Showing posts with label Noah's Ark. Show all posts
Showing posts with label Noah's Ark. Show all posts

Thursday, March 12, 2026

Ludwig Bemelmans: The Old Port and the Arche de Noé, Antibes

An undated painting of Antibes by Ludwig Bemelmans shows the old port and l'Arche de Noé. The art is available for $19,995 from Meier and Sons Rare Books of New Canaan.













Ludwig Bemelmans
AbeBooks listing accessed January 5, 2026







The selfsame piece was sold at auction in 2019 for $10,000.

This piece was sold in 2019 by Leland Little for $10,000.
Ludwig Bemelmans
Leland Little Important Fall Auction sale of September 21, 2019



View through arch to Port Vauban marina and Antibes old town (Vieil Antibes) from Fort Carré in Antibes, French Riviera, Côte d'Azur, Provence, France

https://www.alamy.com/view-through-arch-to-port-vauban-marina-and-antibes-old-town-vieil-antibes-from-fort-carr-in-antibes-french-riviera-cte-dazur-provence-france-image610667417.html









0517x

Sunday, December 28, 2025

Charles Addams: A Legacy of Unicorns

Yesterday's installment of Bliss, Harry Bliss's syndicated single-panel cartoon, is set in a hotel room where two unicorns have just finished having sex. The female is pulling on a stocking while the male is smoking a cigarette. Two horseshoes may be seen on the floor.

"You'd better hurry—we'll miss the ark."
Harry Bliss
Bliss, December 27, 2025



The scene is contemporary and, of course, nicely rendered. Many Bliss readers may be unaware that the idea behind this gag comes from a classic drawing by Charles Addams, one of his very best:


Charles Addams
The New Yorker, March 10, 1956, p. 44



Addams, though, is not going for the belly laugh. His cartoon is not meant to be funny so much as poignant. It is full of atmosphere and emotion. Read left to right, foreground to background, it tells a moving story. The original art is in the collection of the New York Public Library.

Those branches Addams shows sticking out of the water may be echoed in Bliss's motel room painting. It's hard to say for certain. What do you think?

Unicorns and the ark are not a new idea. Curiously, there are some 15th and 17th century depictions of unicorns actually on board the ark. This begs the question of how and when they might have died off. Addams may well have been the first to depict the unicorns becoming extinct because they missed the ark.

Like Bliss, Hallmark couldn't resist going for the big laugh. A unicorns-missing-the-ark card was marketed by their Shoebox division because exclamations like "Oh, crap!" just don't feel at home in the Hallmark imprint. I spotted it in the card rack at a local pharmacy in early 2020. I believe this card has since been discontinued.







Another contemporary New Yorker cartoonist, Ellis Rosen, has put his own spin on the idea—twice.
https://www.facebook.com/photo?fbid=1333542411474003&set=pcb.1333542478140663



And, in acknowledgement of the pickleball trend . . . 

https://www.facebook.com/photo/?fbid=10163402974629851&set=gm.1314486600006935



Inevitably, there are many more examples out there, too many. I won't try to catalogue them all as there is that law of diminishing returns. As far as I can tell, The New Yorker is where it all started. Regardless of that, I don't think Addams's version will ever be equalled.
With a drawing by Charles Addams and a Profiles illustration by Abe Birnbaum



Note:
  It is, of course, possible that there is some depiction of a pair of unicorns missing Noah's ark that predates the Addams drawing. If such a thing exists and anyone knows of it, please get in touch.

This is not the first time Harry Bliss has mined the work of Charles Addams. I have enumerated other examples here. 


* * *


Before we go, let me just note that Abe Birnbaum illustrates the Profiles page and he includes a piece of technology that was then state-of the art but is now obsolete:
Emory Cook
Abe Birnbaum
The New Yorker, March 10, 1956, p. 45


Modern publishing techniques do not often require column fillers, which may also be considered obsolete, but I do really miss the Newsbreaks—though not quite as much as the Addams cartoons.


Quality prints of this wonderful Addams cartoon are available from the Tee & Charles Addams Foundation, which holds the copyrigtht. Just follow the aqua link.






05169

Monday, November 10, 2025

My Entry in The New Yorker Cartoon Caption Contest #967

In The New Yorker Cartoon Caption Contest #967 from the issue of November 10, 2025, we see Noah's Ark passing an iceberg. Noah speaks, or perhaps shouts. My entry appears below. The drawing is by Jerald Lewis.

"I forgot lifeboats."



These captions wouldn't hold water:

"We must have missed the Holy Land."
"I can't build a zoo here!"
"And on the other side there's a great white shark."
"Why did I take the transatlantic route?"
"Any chance that's Mount Ararat?"
"Let's stay here until the icemaker is fixed."
"Thank goodness this will never happen again."




November 22, 2025 Update:  The Finalists





November 28, 2025 Update:  I voted for the caption from Toronto.


December 1, 2025 Update:  The Winner







05118

Monday, March 18, 2024

My Entry in The New Yorker Cartoon Caption Contest #889

Two salmon board Noah's Ark in The New Yorker Cartoon Caption Contest #889 from the issue of March 18, 2024. My caption is shown below. The drawing is by Mads Horwath.

"We're just going upstream."







March 31, 2024 Update:  The Finalists








April 6, 2024 Update:  I voted for the caption from Center Cross.



April 12, 2024 Update:  The Winner






04605

Saturday, December 12, 2020

Perry Barlow: Toys Have Consequences

Even seven decades ago consumers were evaluating potential Christmas toy purchases by criteria other than simply how much pleasure they might give. Perry Barlow's cartoon for the December 10, 1949 Collier's shows a somber couple contemplating a purchase that could have ramifications throughout the household. In contrast, the woman trying out the trumpet, which can have its own widespread effects, seems to be lost in the moment. One wonders whether the recipient will be as pleased.
Perry Barlow
Collier's, December 10, 1949

Scan by Dick Buchanan



Note:  You can always tell a scan from the Dick Buchanan cartoon clip files. It's crisp and sharp and seems to look better, if possible, than the cartoon did in the original magazine. This is Dick's fifty-seventh appearance here on Attempted Bloggery. 
I am honored to have him contributing. Dick also contributes regularly to Mike Lynch Cartoons, most recently a post entitled "From the Dick Buchanan Files: Gag Cartoon Clichés Part 7 1937 - 1963," the seventh installment in the wonderful series. Me, I avoid clichés like the plague. (Oops, I used that one already.)

My wife tells me our fax machine can make scans too, but that seems pretty farfetched to me.
 
 
03470

Monday, August 11, 2014

Boating License?

Here's how one motorist awaits the deluge:

"NOAH ARK"
New York State license plate


Note:  Check out my other license plate posts before the next big storm system hits.

01244

Monday, May 13, 2013

My Entry in The New Yorker Cartoon Caption Contest #380

This is my entry in The New Yorker Cartoon Caption Contest #380 for May 13, 2013. The drawing is by Paul Noth.
"Why didn't we bring a shovel?"


May 20, 2013 Update:  The Finalists



June 3, 2013 Update:  The Winning Caption



Note:  Read my previous entry in the Cartoon Caption Contest here.

0723

Sunday, July 8, 2012

Eldon Dedini's Warning Gong

It seems someone has overstayed his welcome on the gangway to Noah's Ark! This original cartoon art by Eldon Dedini was sold on eBay in May with the Buy It Now feature. It was published in The New Yorker in 1963.


Eldon Dedini, "You'd better go now, Fred. I think I heard the warning gong."
Original artwork for The New Yorker, October 26, 1963, p. 56

Eldon Dedini Original Artwork Winning Bid

Eldon Dedini Original Artwork Item Description

Eldon Dedini, "You'd better go now, Fred. I think I heard the warning gong."
The New Yorker,
 October 26, 1963, p. 56
 
Eldon Dedini, "You'd better go now, Fred. I think I heard the warning gong."
The New Yorker,
October 26, 1963, p. 56

Eldon Dedini, "You'd better go now, Fred. I think I heard the warning gong."
Original artwork for The New Yorker, October 26, 1963, p. 56

0393