Showing posts with label barber. Show all posts
Showing posts with label barber. Show all posts

Wednesday, July 2, 2025

Gahan Wilson: At the Barber's

An original Playboy cartoon by the irrepressible Gahan Wilson was sold two weeks ago in East Moriches. The setting is a barber shop.

"The usual, sir?"
"Yes, please."

Gahan Wilson
Original art
Playboy, December 1982

Gahan Wilson's signature


With overlay


Gahan Wilson
South Bay Auctions, Inc., listing of June 18, 2025




The drawing appears on page 472 of Gahan Wilson: Fifty Years of Playboy Cartoons (2009) which helpfully dates it to the December 1982 issue:

Monday, March 23, 2020

My Entry in The New Yorker Cartoon Caption Contest #702

Just in time for the closing of all the hair salons and barber shops in New York, New Jersey, Connecticut, and Pennsylvania in order to mitigate the spread of COVID-19, I humbly present my entry in The New Yorker Cartoon Caption Contest #702 for March 23, 2020. The drawing is by Drew Panckeri.
"Don't take anything off the top."


These captions were a cut or two below the rest:
"Do you clip wings?"
"How did you know I live alone."
"Are you experiencing any symptoms of bird flu?"
"Relax. I just want a shave."
"Can your sink double as a bird bath?"


March 30, 2020 Update:  The Finalists


April 6, 2020 Update:
  I voted with LA.



April 13, 2020 Update:  The Winner




Note:  In last week's Caption Contest, cartoonist Mort Gerberg took us to a restaurant where a mouse was ordering from the menu. I just couldn't "eek" out a good caption. (Ouch!) Still, if you would just help me climb down off the chair, then we can both take a deep breath and enjoy Contest #701. 


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Friday, December 14, 2018

Barbara Shermund: Santa Pampered

In the January 1941 issue of Esquire, cartoonist Barbara Shermund reminds us that it's that time of year when everyone is eager to get on Santa Claus's good side.
Barbara Shermund
Esquire, January 1939, page 72



The composition is very busy, but it basically is arranged along the simple diagonal established by Santa's reclining body. The color scheme is dominated by red and white, as determined by Santa's well-known outfit. His excessively ruddy complexion seems intended to make his contented face the focal point of the drawing. Three pairs of hands are drawn with great expressivity and delicacy. The exception is the comparatively crude pair of hands of the shoeshine boy. He is presented as a racial stereotype of the sort commonly portrayed in various media of the period.


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