Monday, March 3, 2025

My Entry in The New Yorker Cartoon Caption Contest #934

The New Yorker Cartoon Caption Contest #934 appeared in the issue of March 3, 2025. A realtor is showing a couple of potential buyers a home that exists in the form of a floor plan. The realtor speaks. The drawing is by Ellis Rosen.

"The previous owner flatlined."




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Sunday, March 2, 2025

Roz Chast at "Covering The New Yorker"

Three works of original art by cartoonist Roz Chast are included in "Covering The New Yorker," the exhibition currently showing at L'Alliance New York.

Roz Chast
Original art
The New Yorker, October 1, 1990

Roz Chast
Original art
The New Yorker, October 1, 1990





Venus on the Beach
Roz Chast
Original art
The New Yorker, August 4, 2014


Venus on the Beach
Roz Chast
The New Yorker, August 4, 2014


What T. S. Eliot says about April is what The New Yorker says about January:
Cruellest Month
Roz Chast
Original art
The New Yorker, January 29, 2018


Cruellest Month
Roz Chast
The New Yorker, January 29, 2018






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Roz Chast at "Drawn From The New Yorker: A Centennial Celebration"

Two original drawings by Roz Chast are included in the exhibition "Drawn From The New Yorker: A Centennial Celebration." They are currently on view in New York at the Society of Illustrators. The exhibition is curated by another New Yorker cartoonist, Liza Donnelly.

Nadine's First "Ma'am"
Roz Chast
Original art
The New Yorker, November 21, 1983, p. 169

Nadine's First "Ma'am"
Roz Chast
The New Yorker, November 21, 1983, p. 169



With an advertisement for Seiko and a cartoon by Roz Chast 




The second cartoon dates from fifteen years later. By coincidence, both cartoons appeared toward the back of the magazine.
Asexual Harassment
Original art
Roz Chast
The New Yorker, October 26, 1998, p. 200 

The errant spelling of harassment was corrected in the published version.

Asexual Harassment
Roz Chast
The New Yorker, October 26, 1998, p. 200



With a drawing by Roz Chast and a spot drawing by an unidentified artist 




* * *


Note:  Gone fishing! Perhaps someone can identify the artist responsible for this unsigned, humorous spot.
Fishing spot drawing
Artist Unidentified
The New Yorker, October 26, 1998, p. 201





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Friday, February 28, 2025

Jean-Michel Folon at "Drawn From The New Yorker: A Centennial Celebration"

Jean-Michel Folon shows us his keen sense of direction on the cover of the December 3, 1966, New Yorker. The original art is being exhibited at the Society of Illustrators, part of "Drawn From The New Yorker: A Centennial Celebration." The show is curated by Liza Donnelly. People who would like to see original New Yorker art of this outstanding quality should head over to the show by March 12, after which it will be downsized.

Jean-Michel Folon
Original art
The New Yorker,
 December 3, 1966



Jean-Michel Folon
The New Yorker, December 3, 1966



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Thursday, February 27, 2025

Saul Steinberg and Sarula Bao at "Covering The New Yorker"

There is one example of Saul Steinberg's New Yorker cover art in the exhibition "Covering The New Yorker" at L'Alliance New York. Unusually, it made the journey directly from sketchbook page to New Yorker cover.

The Man in the Mirror
Saul Steinberg
Original art
The New Yorker,
 January 12, 1998

The Man in the Mirror
Saul Steinberg
The New Yorker, January 12, 1998








Sarula Bao's
2024 cover Lunar New Year celebrates the Year of the Dragon. The cover art is reproduced in a limited edition signed print, of which this is no. 31/50.

Lunar New Year
Sarula Bao

Signed Print, no. 31/50
The New Yorker, February 5, 2024


Lunar New Year
Sarula Bao

The New Yorker, February 5, 2024





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Wednesday, February 26, 2025

Saul Steinberg at "Drawn From The New Yorker: A Centennial Celebration"

Saul Steinberg's New Yorker cover of January 17, 1959, is one that needs to be not only seen but read. The central figure on the impossibly grandiose monument depicted is Prosperity unfettered, while the surrounding paired figures reveal so very much about the contradictions inherent in America that Steinberg observed through his immigrant's eyes. The striking original art is currently on view at the Society of Illustrators, part of the essential show "Drawn From The New Yorker: A Centennial Celebration" curated by Liza Donnelly.

Saul Steinberg
Original art
The New Yorker,
 January 17, 1959


Saul Steinberg
The New Yorker, January 17, 1959



Meanwhile, the breadth of Steinberg's wildly inventive drawings inside the magazine is represented by a single image from 1963.

Saul Steinberg
Print
The New Yorker, February 23, 1963, p. 24

 


Saul Steinberg
The New Yorker, February 23, 1963, p. 24


With drawings by Saul Steinberg and Robert Day


* * *

It's not a part of the exhibition, of course, but on the printed page Steinberg's linear flight of artistic fancy is set opposite a wash drawing by Robert Day seeking humor in the not-so-humdrum daily business commute.
"A stockholder, maybe."
Robert Day

The New Yorker, February 23, 1963, p. 24




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Tuesday, February 25, 2025

Howard Moss's Copy of Snow Lessons by Ivar Ivask

Poet, playwright, and critic Howard Moss was The New Yorker's poetry editor from 1948 until his death in 1987, an impressive run. Very likely he accumulated a fine library. To wit, a copy of Snow Lessons (1986) by the Latvian-born poet and critic Ivar Ivask is signed and inscribed to Moss by the author. The volume is currently available on AbeBooks from Between the Covers Rare Books for $45 plus shipping. Ivask himself was the editor of the prestigious quarterly World Literature Today, formerly Books Abroad.




Ivar Ivask
AbeBooks listing accessed February 15, 2025


Ivar Ivask
AbeBooks item description



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Monday, February 24, 2025

My Entry in The New Yorker Cartoon Caption Contest #933

In The New Yorker Cartoon Caption Contest #933 from the centennial issue of February 17 & 24, 2025, an artist in Central Park prepares to sketch a pigeon. He appears angry as he speaks. The drawing is by Avi Steinberg.
"Smile, dammit."




These captions didn't soar:
"When is one of you going to pay me?"
"Will you be the first to keep still?"
"You ALL say you'll bring me bread."
"They're ALL good likenesses."
"When do I get to spread MY wings?"
"Are you sure you have a good side?"
"Just don't crumple it up in your beak and fly away."






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Sunday, February 23, 2025

Christen's Copy of Emergency Mouse by Bernard Stone and Ralph Steadman

Christen's copy of Emergency Mouse, Bernard Stone's 1978 storybook, was signed by illustrator Ralph Steadman in September of 1994. Steadman added a drawing of the mouse with the dedication line serving as the rodent's mouth.



Ralph Steadman
AbeBooks listing accessed February 15, 2025


Ralph Steadman
AbeBooks item description




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Saturday, February 22, 2025

Rea Irvin: George Washington's Birthday—and a Peter Arno Cover Rough

George Washington's birthday falls on February 22, a fact that was known to most Americans before the creation of Presidents' Day. An undated and unpublished New Yorker cover by Rea Irvin was intended, no doubt, to celebrate the great general on his day. That might just be Alexander Hamilton on the left side of the image handling his correspondence. The postage stamp, of course, is a deliberate anachronism—and the joke.


Irvin's proposed cover art is on view at L'Alliance New York, part of the show called "Covering The New Yorker" curated by the current art editor Françoise Mouly. It is one of only two original works of art representing the magazine's first seventy years, neither of which was a published cover.

The other work is a preliminary drawing for what was to became the cover of December 20, 1958. The artist, Peter Arno, must have originally intended this to be a drawing inside the magazine. Reworking it into a cover necessitated some changes. He removed the awning and the background wash to accommodate the logo. He also eliminated the doorman, taking the driver out of the car and making him the central, taller figure. Placing the drawing on the cover also allowed Arno to add a striking splash of holiday color. 






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