Showing posts with label Bliss. Show all posts
Showing posts with label Bliss. Show all posts

Sunday, December 28, 2025

Charles Addams: A Legacy of Unicorns

Yesterday's installment of Bliss, Harry Bliss's syndicated single-panel cartoon, is set in a hotel room where two unicorns have just finished having sex. The female is pulling on a stocking while the male is smoking a cigarette. Two horseshoes may be seen on the floor.

"You'd better hurry—we'll miss the ark."
Harry Bliss
Bliss, December 27, 2025



The scene is contemporary and, of course, nicely rendered. Many Bliss readers may be unaware that the idea behind this gag comes from a classic drawing by Charles Addams, one of his very best:


Charles Addams
The New Yorker, March 10, 1956, p. 44



Addams, though, is not going for the belly laugh. His cartoon is not meant to be funny so much as poignant. It is full of atmosphere and emotion. Read left to right, foreground to background, it tells a moving story. The original art is in the collection of the New York Public Library.

Those branches Addams shows sticking out of the water may be echoed in Bliss's motel room painting. It's hard to say for certain. What do you think?

Unicorns and the ark are not a new idea. Curiously, there are some 15th and 17th century depictions of unicorns actually on board the ark. This begs the question of how and when they might have died off. Addams may well have been the first to depict the unicorns becoming extinct because they missed the ark.

Like Bliss, Hallmark couldn't resist going for the big laugh. A unicorns-missing-the-ark card was marketed by their Shoebox division because exclamations like "Oh, crap!" just don't feel at home in the Hallmark imprint. I spotted it in the card rack at a local pharmacy in early 2020. I believe this card has since been discontinued.







Another contemporary New Yorker cartoonist, Ellis Rosen, has put his own spin on the idea—twice.
https://www.facebook.com/photo?fbid=1333542411474003&set=pcb.1333542478140663



And, in acknowledgement of the pickleball trend . . . 

https://www.facebook.com/photo/?fbid=10163402974629851&set=gm.1314486600006935



Inevitably, there are many more examples out there, too many. I won't try to catalogue them all as there is that law of diminishing returns. As far as I can tell, The New Yorker is where it all started. Regardless of that, I don't think Addams's version will ever be equalled.
With a drawing by Charles Addams and a Profiles illustration by Abe Birnbaum



Note:
  It is, of course, possible that there is some depiction of a pair of unicorns missing Noah's ark that predates the Addams drawing. If such a thing exists and anyone knows of it, please get in touch.

This is not the first time Harry Bliss has mined the work of Charles Addams. I have enumerated other examples here. 


* * *


Before we go, let me just note that Abe Birnbaum illustrates the Profiles page and he includes a piece of technology that was then state-of the art but is now obsolete:
Emory Cook
Abe Birnbaum
The New Yorker, March 10, 1956, p. 45


Modern publishing techniques do not often require column fillers, which may also be considered obsolete, but I do really miss the Newsbreaks—though not quite as much as the Addams cartoons.


Quality prints of this wonderful Addams cartoon are available from the Tee & Charles Addams Foundation, which holds the copyrigtht. Just follow the aqua link.






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Thursday, July 14, 2022

The Perfect Piece of Toast: H. T. Webster and Harry Bliss

Yesterday's syndicated Bliss panel calls to mind H. T. Webster's 1948 classic from his series The Thrill That Comes Once in a Lifetime:

The Thrill That Comes Once in a Lifetime:
Newlyweds['] First Breakfast
H. T. Webster
November 27, 1948
The Best of H. T. Webster, 1953





Harry Bliss visits the same territory. He substitutes a dog for the woman at the table. This is something we saw him do in a 2017 panel inspired by a James Thurber New Yorker cartoon, so it certainly looks like a pattern.

Harry Bliss
Bliss

July 13, 2022



Stop me if you've heard this one already. In 2008, Harry Bliss famously borrowed from comic book legend Jack Kirby for a New Yorker Cartoon Caption Contest without crediting him. You can read about that controversy here. I have previously documented examples where his cartoon panels seemingly come very close to well-known work by Charles Addams, William Steig, and James Thurber. Coincidence? Tributes? Appropriation? Something else? You decide. Those posts can all be reviewed here. 


Note:  Does that cartoon by H. T. Webster look familiar? It's a favorite of mine and I have discussed it on this blog before. Revisit my musings here.



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Monday, January 4, 2021

A Wealth of Pigeons Signed by Harry Bliss and Steve Martin

A Wealth of Pigeons by Harry Bliss and Steve Martin is a cartoon collection published on November 17 that grew out of the collaboration between the cartoonist and the comedian in the pages of The New Yorker and on the panel strip Bliss. It retails for $28, but signed copies command a premium, especially given the desirability of a celebrity signature and the difficulty of conducting book signings during the current pandemic. A copy offered on AbeBooks for $72 on December 4 is signed by both authors on a bound-in page and has already been sold.


The signatures of Steve Martin and Harry Bliss




Harry Bliss and Steve Martin

Harry Bliss and Steve Martin
AbeBooks listing posted December 4, 2020



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Sunday, January 3, 2021

Harry Bliss: Inspired by James Thurber

Harry Bliss's syndicated panel cartoon Bliss for December 11, 2017 seems to take its inspiration from a classic New Yorker gag by James Thurber.





"That's my first wife up there, and this is the present Mrs. Harris."
James Thurber
The New Yorker, March 16, 1935, p. 33



A spot drawing by Maurice Freed (1911-1981) and a cartoon by James Thurber (1894-1961)



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Saturday, January 2, 2021

Harry Bliss: Inspired by Charles Addams

Last week we saw how Harry Bliss's cover art for The New Yorker issue of December 28, 2020 was directly based on a cartoon by Charles Addams that ran in the magazine back on December 27, 1952. Bliss readily acknowledges his debt to Addams, which can also be seen in his daily syndicated panel strip called simply Bliss. The panel for this past Tuesday, December 29, may well have been inspired by Addams's New Yorker cover of May 19, 1975:



Charles Addams
The New Yorker, May 19, 1975





On Halloween day of 2020, the inspiration for the Bliss cartoon was obvious to all with its appropriation of Addams Family characters—but to what end? Addams would never have created a gag like this. It reads, "Apologies to Charles Addams" at the lower left. (By the way, don't try this at home.)


Note:  My post on the December 28, 2020 New Yorker cover is here.



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Sunday, May 6, 2018

Mischa Richter: Decision Revision?

Mischa Richter's newspaper panel cartoon Strictly Richter was syndicated by King Features from 1945-1963 and then by Valen Associates into 1964. An original panel from the final year with King Features is currently available on eBay, although the seller seems unsure of just what it may be. The cartoon is set in a court room. It depicts a juror with some premature—and likely grandiose—concerns about the ultimate outcome of the trial.

It would seem to make sense for a New Yorker cartoonist to work on a daily newspaper panel strip, as it provides a ready outlet for those many cartoon ideas invariably rejected by the magazine. Besides Richter, William Hamilton had a daily panel strip for a while, and Harry Bliss does one today.


"I hope after we go through all this, the Supreme Court doesn't upset our decision."
Mischa Richter
Strictly Richter, February 5, 1963
King Features Syndicate

Mischa Richter's signature

Mischa Richter's signature

King Features Syndicate, Inc., 1963 copyright sticker

Mischa Richter
eBay Listing Retrieved May 5, 2018


Mischa Richter
eBay Item Description


May 14, 2018 Update:  The Buy It Now price has been reduced.


Note:  Attempted Bloggery seeks scans and photographs of original artwork by Mischa Richter (1910-2001) and other New Yorker artists. Leave no stone overturned.


Quick Links to the Attempted Bloggery Archives:


Mischa Richter

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Saturday, June 17, 2017

Harry Bliss and William Steig: No Spring Chickens

New Yorker cartoonist Harry Bliss publishes a daily syndicated cartoon called Bliss. Yesterday's cartoon offers a wry observation about getting older.
Harry Bliss, Bliss, June 16, 2017


The Bliss panel recalls a classic New Yorker cartoon by William Steig from almost fifty years ago that is, for me at least, an all-time favorite:
William Steig, The New Yorker, September 5, 1970, page 36


The Bliss cartoon is set at a contemporary cocktail party and it provides a clever line of conversation on the subject of aging, which of course is really the subject of mortality. The caption of the Steig cartoon, on the other hand, is not merely clever; it's brilliant, a real masterpiece: poetic, startling, biting—and far more memorable than the Bliss caption. Note how singularly disarming the word jackass is, coming as it does toward the end of an otherwise lyrical line. Steig's drawing too is one for the ages, no more specific to 1970 than it would be to 1920. It's such an inspired choice for William Steig, then nearly ten years older than Harry Bliss is today, to render this cartoon as a solitary line of timeless literate introspection rather than part of a more typical conversational exchange. These two cartoons embody almost the same idea, yet they are so unlike in execution...and in impact.


Quick Links to the Attempted Bloggery Archives:

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Monday, February 20, 2017

My Entry in the New Yorker Cartoon Caption Contest #557

It's time to serve up my entry in the New Yorker Cartoon Caption Contest #557 for February 13, 2017. The drawing is by Harry Bliss.
"Wait a minute—like WHOSE
mother used to make?"



February 23, 2017 Update:  The Semifinalists
https://www.research.net/r/557mcab


February 27, 2017 Update:  The Finalists



March 6, 2017 Update:  I voted for the first caption, the closest to my own.


March 13, 2017 Update:  Winning Caption



July 1, 2017: Harry Bliss's syndicated daily cartoon Bliss for June 30, 2017 revisits familiar territory. It is tempting to think Mr. Bliss has restored the cartoon's original caption here, but the wording is suspiciously close to that of the first of the finalists.



Note:  Last time, cartoonist P. C. Vey cooked up a space opera. My caption couldn't fire its booster rockets, but you can still launch into Contest #556.

The blog archives have yet more temptation from Harry Bliss.

Adam and Eve—we've seen them here before.

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