Wednesday, May 6, 2026

Chon Day: Wartime Communication

An original cartoon by Chon Day was sold on eBay in early April. It has a military theme, but recalls some details from stateside.

"Please limit your call to three minutes—"
Chon Day
Original cartoon art

The eBay seller writes, "this is an old original Chon Day New Yorker editorial cartoon. Maybe it's from World War II or something? it very well could be, his work was being published in the 30s 40s 50s, all them decades." I'll buy that it's "from World War II or something." I'll go further and suggest that it's set in the Pacific Theater.




The back of the art isn't as helpful as it might be. There is certainly nothing here to suggest publication in The New Yorker, which the seller so wishes to believe. The date is written as a Monday, May 1—I can't make out the rest—but where and what year? The first of May did fall on a a Monday in 1944—that year would have to be my first guess.

Chon Day
eBay listing ended April 1, 2026

Chon Day
eBay item description







Note:  Please be a good soldier and get in touch if you know just where and when this Chon Day cartoon was published. Just have the operator ring me. And don't talk all day.




05259

Tuesday, May 5, 2026

Bruce Eric Kaplan: Herb's Story

An original New Yorker cartoon by Bruce Eric Kaplan was sold at Heritage Auctions on February 6. It comes from the estate of Irvin Grief, Jr., and is the first work of BEK's to be offered by the auction house.

Herb got in touch with his inner monkey
Bruce Eric Kaplan
Original art
The New Yorker, February 3, 1992, p. 70


The cartoon purports to relate the story of Herb's enlightenment. Of course, it is just plain silly. Or, if you prefer, bananas.
Herb got in touch with his inner monkey
Bruce Eric Kaplan
Framed, original art
The New Yorker, February 3, 1992, p. 70

Paper backing

Twenty days prior to the auction, bidding had scarecely begun.
Bruce Eric Kaplan
Heritage Auctions listing of February 6, 2026, accessed on January 17, 2026


Heritage identified the correct issue of The New Yorker in which this drawing appeared but it was on page 70, not page 41. Was Herb's inner monkey helping with the research?

Bruce Eric Kaplan
Heritage Auctions item description 

Sold!

The artist's signature, BEK, has been largely obliterated in the original. There may have been a patch over it when it was photographed for the magazine. The banner was rewritten and had a period in the published version. It is a sentence, after all.
Herb got in touch with his inner monkey.
Bruce Eric Kaplan
The New Yorker, February 3, 1992, p. 70

Herb got in touch with his inner monkey
Bruce Eric Kaplan
Original art
The New Yorker, February 3, 1992, p. 70

With a cartoon by Bruce Eric Kaplan




05258

Monday, May 4, 2026

My Entry in The New Yorker Cartoon Caption Contest #989

In The New Yorker Cartoon Caption Contest #989 from the issue of May 4, 2026, a caveman stands and speaks testily to a second caveman who is sitting and carving Lego bricks. The standing caveman speaks. My submission is below. The drawing is by Robert Leighton.

"Stop procrastinating and make us a wheel."




05257

Thursday, April 30, 2026

Arthur Rackham: Out the Little Old Woman Jumped

Out the little old woman jumped, and whether she broke her neck in the fall or ran into the wood and was lost there, or found her way out of the wood and was taken up by the constable and sent to the House of Correction for a vagrant as she was, I cannot tell. But the three Bears never saw anything more of her.
—Robert Southey

Perhaps I should have begun with a spoiler alert. This version of the story, by Robert Southey, is less familiar today than the version with Goldilocks. Southey became England's Poet Laureate in 1813 and was able to dedicate his life to writing. In 1819, it will be recalled, Lord Byron famously savaged him in the Dedication to Don Juan. Southey kept writing, and in 1837 he published The Story of the Three Bears.


In this first version of the tale, the three bears were bachelors and there was as yet no blonde little girl, just a mean little old woman. Southey's story is included in The Arthur Rackham Fairy Book published in 1933 by George G. Harrap & Co, Ltd. Rackham included original watercolor drawings in the first ten numbered copies of the signed edition of four-hundred sixty. Copy no. 5 is currently offered by Peter Harrington of London, and it is in this copy that Rackham chose to illustrate the little old woman jumping from a window.












Arthur Rackham
Peter Harrington listing accessed April 29, 2026


Arthur Rackham
Peter Harrington item description


Note:  I would like to hear from collectors with other "specials" like this one bearing original watercolor drawings by Arthur Rackham. 


05256

Wednesday, April 29, 2026

My Entries in the Moment Cartoon Caption Contest for Spring 2026

Moment magazine's Cartoon Caption Contest for the Spring 2026 issue shows a man reading from the Torah at a Jewish religious service. In place of the traditional pointer, he is using a foam finger. The drawing is by cartoonist and sports fan Benjamin Schwartz. The reader speaks. My captions appear below.

"I'll be quick. They need me at the game."
"I can't see a thing with these glasses."
"Do I look like some kind of silversmith?"
"I'm telling you I looked everywhere."
"It's probably in the back of some drawer."
"I brought a different one for each aliyah."



05255

Tuesday, April 28, 2026

The CartoonStock Cartoon Caption Contest No. 205

In the CartoonStock Caption Contest number 205, a man wearing a leaf blower has arrived at the Pearly Gates. St. Peter is the speaker. The cartoonist, new to this blog, is Tim Mellish.

"That's an ungainly piece of equipment to bring up to a roof."
"And I suppose you couldn't hear the church van?"
"Why do you think your neighbor went for his rifle?"











05254

Monday, April 27, 2026

My Entry in The New Yorker Cartoon Caption Contest #988

In The New Yorker Cartoon Caption Contest #988 from the issue of April 27, 2026, a hammerhead shark is besting three people in a game of poker. The card shark speaks. My submission is below. The drawing is by Lynn Hsu.

"My game has really improved with the new contacts."





05253

Wednesday, April 22, 2026

James Thurber: Out of Fix

On June 13, 1934, an amendment to the Code was adopted, which established the Production Code Administration (PCA) and required all films released on or after July 1, 1934, to obtain a Seal of Approval before being released.


Leave it to the cartoonists of The New Yorker to find the humor in such moral high-handedness. And, in this case specifically, leave it to James Thurber, whose original cartoon art on the subject was sold yesterday at Heritage Auctions. He does have a way with domestic scenes.

"She's out of fix because they've cleaned up the movies."
Original art
James Thurber
The New Yorker, September 29, 1934, p. 13

What a great idea it was for Thurber to portray the indignation of the young girl here—she still has a doll!—the very sort of person the Hays Code was allegedly trying to protect. 

To me, it's an odd turn of phrase to say, "out of fix." It sounds wrong to my ear, but I take it to be close to "out of joint" or "bent out of shape."
"She's out of fix because they've cleaned up the movies."
Framed, original art
James Thurber
The New Yorker, September 29, 1934, p. 13

"October 6th or before," reads the notation on the back. The New Yorker knew it had a timely cartoon on its hands. It was published in the September 29 issue while the topic was still fresh in the public's mind.
Verso




James Thurber
Heritage Auctions listing accessed 22 days before the sale


James Thurber
Heritage Auctions item description



The present work, of course, translates well onto the printed pages of The New Yorker:
"She's out of fix because they've cleaned up the movies."
James Thurber
The New Yorker, September 29, 1934, p. 13

"She's out of fix because they've cleaned up the movies."
Original art
James Thurber
The New Yorker, 
September 29, 1934, p. 13


Sold!





* * *

On the page opposite the Thurber drawing, that old romancer Alain gets a little forward with the body language. Thurber's body language by comparison is rather restrained, at least in this issue. 
            "Go on, don't give
me that personality stuff!"

Alain
The New Yorker, September 29, 1934, p. 12





Note:  This blog will remain out of fix indefinitely.




05252