Monday, December 29, 2025

Robert Benchley's Copy of The Making of a Magazine: A Tour Through the Vast Organization of The New Yorker by Corey Ford

It was the humorist Corey Ford who gave the name Eustace Tilley to The New Yorker's dandy peering at a butterfly through a monocle. Rea Irvin drew him on the cover of the first issue, of course, but it was the illustrator Johan Bull who depeicted him in Ford's satirical history The Making of a Magazine: A Tour Through the Vast Organization of The New Yorker (1926).


Robert Benchley's copy was inscribed to him by Ford. It was offered on eBay in August for $700. The price was slowly lowered until the book sold for $275 in late November.




















Corey Ford
eBay listing ended August 28, 2025


Corey Ford
eBay item description




Sold!





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Sunday, December 28, 2025

Charles Addams: A Legacy of Unicorns

Yesterday's installment of Bliss, Harry Bliss's syndicated single-panel cartoon, is set in a hotel room where two unicorns have just finished having sex. The female is pulling on a stocking while the male is smoking a cigarette. Two horseshoes may be seen on the floor.

"You'd better hurry—we'll miss the ark."
Harry Bliss
Bliss, December 27, 2025



The scene is contemporary and, of course, nicely rendered. Many Bliss readers may be unaware that the idea behind this gag comes from a classic drawing by Charles Addams, one of his very best:


Charles Addams
The New Yorker, March 10, 1956, p. 44



Addams, though, is not going for the belly laugh. His cartoon is not meant to be funny so much as poignant. It is full of atmosphere and emotion. Read left to right, foreground to background, it tells a moving story. The original art is in the collection of the New York Public Library.

Those branches Addams shows sticking out of the water may be echoed in Bliss's motel room painting. It's hard to say for certain. What do you think?

Unicorns and the ark are not a new idea. Curiously, there are some 15th and 17th century depictions of unicorns actually on board the ark. This begs the question of how and when they might have died off. Addams may well have been the first to depict the unicorns becoming extinct because they missed the ark.

Like Bliss, Hallmark couldn't resist going for the big laugh. A unicorns-missing-the-ark card was marketed by their Shoebox division because exclamations like "Oh, crap!" just don't feel at home in the Hallmark imprint. I spotted it in the card rack at a local pharmacy in early 2020. I believe this card has since been discontinued.







Another contemporary New Yorker cartoonist, Ellis Rosen, has put his own spin on the idea—twice.
https://www.facebook.com/photo?fbid=1333542411474003&set=pcb.1333542478140663



And, in acknowledgement of the pickleball trend . . . 

https://www.facebook.com/photo/?fbid=10163402974629851&set=gm.1314486600006935



Inevitably, there are many more examples out there, too many. I won't try to catalogue them all as there is that law of diminishing returns. As far as I can tell, The New Yorker is where it all started. Regardless of that, I don't think Addams's version will ever be equalled.
With a drawing by Charles Addams and a Profiles illustration by Abe Birnbaum



Note:
  It is, of course, possible that there is some depiction of a pair of unicorns missing Noah's ark that predates the Addams drawing. If such a thing exists and anyone knows of it, please get in touch.

This is not the first time Harry Bliss has mined the work of Charles Addams. I have enumerated other examples here. 


* * *


Before we go, let me just note that Abe Birnbaum illustrates the Profiles page and he includes a piece of technology that was then state-of the art but is now obsolete:
Emory Cook
Abe Birnbaum
The New Yorker, March 10, 1956, p. 45


Modern publishing techniques do not often require column fillers, which may also be considered obsolete, but I do really miss the Newsbreaks—though not quite as much as the Addams cartoons.


Quality prints of this wonderful Addams cartoon are available from the Tee & Charles Addams Foundation, which holds the copyrigtht. Just follow the aqua link.






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Saturday, December 27, 2025

Miguel Covarrubias: Economy of the Pacific

Miguel Covarrubias created the illustrated map Economy of the Pacific for the World's Fair Golden Gate International Exposition held in 1939-1940. It was also published as the centerfold of Fortune magazine in the May 1939 issue. Argosy Book Store of Manhattan has one on hand available for purchase.

Miguel Covarrubias
Economy of the Pacific
Fortune, May 1939

Miguel Covarrubias
Argosy Book Store listing accessed December 21, 2025






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Friday, December 26, 2025

George Booth: Calling Howard in London

A drawing sold last month on eBay shows cartoonist George Booth following his muse to unusual places. The cartoon depicts a transatlantic phone conversation in which three speakers, if that's indeed the correct term, chat with an unseen man in London named Howard.


The page is given over almost entirely to long columns of text in three conjoined word balloons. Drawings of the three speaking characters are pieced together in patches at the bottom. 

The patches impart a seeming third dimension to the drawing.

It isn't clear why the word balloons of three different speakers should be connected in this manner:

Pinholes are in each corner, apparently. There is a copyright symbol by the signature.

The ink of the unruly 1978 work has faded. The art is framed and matted.

Printer's notations are present including "Note / Do not let the line work break up." Hinges, marked Horan Engr. Co. (of Manhattan), are in place.


How commendable of the Princeton framer to use a date stamp!

The eBay listing sold on November 12.
George Booth
eBay listing ended November 12, 2025


George Booth
eBay item description




Note:  Any reader who may know just where this drawing was published should get in touch with me. Readers in possession of other George Booth drawings are invited to tell their stories and send scans or photos. Or we could have a conference call.



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