoonStock Cartoon Caption Contest No. 189

In the CartoonStock Caption Contest number 189, a doctor engaging in high risk, unhealthy behavior is talking to his patient in the examining room.


The rules of the monthly cash prize contest have not changed (and neither has my description of them): Five dollars buys up to three entries. Real cash prizes are $500 for first place and $100 for each of five runners up. As of this writing, I've put $170 into the first thirty-four pay-to-play contests and this thirty-fifth challenge brings my total cash outlay up to $175. Having achieved runner-up status with two previous entries, I've collected $200 from CartoonStock, so I'm still playing with the house's money, thank goodness. In fact, so few contestants enter that the odds may generally be considered favorable even for us less-gifted caption writers. My three entries are shown below, above the break. The cartoonist is Peter Kuper. 

"How about something to warm your insides?"
"I don't see any red flags."
"Any second-hand exposures?"
* * *
"And you don't look like much of a patient."
"I didn't get my break."
"Have you considered vices?"
"Take it from me."





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Monday, February 3, 2025

My Entry in The New Yorker Cartoon Caption Contest #931

In The New Yorker Cartoon Caption Contest #931 from the issue of February 3, 2025, a pirate captain has lost his left hand but gained a whisk (instead of a hook). He addresses two of his crew. The drawing is by that scallywag Benjamin Schwartz.
"Don't aye-aye me. Just say 'Yes, chef.'"






These captions didn't follow the recipe:
"I thought it was for making whiskey."
"Can ye guess the secret of my frothy cream?"







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Sunday, February 2, 2025

Damn the Good Doktor: Fear and Loathing in Las Vegas by Hunter S. Thompson and Ralph Steadman

A first edition copy of Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream (1971) by Hunter S. Thompson is signed by the book's illustrator, Ralph Steadman. He includes a striking color drawing of Thompson, his friend and collaborator, about whom he writes, "Damn the Good Doktor." Thompson never earned a genuine doctorate but he appropriated the title anyway.










Fear and Loathing in Las Vegas
AbeBooks listing accessed February 2, 2025


Fear and Loathing in Las Vegas
AbeBooks item description





 


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Saturday, February 1, 2025

R. O. Blechman at "Drawn From The New Yorker: A Centennial Celebration"

One of the many pleasures currently on view at the Society of Illustrators is R. O. Blechman's original art for The New Yorker's 1996 anniversary issue. It is, of course, a witty variation on Rea Irvin's classic Eustace Tilley cover. Who says a woman can't be as effete holding a monocle as a man? This is just a single piece from the exhibition "Drawn From The New Yorker:  A Centennial Celebration."


Eustacia Tilley
R. O. Blechman
The New Yorker, February 26 & March 2, 1996




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Friday, January 31, 2025

Rea Irvin at "Drawn From The New Yorker: A Centennial Celebration"

Would your typical magazine reader back in 1925 have had an inkling that the two early New Yorker covers shown here were the work of the same illustrator? 




Today they're hanging side by side in "Drawn From The New Yorker: A Centennial Celebration," the exhibition at the Society of Illustrators curated by cartoonist Liza Donnelly. The artist capable of adopting such different styles is, of course, Rea Irvin.


The framed magazine, right, is a copy of the actual first issue of The New Yorker. Irvin's dandy, who would later be christened Eustace Tilley by humorist Corey Ford, was a throwback even in 1925. Irvin's source was an image of the Count d'Orsay from 1834. Somehow this anachronistic character who condescended to regard a butterfly through his monocle was to become the iconic symbol of the most remarkable of magazines. Editor Harold Ross's choice of this quirky cover design somehow reflects his singular vision for the magazine. Tilley is impossibly refined, a stodgy relic from a time when the Jazz Age couldn't even be imagined. This cover is, without question, an outlier on the newsstands in February of 1925, a cryptic teaser, perhaps, as to what may lie within. And it is a classic. 

The New Yorker's twelfth issue, dated May 9, went to press with Irvin's fifth cover adorning the magazine. The original art appears in the show. In contrast to the graceful Tilley profile, it is very cartoony. Instead of the upper crust, we see the working class. And here Irvin has doubled down on the butterflies. New York's street sweepers were known as White Wings because of their regulation white uniforms. Clearly, Irvin is indulging in a visual pun.



Note:  The blog's archives have a good deal more to say about The New Yorker's first issue, the twelfth issue, and Rea Irvin's magazine work in celebration of the New Year. Or see what other publications awaited magazine readers at the newsstand in February of 1925 here.




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Thursday, January 30, 2025

The 1945 Eustace Tilley Printing Plates: "Covering The New Yorker"

The exhibition "Covering The New Yorker" is currently on view at L'Alliance New York. The show is curated by art editor Françoise Mouly and co-curated by Rodolphe Lachat in celebration of the magazine's centennial. The display focuses on original cover art that has appeared over the past thirty years under this art editor's tenure, as the signage at the entrance makes clear. Still, there are some surprises in store, including the copper plates used to print color separations of the cover of the 1945 anniversary issue. 


Icon
Christoph Niemann

Eustace Tilley:  The Face of The New Yorker













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Wednesday, January 29, 2025

The New Yorker's Newsstand Price

The New Yorker first issue was published in February 1925, just a few weeks shy of a century ago, as a humorous weekly with a fifteen cent cover price. That fifteen cents, according to the U.S. Bureau of Labor Statistics, would be worth $2.75 as of December 2024, the last full month for which numbers are available.


Rea Irvin
The New Yorker, February 21, 1925

The latest issue of the magazine, dated February 3, 2025, saw the cover price increase from $8.99 to $9.99. Why has the cost of the magazine gone up nearly four times the Consumer Price Index? 
Messenger
Kadir Nelson
The New Yorker, February 3, 2025


https://www.bls.gov/data/inflation_calculator.htm




There are certainly multiple reasons for this:  the global decline of print media, the increasing cost of keeping a talented staff wherever there's news, and the sustained loss of advertising revenue feature prominently. Certainly The New Yorker is a serious news organization today, not just a humor magazine, and such enterprises are experiencing financial challenges in all media. The good news is that subscription rates are still relatively reasonable and the magazine has not compromised its very high editorial standards.


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Tuesday, January 28, 2025

The Original Art Exhibit 2024 at the Museum of American Illustration

Image added February 2, 2025

"The Original Art" is an annual exhibition of original children's book illustration. It is on display in the Museum of American Illustration at the Society of Illustrators in New York. The 2024 show will be closing on February 1. Here are some of the pieces on display.












Exactly as Planned
Tao Nyeu

K Is In Trouble
Gary Clement




Virginia Wouldn't Slow Down!: The Unstoppable Dr. Apgar and Her Life-Saving Invention
Nancy Carpenter





Puss in Boots
Fred Marcellino


Time to Make Art
Jeff Mack





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