Thursday, April 5, 2012

Movie Review: The Fast and the Furious (2001)

The Fast and the Furious (2001)


Fast? Certainly. Furious? Yes, but not in a way that's consistent with staying alive for more than a few weeks. Believable? I don't think very many people could maintain such an expensive hobby as customizing race cars while perpetually crashing and trashing them. Not even an outlandish criminal scheme could support that kind of colossal waste. 


Interesting? Not terribly. But many folks must disagree with me. After all, they made a sequel...and then some.

"The Fast and the Furious" - Trailer

Video trailer of the 2006 re-release added May 27, 2012

287

Monkey Train Skate Decks by Jeff Koons

Jeff Koons designed a set of three Monkey Train skate decks which, like the skate deck sets of Damien Hirst here and Takashi Murakami here, are published in a limited edition of unknown size. Koons, like Murakami, has chosen cartoon figures for this project. I don't find them especially appealing, but then I'm not the target audience.

This concludes my foray over three blog posts into the realm of limited-edition skate decks designed by major artists or, perhaps more accurately, by members of their workshops. In the interest of safety, I must ask all readers to don the proper knee pads, elbow pads, wrist guards, shin guards, and helmets before riding any of the artwork.

Jeff Koons
Untitled (Monkey Train Skate Decks)
Jeff Koons
Untitled (Monkey Train Skate Deck)
Jeff Koons (B. 1955) 
Untitled (Monkey Train Skate Decks)
three skateboards with screenprinting in colour, 2006, 'Monkey Train, JK' printed on the base, from an edition of unknown size, each in the original plastic wrappers, in very good condition
790 x 187 mm. (each) (3)

Price Realized 

    £2,500
  • ($4,380)
  • Sales totals are hammer price plus buyer’s premium and do not reflect costs, financing fees or application of buyer’s or seller’s credits.
Estimate
    £1,500 - £2,000
  • ($2,646 - $3,528)

Sale Information

Sale 5440 Lot 195
11 September 2008 
London, South Kensington

Special Notice

VAT rate of 5% is payable on hammer price and at 15% on the buyer's premium



April 20, 2012 Update:  Here's a more recent auction of a similar set of skate decks by Jeff Koons from the same edition:
Jeff Koons (American, b. 1955) 
Monkey Train Skate Decks
printed with signature and inscription 'Monkey Train/JK' (on base on each deck)
three skateboards with screenprinting in colour 
31 x 7¾ in. (78.8 x 19.8 cm.) 
This work was executed in 2006. (3)

Price Realized

    £4,000
  • ($6,364)
  • Sales totals are hammer price plus buyer’s premium and do not reflect costs, financing fees or application of buyer’s or seller’s credits.
Estimate
    £1,500 - £2,500
  • ($2,375 - $3,958)

Sale Information

Sale 4606 Lot 688
Christie's Interiors 
29 February 2012 

London, South Kensington 
This auction listing added April 20, 2012

Note:  There are no posts here yet on the artwork of Jeff Koons, but I did mention him a couple of times, and I even reproduced an image of his Large Vase of Flowers here.
0286

Wednesday, April 4, 2012

Takashi Murakami Skate Decks

Takashi Murakami's limited-edition skate decks feature three upright cartoon characters: BunBu-Kun, Ponchi-Kun, and Shimon-Kun. As with Damien Hirst's skate decks in yesterday's post,  the edition size is unknown, so it is difficult to assess their rarity and hence their value. It's interesting that a number of contemporary artists have agreed to work in this medium, probably in the hopes of having their work reach younger individuals.


Takashi Murakami
 Shimon-Kun, BunBu-Kun

Takashi Murakami
 Ponchi-Kun

Takashi Murakami (b. 1962) 
BunBu-Kun; Ponchi-kun; Shimon-kun - set of three skate decks 
screenprint in colours, with acrylic, on plywood skate board decks, edition size unknown, published by the artist and Kaikai Kiki Co., Ltd, Tokyo, each in excellent overall condition
806 x 197 x 38 mm. (overall) (3)

Price Realized 

    £1,625
  • ($2,670)
  • Sales totals are hammer price plus buyer’s premium and do not reflect costs, financing fees or application of buyer’s or seller’s credits.
Estimate
    £1,000 - £1,500
  • ($1,667 - $2,501)

Sale Information

Sale 5866 Lot 195
1 July 2009 
London, South Kensington

Special Notice

No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.


Post-Lot Text

(c) 2007 Takashi Murakami Kaikai Kiki Co., Ltd. All Rights Reserved.

Here's another auction of a similar set of Murakami skate decks:

Takashi Murakami (Japanese, b. 1962) 
BunBu-Kun; Ponchi-Kun; Shimon-Kun - set of three Supreme skate decks 

screenprint in colours on plywood skate board decks 
31½ x 8 in. (80 x 20 cm.) (3)

Price Realized

    £3,250
  • ($5,171)
  • Sales totals are hammer price plus buyer’s premium and do not reflect costs, financing fees or application of buyer’s or seller’s credits.
Estimate
    £1,500 - £2,500
  • ($2,375 - $3,958)

Sale Information

Sale 4606 Lot 697
Christie's Interiors 
29 February 2012 
London, South Kensington Post-Lot Text
© 2007 Takashi Murakami Kaikai Kiki Co., Ltd. All Rights Reserved.
Auction listing added April 20, 2012


Note:  My earlier post on Takashi Murakami's Floweball Pink is here.

285

Tuesday, April 3, 2012

Damien Hirst's Spin on Supreme Skate Decks

For me, Damien Hirst's spin art series is difficult to evaluate in the context of fine art. How does it materially differ from the spin art created by anyone else at a carnival or street fair? Here Hirst has created three limited edition designs for Supreme skateboard decks based on his spin art. Unfortunately, the size of the edition is unknown, so the collector who bought these can't really be certain how many more are out there. Would it be reasonable to assume that virtually none of these skate decks were actually used for skateboarding?

Damien Hirst, Supreme Skatedecks - Spin



Damien Hirst (b. 1965) 
Supreme skatedecks - Spin 
the complete set of three polycrome wood decks, serigraph printed in colours, designed by Damien Hirst in conjunction with Supreme, with their red logo on the back, each with the Damien Hirst stamped signature, edition size unknown, in good conditon
787 x 203mm (3)

Price Realized 

    £1,500
  • ($2,414)
  • Sales totals are hammer price plus buyer’s premium and do not reflect costs, financing fees or application of buyer’s or seller’s credits.
Estimate
    £1,000 - £1,500
  • ($1,600 - $2,300)

Sale Information

Sale 2589 Lot 490
6 September 2011
London, South Kensington

Special Notice

Artist's Resale Right ("droit de Suite"). If the Artist's Resale Right Regulations 2006 apply to this lot, the buyer also agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
http://www.christies.com/lotfinder/prints-multiples/damien-hirst-supreme-skatedecks-spin-5468154-details.aspx?from=searchresults&intObjectID=5468154&sid=c198476f-4ce5-40c7-9f11-06136c281e12 


Damien Hirst, Supreme Skatedecks - Spin

284a=405

Monday, April 2, 2012

André François: World Class Chess

André François's exceptional cover for The New Yorker recalls a time when the game of chess captured the attention of the world. For a brief period, world chess championships seemed to encapsulate all the intrigue the Cold War and garnered much news attention, particularly when a U.S. and Soviet player faced each other.


François's brilliant original art is sadly lost, but in this case not from the fire that destroyed his studio. After publication, the original artwork was purchased by a collector from the artist's U.S. representative John Locke, but apparently it was lost in the mail en route to its buyer.


André François, The New Yorker, June 24, 1974

0284

Sunday, April 1, 2012

There's No Fool Like an Old Fool

Happy April Fools Day! First of all, while I am honoring April Fools Day, this is by no means an April Fools joke. You can click on the aqua links if you don't believe me. I generally don't second-guess auction house results and I'm quite willing to let the market pay as much or as little as it likes for artwork. For myself, if I were to be in the fortunate position of being able to pay almost $8,000,000 for a work of art, I would want something a bit more colorful, perhaps a bit more figurative, but, hey, that's just foolish me. This painting is clearly seen as an important, iconic part of the artist's output, and that's fine by me. Really.

This represents an auction record for American artist Christopoher Wool. I would point out that the word Fool differs from the name Wool by only one letter, so there may be something personal or even self-deprecating in the word choice for this painting. But it should be plain to all now that Christopher Wool is no fool. There, I had to say it.

Christopher Wool (b. 1955) 
Untitled
signed, inscribed and dated 'WOOL 1990 W11' (on the reverse) enamel on aluminium 108 x 72in. (274.5 x 182.8cm.) 
Executed in 1990 

Estimate 

    £2,500,000 - £3,500,000
  • ($3,945,000 - $5,523,000)


Price Realized 

    £4,913,250
  • ($7,713,803)
  • Sales totals are hammer price plus buyer’s premium and do not reflect costs, financing fees or application of buyer’s or seller’s credits.

14 February 2012 

London, King Street 
Special NoticeOn occasion, Christie’s has a direct financial interest in lots consigned for sale, which may include guaranteeing a minimum price or making an advance to the consignor that is secured solely by consigned property. Christie’s may choose to assume this financial risk on its own or may contract with a third party for such third party to assume all or part of this financial risk. When a third party agrees to finance all or part of Christie’s interest in a lot, it takes on all or part of the risk of the lot not being sold, and will be remunerated in exchange for accepting this risk out of Christie’s revenues from the sale, whether or not the third party is a successful bidder. The third party may bid for the lot and may or may not have knowledge of the reserves. Where it does so, and is the successful bidder, the remuneration may be netted against the final purchase price. If the lot is not sold, the third party may incur a loss. Christie’s guarantee of a minimum price for this lot has been fully financed through third parties
VAT rate of 5% is payable on hammer price and at 20% on the buyer's premium.

Provenance

Collection of the artist.Luhring Augustine Gallery, New York.Fredrik Roos Collection, Malmo.Private Collection, Los Angeles.
Acquired from the above by the present owner in 2006. 
Pre-Lot Text
PROPERTY OF A DISTINGUISHED EUROPEAN COLLECTOR
Literature
Christopher Wool, exh. cat., Valencia, Institut Valencià d'Art Modern, 2006 (installation view illustrated, p. 11).
M. Thomas, 'Christopher Wool', in Pittsburgh Post Gazette, 28 November 1998 (illustrated). 
Exhibited
Rotterdam, Museum Boijmans Van Beuningen, Christopher Wool - Cats in Bag, Bags in River, 1991. This exhibition later travelled to Bern, Kunsthalle Bern and Cologne, Kölnischer Kunstverein.

Los Angeles, The Museum of Contemporary Art, Christopher Wool, 1998, p. 288, no. 65 (installation view illustrated, p. 62). This exhibition later travelled to Pittsburgh, Carnegie Museum of Art and Basel, Kunsthalle Basel. 



Prior to the sale of this untitled work, the piece by Mr. Wool to achieve the highest price at auction was none other than his somewhat similar Blue Fool.


Christopher Wool (b. 1955) 
Blue Fool 
signed, titled and dated 'WOOL 1990 BLUE FOOL' (on the reverse) 
enamel on aluminumm
108 x 72 in. (274.3 x 182.9 cm.)
Painted in 1990. 

Price Realized 

    $5,010,500
  • Sales totals are hammer price plus buyer’s premium and do not reflect costs, financing fees or application of buyer’s or seller’s credits.
Estimate
    $1,500,000 - $2,000,000

Sale Information

Sale 2314 Lot 43
Post-War and Contemporary Art Evening Sale 
11 May 2010
New York, Rockefeller Plaza

Provenance

Luhring Augustine Gallery, New York
Acquired from the above by the present owner, 1991 
Saleroom Notice
Please note additional literature for the present lot:
Christopher Wool, exh. cat., Valencia, 2006, p. 55 (illustrated in color). 
Literature
B. Ferguson, "Christopher Wool," The Contemporary, Summer 1998, p. 5 (illustrated in color).
M. Thomas, "Christopher Wool Gives Texture, Meaning to Writing on the Wall," Pittsburgh Post-Gazette, 28 November 1998, p. D-10 (illustrated).
G. Shearling, "Drop Dead," Pittsburgh Tribune-Review, 29 November 1998, p. G-2 (illustrated).
Christopher Wool, exh. cat., Valencia, 2006, p. 55 (illustrated in color).
Exhibited
Kunsthalle Wien and Frankfurter Kunstverein, Die Sprache der Kunst, Die Beziehung von Bild und Text in der Kunst des 20. Jahrhunderts, September 1993-February 1994, pp. 21 and 355, no. 533 (illustrated).
Glenside, Beaver College of Art, Word for Word, September-October 1995.
New York, Cheim & Read, I Am The Walrus, June-August 2004.
Los Angeles, Museum of Contemporary Art; Pittsburgh, Carnegie Museum of Art and Kunsthalle Basel, Christopher Wool, July 1998-May 1999, pp. 54 and 288 (illustrated).
Kunsthaus Graz am Landesmuseum Joanneum Lendkai, Warhol Wool Newman, Painting Real, September 2009-January 2010. 




283