William Steig: Headstrong Husband

A 1970 New Yorker cartoon original by the great William Steig remained in the collection of Neil and Susan Sheehan for well over five decades, it seems. Then, along with a few other Steig drawings of theirs, it appeared suddenly on the market last weekend and was sold within twenty-four hours. At least we got to see it before it passed back into obscurity.

William Steig
Framed, original art
The New Yorker, January 10, 1970, p. 20

William Steig's signature

The price was $500.

William Steig
AbeBooks listing ended May 17, 2026

https://www.abebooks.com/art-prints/ORIGINAL-1970-NEW-YORKER-CARTOON-Signed/32447228712/bd?cm_ven=nl&cm_cat=trg&cm_pla=want_CM&ref_=pe_aep_AEP_wants_buyer-wants&cm_ite=img

Careful readers may have noticed that this week's posts include no fewer than three Steig drawings featuring disembodied heads. Coincidence? Not exactly. Yesterday's post was a variation on this same theme as Steig worked through the idea in his New Yorker submissions. As for Tuesday's post with that knight raising the severed head, well, these things happen.

Oh, yes. Here's how today's drawing looked in The New Yorker:

William Steig
The New Yorker, January 10, 1970, p. 20

William Steig
Framed, original art
The New Yorker, January 10, 1970, p. 20

With drawings by William Steig and Charles Saxon

https://archives.newyorker.com/newyorker/1970-01-10/flipbook/020/

* * *

It can be no accident that the simple, direct contours of the emotionally overwrought Steig drawing are contrasted on the page opposite with the lush tones and genteel manner of the cartoon by Charles Saxon, who here is conscripted to play superego to Steig's id, if you will. 

"It seems to me that you've simply got to be for
or against sex these days."
Charles Saxon
The New Yorker, January 10, 1970, p. 21

So there you have it: a cartoon depicting surreal, raw anger and one with politicized, unsexy talk of sex, both spanning a single spread in The New Yorker back in January of 1970. 

By the way, I don't recall any other New Yorker artist so casually having his character self-decapitate as Steig has done here. For that matter, who else has resorted to this Saxon trick of placing a face at a dinner party between the candles in a candelabra? For the cartoonists, it's all about the faces.

Ah, there are such riches to be found in these back issues.

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